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- artist: honjou_raita, honjou_raita (style), ushiwakamaru_(fate), Ushiwakamaru (Fate/Grand Order), copyright: fate/grand_order 1girl. 牛若丸 (Fate/Grand Order)が和風の道場で着物の上に和風の全身甲冑と具足を着ている。 抜刀された日本刀を片手で持って構えている、空の鞘を腰からぶら下げている、鞘に獣の毛の意匠が施されている。 凛々しい顔付きでコチラを見てドヤ顔している。 正面からの視点。やや斜め上から視点。 艶のある唇、靡く髪の毛、脇の下、太腿、躍動感。 牛若丸 (Fate/Grand Order)を強調。 [perfect anatomy, perfect composition, ultra detailed, ultra-detailed texture, 8K, high resolution, ultra quality, masterpiece, illustration.]
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u3
character: ushiwakamaru_(fate), artist: honjou_raita, copyright: fate/grand_order, fate/grand_order_1girl
1girl, ushiwakamaru, solo, long_hair, black_hair, very_long_hair, side_ponytail, hair_bun, parted_bangs, sidelocks, hair_ornament, feather_hair_ornament, blue_eyes, kimono, japanese_armor, kacchu, sode, kusazuri, suneate, detached_sleeves, white_kimono_sleeves, full_body_armor, obi, bare_arms, armpits, bare_legs, thighs, holding_sword, katana, drawn_sword, holding_sword_in_one_hand, combat_stance, sword_stance, empty_scabbard, scabbard_at_waist, fur_trim, animal_fur_motif, from_front, from_above, slightly_angled, looking_at_viewer, smug, doyagao, confident, gallant, glossy_lips, flowing_hair, fluttering_hair, dynamic_pose, motion_blur_wind, dojo, japanese_dojo, wooden_floor, indoor, wind, dramatic_lighting, 1girl_focus, solo_focus, masterpiece, high_resolution, ultra_detailed, vibrant_colors
The camera looks down from a point slightly above and a little to the viewer's right of center, angled so the figure turns her torso a quarter toward the lens while her hips stay side-on. She fills the dojo's center: one knee bent forward and carrying her weight, the other leg trailing back with the foot turned out so the calf and the exposed thigh above the knee guard catch light. The near arm sweeps out and down, hurling the bare armpit and the inside of the raised upper arm toward the camera as the hand grips the katana's tsuka, the blade angled up and out past her shoulder with the kissaki nearer the light and the hamon bright; the far hand hangs relaxed at her hip, fingers curled and thumb out, knuckles just above the empty scabbard's mouth. The lacquered scabbard hangs from the obi cord at her waist, swinging backward, its length wrapped in a shaggy beast-fur band whose tawny and dark-cinnamon strands fan and separate with the motion, one strand escaping to lift free of the lacquer. Over a white kimono with a dark sash, the full kacchu sits in overlapping black-lacquered lames struck along the top edges with a thin vermilion cord; the sode hang out from her shoulders, the kusazuri spread from the waist and slant open over the thigh, and the suneate sheath each shin down to the foot planted on the boards. White detached sleeve fabric blows out from beneath the armor at both wrists, and the kimono hem swings wide across the shin guards as she shifts her weight. Her chin is lifted and tipped a few degrees down toward the lens; one brow arches high, one eyelid half-lowered, lip corners pulled up on one side into a lopsided doyagao, glossy lips catching a bright specular streak along the lower one, her blue eyes fixed forward on the viewer. Long black hair pours out from the bun and ponytail, the feather ornament and ornament jostling above her ear; the sidelocks and a few very long strands stream sideways across her shoulder and past the cheek, parted bangs cut clean over the brows by the movement. Behind her, the dojo's broad floorboards recede in a grid of pale wood, a wall of shoji screens and a dark timber post framing her, and a hanging training-banner made of illegible cloth edges the far upper corner; shallow depth of field softens all of it without losing the floor seams. Light comes from the shoji at her right, cool and diffuse, edging the sword's spine, the tops of the sode, the rim of each fur strand and the sheen of her lips; warm bounce from the wooden floor lifts the underside of the kusazuri and the front of her thighs, and darker shadow wells under the armor's overlaps and behind her trailing leg, where her cast shadow stretches long across the boards away from the screens. Palette holds to black lacquer and vermilion cord, white kimono and sleeve cloth, pale gold wood, with the fur's tawny brown as the one warm intrusion and the steel's cool blue-white completing it. Wind and motion ripple the hair, the sleeves, the kimono hem and the fur without unsettling her grip. Crisp cel-shaded rendering, sharp clean linework and bold graphic contours, glossy highlights and soft gradient transitions, dramatic lighting accents and a vibrant jewel-toned anime palette, character-centric graphic composition, intricate ordered-based costume detail, masterpiece anime illustration quality and resolution, effortlessly stylish and gallant.
