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- Original Prompt
- ##全体品質・スタイル設定 (best quality), (ultra highres), (very aesthetic), (HDR effect), (extremely detailed CG unity 8k wallpaper), (depth of field), (vibrant colors), (cinematic vividness), (intricate colors), (vibrant colors), (ray tracing), (best lighting), (glowing), (glowing particles), (beautiful detailed eyes), (Perfect human body depiction), (Beautiful skin tones), (EyesHD:1.2), (elaborately designed clothes), (detailed background), 浮世絵、 日本画、 ### Camerawork, character focus, ### Camerawork, dramatic perspective, cinematic angle, character focus, cowboy shot, from above, cinematic close-up, dramatic lighting, character is depicted large in the center, cinematic leading lines, dynamic foreshortening, dramatic perspective, ###キャラクター1: (A young man, A cyberpunk resident, Happily singing while chopping pumpkins with a hatchet, (A young man with black hair featuring fluorescent purple highlights, wearing work overalls and gloves,)) 楽しそうに大笑い、 リラックスして立っている、 やや前屈み、 地面に転がるジャックオーランタンを両手で持ち上げようとする、 ###背景: (日常と未来が混在するサイバーパンク都市), (和風サイバーパンク神社), 早朝、 美しい青空, 登ってくる美しいオレンジ色の朝日、 差し込む激しく美しい日光、 長く続く鳥居の列, ネオンの光を反射する漆塗りの鳥居, 石畳の参道, 鬱蒼とした竹林, 赤く発光するサイバーパンク風提灯, 路面には無数のジャックオーランタンが転がっている, (ジャックオーランタン: ひっくり返ったり、横向きにさせる、) ###シーン: 街を侵略するジャックオーランタン軍団を撃破, 勝利で迎える朝、 少年向けバトル漫画の雰囲気, 圧倒的な迫力, ダイナミックな構図, 映画的演出,
- Size
- 1280 x 768
- Sampling Steps
- 15
- Sampling Method
- DDIM
- CFG Scale
- 5.6
- Negative
- lowres, (worst quality, bad quality:1.2), 3d, realistic, photorealistic, watermark, censored,
Face Fix
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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