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AI artwork featuring #Lucy, #David Martinez and #Cyberpunk
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Lucy, David Martinez

#Lucy#David Martinez#Cyberpunk
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character: david_martinez, lucy_(cyberpunk), copyright: cyberpunk:_edgerunners, cyberpunk_edgerunners character: david_martinez, character: lucy_(cyberpunk) — Cyberpunk: Edgerunners alternate happy ending, travel scene drawn in Studio Trigger's bold anime style with clean cel shading. Interior of a sleek autonomous taxi gliding through an early-morning Tokyo expressway: there is no driver's seat at all — just a smooth minimalist dashboard with a soft glowing AI assistant display and navigation hologram in Japanese, the steering area replaced by a clean flat panel. In the back seat, David Martinez, an Arasaka employee on his first business trip to Japan, sits in his dark corporate suit with the red tie still neat, leaning slightly toward the window. Beside him, Lucy — a young woman with a short white bob with pastel highlights and red eyeliner, in her loose travel jacket — presses closer to the glass beside him, both of them gazing out as the car emerges from a long highway tunnel. Ahead of them the tunnel mouth opens onto the city: the Tokyo skyline spreading out in the pale dawn light — dense buildings, elevated highways curving between them, distant towers catching the first orange sunlight, a faint lavender-and-blue morning sky above, soft haze on the horizon. The tunnel's cool fluorescent light gives way to warm golden morning glow flooding through the window onto their faces, Lucy's white hair and David's cheek lit softly, her eyes wide with quiet wonder, his expression proud and a little excited as he points at something in the distance. Viewed from inside the car at a three-quarter angle across the back seat, the window framing the city like a screen, reflections of the dashboard hologram faintly on the glass, luggage in the far seat, quiet and tender mood of two travelers arriving somewhere brand new together, soft dawn lighting, rich Trigger-style color contrast, clean bold linework.
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Original Prompt
character: david_martinez, character: lucy_(cyberpunk) — Cyberpunk: Edgerunners alternate happy ending, travel scene drawn in Studio Trigger's bold anime style with clean cel shading. Interior of a sleek autonomous taxi gliding through an early-morning Tokyo expressway: there is no driver's seat at all — just a smooth minimalist dashboard with a soft glowing AI assistant display and navigation hologram in Japanese, the steering area replaced by a clean flat panel. In the back seat, David Martinez, an Arasaka employee on his first business trip to Japan, sits in his dark corporate suit with the red tie still neat, leaning slightly toward the window. Beside him, Lucy — a young woman with a short white bob with pastel highlights and red eyeliner, in her loose travel jacket — presses closer to the glass beside him, both of them gazing out as the car emerges from a long highway tunnel. Ahead of them the tunnel mouth opens onto the city: the Tokyo skyline spreading out in the pale dawn light — dense buildings, elevated highways curving between them, distant towers catching the first orange sunlight, a faint lavender-and-blue morning sky above, soft haze on the horizon. The tunnel's cool fluorescent light gives way to warm golden morning glow flooding through the window onto their faces, Lucy's white hair and David's cheek lit softly, her eyes wide with quiet wonder, his expression proud and a little excited as he points at something in the distance. Viewed from inside the car at a three-quarter angle across the back seat, the window framing the city like a screen, reflections of the dashboard hologram faintly on the glass, luggage in the far seat, quiet and tender mood of two travelers arriving somewhere brand new together, soft dawn lighting, rich Trigger-style color contrast, clean bold linework.
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: david_martinez, lucy_(cyberpunk), copyright: cyberpunk:_edgerunners, cyberpunk_edgerunners character: david_martinez, character: lucy_(cyberpunk) — Cyberpunk: Edgerunners first-meeting scene, drawn in Studio Trigger's bold anime style with clean cel shading. A neon-lit Night City backstreet at night. David Martinez, a young man in a crisp dark Arasaka corporate suit with a red tie, corporate badge lanyard around his neck, short brown hair neatly styled, has just spotted Lucy — a young woman with a short white bob with pastel highlights and red eyeliner, wearing her casual off-shoulder top and jacket — and raises one hand in an awkward friendly wave, a hopeful but slightly nervous smile on his face. Lucy stands a few steps away, clearly wary and guarded: arms crossed tightly over her chest, weight shifted back on her heels, body angled away from him, eyes narrowed in a cool distrustful glare as she sizes up the corp-suit boy in front of her, chin slightly raised, unimpressed. The distance between them is deliberate — she keeps her space. Rows of glowing pink, cyan and amber shop signs tower overhead, holographic ads drifting past, wet asphalt streaked with neon reflections, steam rising from a street vent between the two. Cool neon rim light on Lucy's defensive silhouette, warm streetlamp light isolating David's open, harmless posture. Two-shot composition from a slight low angle, medium shot with visible space between them emphasizing her guarded distance, tense-but-not-hostile mood, rich Trigger-style color contrast, cinematic depth.
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#Lucy#David Martinez#Cyberpunk
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character: david_martinez, lucy_(cyberpunk), copyright: cyberpunk:_edgerunners, cyberpunk_edgerunners character: david_martinez, character: lucy_(cyberpunk) — Cyberpunk: Edgerunners alternate happy ending, travel scene drawn in Studio Trigger's bold anime style with clean cel shading. A traditional Japanese ryokan in a quiet, old district on the outskirts of Tokyo, early evening. The lobby-to-room moment: David Martinez, an Arasaka employee in his dark corporate suit, has just stepped up from the entryway into the guest room — but he has stopped halfway at the raised floor, one dress shoe half off his foot, balancing awkwardly on the step with his suitcases set down behind him, an uncertain, sheepish grin on his face as he fumbles with Western laces he isn't used to removing in an entryway. Beside him, Lucy — a young woman with a short white bob with pastel highlights and red eyeliner, in her loose travel jacket and skirt — has already stepped up in her socks and stands barefoot on the tatami, but she is frozen mid-step, looking down at the floor with wide, curious eyes, one foot hovering cautiously over the woven surface as if she isn't sure the ground is safe, reaching down with one hand to gently press her palm into the natural green-gold tatami straw matting, pinching at its texture, her expression a mix of wonder and confusion at this soft, plant-scented floor so unlike any surface in Night City. The room around them is pure traditional Japan: shoji paper screens glowing amber with evening light, a low table with a teapot, a futon closet, a tokonoma alcove with a hanging scroll, the sweet-grass scent of the tatami almost visible in the warm dim atmosphere. Warm lamplight and soft late-afternoon glow filtering through the shoji, gentle shadows, cozy and gently comedic mood of two cyberpunk city kids bewildered by old-fashioned comfort, medium-wide shot capturing both their hesitant poses and the tatami floor, rich Trigger-style color contrast, clean bold linework.
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#Lucy#David Martinez#Cyberpunk

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