Users3333
u3
character: ushiwakamaru_(fate), artist: honjou_raita, copyright: fate/grand_order, fate/grand_order_1girl
1girl, ushiwakamaru, solo, long_hair, black_hair, very_long_hair, side_ponytail, hair_bun, parted_bangs, sidelocks, hair_ornament, feather_hair_ornament, blue_eyes, kimono, japanese_armor, kacchu, sode, kusazuri, suneate, detached_sleeves, white_kimono_sleeves, full_body_armor, obi, bare_arms, armpits, bare_legs, thighs, holding_sword, katana, drawn_sword, holding_sword_in_one_hand, combat_stance, sword_stance, empty_scabbard, scabbard_at_waist, fur_trim, animal_fur_motif, from_front, from_above, slightly_angled, looking_at_viewer, smug, doyagao, confident, gallant, glossy_lips, flowing_hair, fluttering_hair, dynamic_pose, motion_blur_wind, dojo, japanese_dojo, wooden_floor, indoor, wind, dramatic_lighting, 1girl_focus, solo_focus, masterpiece, high_resolution, ultra_detailed, vibrant_colors
The camera looks down from a point slightly above and a little to the viewer's right of center, angled so the figure turns her torso a quarter toward the lens while her hips stay side-on. She fills the dojo's center: one knee bent forward and carrying her weight, the other leg trailing back with the foot turned out so the calf and the exposed thigh above the knee guard catch light. The near arm sweeps out and down, hurling the bare armpit and the inside of the raised upper arm toward the camera as the hand grips the katana's tsuka, the blade angled up and out past her shoulder with the kissaki nearer the light and the hamon bright; the far hand hangs relaxed at her hip, fingers curled and thumb out, knuckles just above the empty scabbard's mouth. The lacquered scabbard hangs from the obi cord at her waist, swinging backward, its length wrapped in a shaggy beast-fur band whose tawny and dark-cinnamon strands fan and separate with the motion, one strand escaping to lift free of the lacquer. Over a white kimono with a dark sash, the full kacchu sits in overlapping black-lacquered lames struck along the top edges with a thin vermilion cord; the sode hang out from her shoulders, the kusazuri spread from the waist and slant open over the thigh, and the suneate sheath each shin down to the foot planted on the boards. White detached sleeve fabric blows out from beneath the armor at both wrists, and the kimono hem swings wide across the shin guards as she shifts her weight. Her chin is lifted and tipped a few degrees down toward the lens; one brow arches high, one eyelid half-lowered, lip corners pulled up on one side into a lopsided doyagao, glossy lips catching a bright specular streak along the lower one, her blue eyes fixed forward on the viewer. Long black hair pours out from the bun and ponytail, the feather ornament and ornament jostling above her ear; the sidelocks and a few very long strands stream sideways across her shoulder and past the cheek, parted bangs cut clean over the brows by the movement. Behind her, the dojo's broad floorboards recede in a grid of pale wood, a wall of shoji screens and a dark timber post framing her, and a hanging training-banner made of illegible cloth edges the far upper corner; shallow depth of field softens all of it without losing the floor seams. Light comes from the shoji at her right, cool and diffuse, edging the sword's spine, the tops of the sode, the rim of each fur strand and the sheen of her lips; warm bounce from the wooden floor lifts the underside of the kusazuri and the front of her thighs, and darker shadow wells under the armor's overlaps and behind her trailing leg, where her cast shadow stretches long across the boards away from the screens. Palette holds to black lacquer and vermilion cord, white kimono and sleeve cloth, pale gold wood, with the fur's tawny brown as the one warm intrusion and the steel's cool blue-white completing it. Wind and motion ripple the hair, the sleeves, the kimono hem and the fur without unsettling her grip. Crisp cel-shaded rendering, sharp clean linework and bold graphic contours, glossy highlights and soft gradient transitions, dramatic lighting accents and a vibrant jewel-toned anime palette, character-centric graphic composition, intricate ordered-based costume detail, masterpiece anime illustration quality and resolution, effortlessly stylish and gallant.
