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AI art "블리치 쿠로사키 잇시키? 도시를 배경으로 한 멋진 검사" featuring #Black and white, #Bleach, #long hair, #Japanese sword, #Suit, #Greyscale, #Boy and #Swordsman
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블리치 쿠로사키 잇시키? 도시를 배경으로 한 멋진 검사

블리치의 매력적인 캐릭터를 모노크롬 스타일로 그려봤어요. 도시를 배경으로 칼을 든 모습이 정말 인상적이죠? 제가 정말 좋아하는 작품이라 정성을 담아 작업했습니다. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 응원해주시면 더 좋은 작품으로 찾아올게요.

#Black and white#Bleach#long hair#Japanese sword#Suit#Greyscale#Boy#Swordsman
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character: hirako_shinji, artist: hirako, kubo_tite 1boy, solo, hirako shinji, blonde hair, long hair, blunt bangs, brown eyes, upper body, coat, open coat, collared shirt, necktie, striped necktie, smile, lopsided grin, half-closed eyes, looking at viewer, holding sword, katana, sakanade shikai, reversed blade, guillotine-shaped guard, upside-down city, inverted buildings, city background, ink brush lettering, 逆撫, monochrome, greyscale, from below, dutch angle, high contrast ink illustration The camera looks up from street level with a slight dutch tilt, so the frame is dominated not by ground but by the underside of a city that hangs overhead: office towers and apartment blocks growing downward from the top edge of the image, their windows and signboards inverted, antennae and balconies pointing at the sky like stalactites, one long avenue of reversed streetlights receding into a pale grey void at the upper left. In the lower two-thirds, seen from below in upper-body framing cropped at the waist, a man with long straight blonde hair and blunt bangs cut straight across his brow leans his head back and to his right, chin lifted, one shoulder dropped lower than the other. His coat is a long dark overcoat with the collar turned up and the front hanging open, a pale collared shirt beneath it, and a dark necktie with fine diagonal stripes knotted at his throat, the tie's tip lifting slightly away from his chest as though the air around him were moving upward. His smile is lopsided and confident, one corner of the mouth pulled higher, one eye narrowed under the fall of his bangs while the other holds the viewer directly; his head tilts so the bangs break across his brow at an angle. His right hand grips the hilt of a katana held upright across his body, blade angled back over his shoulder, the sword's silhouette unmistakable: the wide guillotine-shaped guard with its two hollow cut-outs, and a blade whose edge geometry reads wrong way round, the cutting edge on the back and the blunt spine forward, so the light catches the flat where a bevel should be. His fingers wrap the dark-wrapped hilt with the index finger extended along it; the pommel rests near his collarbone. The back of the coat's raised collar cuts across the lower edge of the inverted skyline behind him. Behind and to the right of his head, filling the upper right quadrant of the frame, the single word 「逆撫」 is brushed in black ink on the pale ground of the inverted city — two characters, thick at the entry stroke, tapering and fraying into dry-brush streaks at the ends, with a run of ink spatter and one drip hanging from the lower stroke. The brushwork sits on the picture plane itself, overlapping the inverted buildings rather than painted on them, and its scale is large — each character roughly the height of his head. The whole image is monochrome: black ink, white paper, and a graded range of greys, with deep blacks in the coat, the tie and the sword's guard, mid-greys in the inverted windows and the ink strokes' dry edges, and the brightest white reserved for his hair and shirt front. A single light comes from below and in front of him, striking the underside of his chin, the inside edge of the coat collar and the flat of the reversed blade, throwing the upper half of his face into shadow beneath the bangs and darkening the top edge of the frame where the city's inverted towers mass together. Fine screentone dots texture the distant buildings; the ink word stays solid and wet. Effortlessly stylish, quietly dangerous.
Show Parameters
Original Prompt
hirako shinji, upside-down city, coat, city, the word"逆撫" is written by ink in background, upper body, smile, necktie, sakanade (shikai), kubo tite (style), monochrome
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

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Tsubaki.3
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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