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View detailsRyo Shiratake
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- Original Prompt
- イケメンスーパーヒーロー(片目が隠れる程長い前髪に若い、スーパーヒーローアイマスクカッコ、いい光沢があるスーパーヒーロースーツを着て、光沢があるスーパーヒーローパンツを履いている大変若く美しい中性的な18歳美少年長身美形)
- Mode
- flash
- Size
- 992 x 992
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Show more1boy, solo, handsome male superhero, tall, very young androgynous beautiful 18-year-old boy, slender androgynous build, long legs, beautiful face, long bangs covering one eye, one eye hidden by hair, superhero eye mask, glossy superhero suit, skintight glossy bodysuit, glossy superhero pants, full-body, from below, low angle, looking down at viewer, one hand raised, cape, empty seamless dark studio, dramatic rim light, dutch angle
The camera sits low and close, tipped a few degrees off level, looking up the length of one tall, slender, androgynous eighteen-year-old boy so that he reads as towering — hips at the horizon line, long legs running down to the bottom edge of the frame, shoulders near the top. He stands with his weight carried entirely on his right leg, left leg relaxed and slightly forward, right hip pushed out, torso twisted a quarter-turn away from the lens so the chest and shoulder line read as a diagonal. His left arm is raised, elbow bent, hand open and lifted beside his head as if catching something that has not yet arrived, fingers spread; his right hand rests flat on his right thigh, thumb hooked at the seam of the glossy pants. His chin is tipped down toward the camera, and the single visible eye — the left one — looks straight down into the lens with a level, unsmiling calm; the right eye and the right side of his face are completely erased from view by the long straight fall of bangs that sweeps down past his cheekbone and ends near his jaw. The bangs are the deepest blue-black, glossy, parted with a clean edge, and the rest of the hair is cut short and fine at the nape, so the asymmetry is the whole silhouette. His face is smooth and very young, delicate jaw, small nose, full lower lip, the faintest lift at one corner of the mouth — a look that is beautiful and slightly cold rather than cheerful. The superhero eye mask is a snug solid piece of matte black material fitted across the left eye's socket and temple, its lower edge cut in a sharp wing toward the cheekbone, sitting under the hair rather than over it. The suit is a single skintight glossy bodysuit, deep midnight navy with a subtle blue iridescence, the surface wet-looking and tight enough to describe the line of the ribs and the flat plane of the stomach, high collar at the throat, no visible seams except one straight line down the center of the chest. The glossy superhero pants are the same material and the same navy, skin-tight down the thigh and calf and ending in a pair of glossy boots that reach mid-shin. Every highlight is a long vertical smear of light down the chest, the outer thigh and the shin, and the same sheen catches the lowered forearm. A short cape of the same glossy material hangs from his shoulders and swings out behind his right hip, and where it swings the light bending along its fold is the only thing in the frame that proves there is air moving.
The environment is a completely empty, seamless charcoal-black studio void, no floor line, no props, nothing but a soft pool of darkness under the boots — a single hard, cool white light from above and behind his left shoulder rims the edge of his shoulder, the top of the cape, the glossy thigh, and leaves the front of him in a deep navy dusk; a very faint blue bounce from below catches the underside of his jaw and the raised hand. No other light source exists; beyond the rim and the bounce the black is absolute. Palette is restricted to midnight navy, blue-black hair, matte black mask, and that one cold white rim — nothing else is admitted. The details go to the sheen, the fall of the bangs, the open hand, and the long vertical lines of the suit; the background stays empty on purpose. Cool, magnetic, quietly arrogant.
Ryo Shiratake
1boy, solo, handsome male superhero, tall, very young androgynous beautiful 18-year-old boy, slender androgynous build, long legs, beautiful face, long bangs covering one eye, one eye hidden by hair, superhero eye mask, glossy superhero suit, skintight glossy bodysuit, glossy superhero pants, full-body, from below, low angle, looking down at viewer, one hand raised, cape, empty seamless dark studio, dramatic rim light, dutch angle
The camera sits low and close, tipped a few degrees off level, looking up the length of one tall, slender, androgynous eighteen-year-old boy so that he reads as towering — hips at the horizon line, long legs running down to the bottom edge of the frame, shoulders near the top. He stands with his weight carried entirely on his right leg, left leg relaxed and slightly forward, right hip pushed out, torso twisted a quarter-turn away from the lens so the chest and shoulder line read as a diagonal. His left arm is raised, elbow bent, hand open and lifted beside his head as if catching something that has not yet arrived, fingers spread; his right hand rests flat on his right thigh, thumb hooked at the seam of the glossy pants. His chin is tipped down toward the camera, and the single visible eye — the left one — looks straight down into the lens with a level, unsmiling calm; the right eye and the right side of his face are completely erased from view by the long straight fall of bangs that sweeps down past his cheekbone and ends near his jaw. The bangs are the deepest blue-black, glossy, parted with a clean edge, and the rest of the hair is cut short and fine at the nape, so the asymmetry is the whole silhouette. His face is smooth and very young, delicate jaw, small nose, full lower lip, the faintest lift at one corner of the mouth — a look that is beautiful and slightly cold rather than cheerful. The superhero eye mask is a snug solid piece of matte black material fitted across the left eye's socket and temple, its lower edge cut in a sharp wing toward the cheekbone, sitting under the hair rather than over it. The suit is a single skintight glossy bodysuit, deep midnight navy with a subtle blue iridescence, the surface wet-looking and tight enough to describe the line of the ribs and the flat plane of the stomach, high collar at the throat, no visible seams except one straight line down the center of the chest. The glossy superhero pants are the same material and the same navy, skin-tight down the thigh and calf and ending in a pair of glossy boots that reach mid-shin. Every highlight is a long vertical smear of light down the chest, the outer thigh and the shin, and the same sheen catches the lowered forearm. A short cape of the same glossy material hangs from his shoulders and swings out behind his right hip, and where it swings the light bending along its fold is the only thing in the frame that proves there is air moving.
The environment is a completely empty, seamless charcoal-black studio void, no floor line, no props, nothing but a soft pool of darkness under the boots — a single hard, cool white light from above and behind his left shoulder rims the edge of his shoulder, the top of the cape, the glossy thigh, and leaves the front of him in a deep navy dusk; a very faint blue bounce from below catches the underside of his jaw and the raised hand. No other light source exists; beyond the rim and the bounce the black is absolute. Palette is restricted to midnight navy, blue-black hair, matte black mask, and that one cold white rim — nothing else is admitted. The details go to the sheen, the fall of the bangs, the open hand, and the long vertical lines of the suit; the background stays empty on purpose. Cool, magnetic, quietly arrogant.
Ryo Shiratake
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