Users3333
u3
character: ushiwakamaru_(fate), artist: honjou_raita, copyright: fate/grand_order, fate/grand_order_1girl
1girl, ushiwakamaru, solo, long_hair, black_hair, very_long_hair, side_ponytail, hair_bun, parted_bangs, sidelocks, hair_ornament, feather_hair_ornament, blue_eyes, kimono, japanese_armor, kacchu, sode, kusazuri, suneate, detached_sleeves, white_kimono_sleeves, full_body_armor, obi, bare_arms, armpits, bare_legs, thighs, holding_sword, katana, drawn_sword, holding_sword_in_one_hand, combat_stance, sword_stance, empty_scabbard, scabbard_at_waist, fur_trim, animal_fur_motif, from_front, from_above, slightly_angled, looking_at_viewer, smug, doyagao, confident, gallant, glossy_lips, flowing_hair, fluttering_hair, dynamic_pose, motion_blur_wind, dojo, japanese_dojo, wooden_floor, indoor, wind, dramatic_lighting, 1girl_focus, solo_focus, masterpiece, high_resolution, ultra_detailed, vibrant_colors
The camera looks down from a point slightly above and a little to the viewer's right of center, angled so the figure turns her torso a quarter toward the lens while her hips stay side-on. She fills the dojo's center: one knee bent forward and carrying her weight, the other leg trailing back with the foot turned out so the calf and the exposed thigh above the knee guard catch light. The near arm sweeps out and down, hurling the bare armpit and the inside of the raised upper arm toward the camera as the hand grips the katana's tsuka, the blade angled up and out past her shoulder with the kissaki nearer the light and the hamon bright; the far hand hangs relaxed at her hip, fingers curled and thumb out, knuckles just above the empty scabbard's mouth. The lacquered scabbard hangs from the obi cord at her waist, swinging backward, its length wrapped in a shaggy beast-fur band whose tawny and dark-cinnamon strands fan and separate with the motion, one strand escaping to lift free of the lacquer. Over a white kimono with a dark sash, the full kacchu sits in overlapping black-lacquered lames struck along the top edges with a thin vermilion cord; the sode hang out from her shoulders, the kusazuri spread from the waist and slant open over the thigh, and the suneate sheath each shin down to the foot planted on the boards. White detached sleeve fabric blows out from beneath the armor at both wrists, and the kimono hem swings wide across the shin guards as she shifts her weight. Her chin is lifted and tipped a few degrees down toward the lens; one brow arches high, one eyelid half-lowered, lip corners pulled up on one side into a lopsided doyagao, glossy lips catching a bright specular streak along the lower one, her blue eyes fixed forward on the viewer. Long black hair pours out from the bun and ponytail, the feather ornament and ornament jostling above her ear; the sidelocks and a few very long strands stream sideways across her shoulder and past the cheek, parted bangs cut clean over the brows by the movement. Behind her, the dojo's broad floorboards recede in a grid of pale wood, a wall of shoji screens and a dark timber post framing her, and a hanging training-banner made of illegible cloth edges the far upper corner; shallow depth of field softens all of it without losing the floor seams. Light comes from the shoji at her right, cool and diffuse, edging the sword's spine, the tops of the sode, the rim of each fur strand and the sheen of her lips; warm bounce from the wooden floor lifts the underside of the kusazuri and the front of her thighs, and darker shadow wells under the armor's overlaps and behind her trailing leg, where her cast shadow stretches long across the boards away from the screens. Palette holds to black lacquer and vermilion cord, white kimono and sleeve cloth, pale gold wood, with the fur's tawny brown as the one warm intrusion and the steel's cool blue-white completing it. Wind and motion ripple the hair, the sleeves, the kimono hem and the fur without unsettling her grip. Crisp cel-shaded rendering, sharp clean linework and bold graphic contours, glossy highlights and soft gradient transitions, dramatic lighting accents and a vibrant jewel-toned anime palette, character-centric graphic composition, intricate ordered-based costume detail, masterpiece anime illustration quality and resolution, effortlessly stylish and gallant.
