Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "ゆっくりでいいからね" featuring #Blue Archive and #Tsuchinaga Hiyori
Generate New ArtworkGenerate for FreeGenerate for Free

ゆっくりでいいからね

先生が慌てなくていいよと励ましてます。

#Blue Archive#Tsuchinaga Hiyori
Avatar image of もりりん（森林）
avatar-frame

もりりん（森林）

More to See

Comments

character: hiyori_(blue_archive). A tight head-and-shoulders close-up portrait at very close range, framed so Hiyori's crown and the top of her beret just kiss the upper edge of the frame, her shoulders and the very top of her chest reach the lower edge of the frame, and the vertical edges of the frame cut tight against her hair and her shoulder. There is no empty side padding — Hiyori fills the frame. There is only one character in this picture. Hiyori is THE ONLY PERSON in the frame. No second figure exists anywhere in the frame, anywhere in the bokeh, anywhere at any edge or any corner. There is no teacher hand at the lower left corner, no teacher hand at the lower right corner, no teacher hand at the upper left, no teacher hand at the upper right, no teacher hand creeping in from any side of the frame. No teacher's palm, fingers, wrist, shirt cuff, sleeve hem. No teacher hand resting on her shoulder, no teacher hand on her back, no teacher hand on her waist, no teacher hand holding her head, no teacher hand clasping her hand, no teacher hand brushing her cheek. No teacher's forearm, shoulder, arm, thigh, knee, foot, face, finger, neck, hair anywhere in the frame. No second silhouette, no second adult, no second human. There is no one else in this picture. Only Hiyori. Costume (official artwork): dark navy military beret with short flat brim, bright cyan four-pointed star sparkle on the crown with two smaller cyan sparkles above; long mint-aqua hair with long uneven bangs across one eye and a long side tail streaming past her shoulders; thick white scarf looped around her neck, upper fold under her chin. HER TOP IS WHITE AND IT HAS SLEEVES — short white sleeves covering both her shoulders to just above her elbows with a soft puff at the shoulder and a slightly rolled cuff edge, sleeve caps right beside the dark navy vest edges. Below the sleeves her skin is bare to wrist, both hands bare, no gloves. Over the white top a sleeveless dark navy tactical vest with black webbing straps, silver buckles, a chest rig of small pouches. A pale lavender-white long cape with white feathered edging, fastened on her shoulders and falling behind her in two long wing-like panels ending in a fine white feather fringe; the lower portions cut offscreen at her shoulder blade line. A pale grey harness strap crosses her chest. Slab case: slung flat across her back on wide dark navy webbing, mostly out of frame, but the dark navy webbing strap is visible across her right shoulder and the upper chamfered tip of the slab rises diagonally past her right shoulder, the lit pale lavender-white X-shaped four-pointed cross panel on the slab end face just visible as a small extra detail at the upper edge of the frame, well separated from her body by the pale cape. Hands at chin-front in a tender prayer-clasp: SHE HAS EXACTLY TWO ARMS AND EXACTLY TWO HANDS, one hand per arm, each hand has exactly five digits — one thumb and four fingers, ten digits in total in the picture. HER right arm rises from HER OWN right shoulder, HER left arm rises from HER OWN left shoulder. The hands meet just under her lower lip, palms flat together palm-to-palm, four clean vertical finger-pair columns running up along the centreline with rounded mirror fingertips meeting head-to-head in a tidy row, and two thumbs resting gently side by side along the upper front edge without crossing or fusing. The clasp sits close to her chin in a bashful-protective gesture, fingers reaching just past her lower lip line, the clasp well clear of her cheeks and eyes. HER prayer-clasp is the only pair of hands in this frame. Expression: an earnest heartfelt plea with a deep bashful reserve. She looks toward the camera through half-lowered dark lashes — half-shy, half-pleading. Her eyebrows: inner tips lifted, outer tips pulled down, an earnest worry with bashful hesitation at its edges. Her cheeks carry a deep warm pink bashful blush, deeper than bashful mortified, the colour of accumulated courage and bashful hope. Her mouth is parted just slightly with a bashful breath at the threshold of speech. Her chin is tilted slightly down in a bashful modest tilt. Her lashes are wet and slightly glossy. Below each lower lash, a few tiny teardrops sit held by surface tension catching warm light. Background: a single soft pale periwinkle vertical painterly gradient fills the entire background, evenly lit with a warm golden raking light catching the right edge of her hair, her beret, her scarf. NO OFFICE, NO BOOKSHELF, NO WINDOW, NO FURNITURE, NO DESK, NO CHAIR, NO TABLE, NO SHELF, NO ROOM INTERIOR of any kind, NO POT, NO PLANT, NO BOOK, NO PILE OF PAPERS, NO LAMP. The background is gradient only. Painterly anime illustration, high detail, head-and-shoulders close-up with shallow depth of field, bashful earnest tender mood, only Hiyori.
Show Parameters
Mode
lite
Size
1152 x 1536

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.02k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile