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Karakoram モンゴル帝国の首都カラコルム

今やほぼ何ものこっていないためAIに想像図として描かせたものですので、モデルによって描く姿も全然違います。Tsubaki.3では、モンゴル平原に高い城壁に囲まれた然程大きくない城砦として描きました。Tsubaki.2ではまったく変わります。

#Sky#Outdoors#Scenery#Grass#Tree#Cloud#Pagoda#Smoke#No humans#Architecture#Castle#Building#Rooftop#Daytime#Blue sky
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wide shot, no humans, landscape, cityscape, historical fantasy, 13th century Mongolian imperial capital, walled city, earthen rampart walls, four-corner gate towers, central palace on raised platform, Chinese-style tiled roofs, felt yurts inside the walls, Buddhist temple with white stupa, market square, dirt roads, layered depth, from above, elevated camera, bird's-eye perspective, hazy atmosphere, cold steppe light, muted palette, painted illustration, fine linework, matte texture. An elevated bird's-eye view from a low hill just outside the walls, looking down across a walled city that stands alone on a vast wind-scoured steppe under an immense pale-blue sky. The earthen rampart of packed ochre clay runs in a long quadrilateral, four square gate towers rising at the corners with dark timber-lintelled openings, a herd of shaggy horses small on the road outside the south gate to give the wall its scale. Inside the walls, the streets are broad packed-earth ways cross-hatched by cart ruts, and the city reads as two halves: near the centre-north a walled palace compound on a raised earthen platform, approached by a broad stepped ramp and enclosed by its own brick wall with a gatehouse, its main hall a long timber-framed building with a high hipped roof of grey-green glazed tile, ridge ornaments and upturned eaves — the one structure whose roof geometry is unmistakably Chinese rather than steppe. Around the palace, scattered across the rest of the walled area, dozens of round felt yurts with pale grey-white canvas and dark door-flaps sit behind low fences, their ropes taut and their smoke-rings trailing thin smoke that bends all in one direction with the wind; between them, a white-domed Buddhist stupa with a tapering finial stands in its own walled court, and a long low temple hall with red pillars and a tiled roof beside it. In the east quarter a grid of market stalls, canvas awnings and tethered ox-carts, a few human figures reduced to small dark vertical strokes moving along the lanes. Beyond the walls the grass steppe extends to the horizon, where a low ridge of mountains fades into haze; nothing else interrupts the emptiness. The single light source is a cold, low sun from the west, raking across the city so that the western faces of the ramparts, the stupa's dome and the palace's tiled roof flare warm while long shadows stretch east from every wall and building, and the streets between the yurts sit in soft cool shade. The palette is held to ochre clay, pale felt grey, weathered timber brown, grey-green tile, muted grass olive and pale sky blue, no saturated accent anywhere. The wind is legible in the bend of the smoke and the taut guy-ropes of the yurts, and the distances stay hazy and soft-edged in the far ridge. Quiet, monumental. anime illustration, great quality, best quality
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Original Prompt
wide shot, no humans, landscape, cityscape, historical fantasy, 13th century Mongolian imperial capital, walled city, earthen rampart walls, four-corner gate towers, central palace on raised platform, Chinese-style tiled roofs, felt yurts inside the walls, Buddhist temple with white stupa, market square, dirt roads, layered depth, from above, elevated camera, bird's-eye perspective, hazy atmosphere, cold steppe light, muted palette, painted illustration, fine linework, matte texture An elevated bird's-eye view from a low hill just outside the walls, looking down across a walled city that stands alone on a vast wind-scoured steppe under an immense pale-blue sky. The earthen rampart of packed ochre clay runs in a long quadrilateral, four square gate towers rising at the corners with dark timber-lintelled openings, a herd of shaggy horses small on the road outside the south gate to give the wall its scale. Inside the walls, the streets are broad packed-earth ways cross-hatched by cart ruts, and the city reads as two halves: near the centre-north a walled palace compound on a raised earthen platform, approached by a broad stepped ramp and enclosed by its own brick wall with a gatehouse, its main hall a long timber-framed building with a high hipped roof of grey-green glazed tile, ridge ornaments and upturned eaves — the one structure whose roof geometry is unmistakably Chinese rather than steppe. Around the palace, scattered across the rest of the walled area, dozens of round felt yurts with pale grey-white canvas and dark door-flaps sit behind low fences, their ropes taut and their smoke-rings trailing thin smoke that bends all in one direction with the wind; between them, a white-domed Buddhist stupa with a tapering finial stands in its own walled court, and a long low temple hall with red pillars and a tiled roof beside it. In the east quarter a grid of market stalls, canvas awnings and tethered ox-carts, a few human figures reduced to small dark vertical strokes moving along the lanes. Beyond the walls the grass steppe extends to the horizon, where a low ridge of mountains fades into haze; nothing else interrupts the emptiness. The single light source is a cold, low sun from the west, raking across the city so that the western faces of the ramparts, the stupa's dome and the palace's tiled roof flare warm while long shadows stretch east from every wall and building, and the streets between the yurts sit in soft cool shade. The palette is held to ochre clay, pale felt grey, weathered timber brown, grey-green tile, muted grass olive and pale sky blue, no saturated accent anywhere. The wind is legible in the bend of the smoke and the taut guy-ropes of the yurts, and the distances stay hazy and soft-edged in the far ridge. Quiet, monumental.,.
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standard
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1536 x 1184

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