Users3333
u3
character: ushiwakamaru_(fate), artist: wada_arco, copyright: fate/grand_order, fate/grand_order_1girl
1girl, solo, ushiwakamaru, long black hair, very long hair, side ponytail, hair bun, parted bangs, sidelocks, feather hair ornament, blue eyes, sharp expressive eyes, glossy detailed irises, dignified smug face, doyagao, confident lopsided smirk, raised eyebrow, looking at viewer, glossy lips, wet glossy lips, kimono, white kimono with red accents, japanese full-body armor, do-maru armor, sode shoulder guards, kusazuri skirt plates, suneate shin guards, bare armpits, visible armpits, bare thighs, visible thighs, bare feet, holding katana, drawn katana, one-handed grip, ready stance, sword held out to the side, empty scabbard at waist, scabbard with beast fur motif, fur-wrapped scabbard, wind-blown hair, flowing hair, hair blown to one side, dynamic pose, dynamic motion, sense of speed, motion blur on hair tips, front view, from above, slightly high angle, dutch angle, cowboy shot, cinematic depth of field, vibrant punchy colors, soft cel shading, glossy skin, crisp hair highlights, glowing particle effects, floating debris, japanese dojo interior, wooden training hall, shoji screens, polished wooden floor, emphasis on subject, masterpiece, ultra detailed, high resolution
Slightly high three-quarter overhead view from in front of the figure, camera above her eye level so the floor and the sweep of the hall drop away behind her shoulders; she fills the frame from mid-thigh to just above the top of her head, wide-planted and unbothered by the tilt. Black hair with a single feather ornament is dragged hard to her left by a cross-breeze, the side ponytail and sidelocks snapping out sideways while the parted bangs stay on her brow; the long loose ends cut across the dojo's white shoji panels. Her chin tips up and she looks straight into the lens with half-lidded blue eyes and a proud, lopsided smirk, one brow arched, lower lip catching the light in a wet glossy highlight.
She stands in a half-turn ready stance, weight sunk on her back right leg with the front left foot placed forward and toes gripping the polished boards, hips opened slightly to the camera. The kimono under the armor is white with red binding at the collar, its sleeves tucked and bound back so both underarms are fully bare and lifted, the skin under each arm smooth and lit from the side. Over it the lacquered armor sits close: a chest plate laced in red and black cord, large square sode plates riding on her shoulders, a fan of kusazuri plates flaring over her hips, and strapped suneate guarding each shin, leaving the bare thighs between the kusazuri hem and the shin guards exposed and catching a long glossy sheen. Her right hand grips the wrapped hilt of a drawn katana, blade angled low and forward across the front of her body, edge up, the steel throwing a thin white reflection; her left hand is open and low at her side, fingers spread. From the left side of her waist hangs the empty scabbard, mouth open and hollow, its body wrapped in a beast-fur design of black and tawny strands that sway with her motion.
The dojo is medium-scale around her: dark polished wooden floorboards running toward the camera, paper shoji screens on the left throwing soft cool light, a low wooden rail and a hanging scroll with illegible brushwork on the right, rafters lost above her in warm shadow. One warm source comes from a high window on her right and one cool source from the shoji on her left, so a cool rim traces her left shoulder plate and hair while the warm key lays a bright edge down the right side of her face, throat, raised armpit and forward thigh; her cast shadow stretches away behind her heel across the boards. Dust and flecks of debris drift in the cross-light, and the loose fur strands of the scabbard and the tips of her hair all stream the same direction, evidence of the single gust moving through the hall. Palette of lacquer red, black cord, white paper and pale skin, with the steel and the glossy lips as the only hard whites. Effortlessly confident, sharp and charged.
Users3333
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