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atmosphere,

#Cassette tape#Computer#Scenery#Bottle#Computer keyboard#computer mouse#Speaker#Cable#Still life#Chair#box#No humans#Electric Plug#Indoors#Map#Desk#Table#Picture frame
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1boy, solo, 40 years old man, drinking sudachi juice, making juice, apartment kitchen, living alone, Citrus sudachi, famicom game board atmosphere, circuit board, retro game aesthetic, etherialize, metal elements, astralize, dispersion effect, brain fatigue substance decreasing, wall poster, phase transition atmosphere, three layer composition, foreground layer solid and sublimation, middle layer liquid fluid, background layer gaseous fluid, gas state, plasma state, vaporization into different gases, minus qualia, minus 5th floor down quark, plus 1st to plus 3rd floor W boson, relative position disconnected, qualia minimum unit limit breakthrough, November 9 2029, famicom software circuit board, graphics, audio data, map, macro, micro control, hardware specification constraints, five or more algorithm groups, masterpiece, ultra detailed
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Original Prompt
Famicom game board like atmosphere, etherialize and metal elements property astralize,astralize to Dispersion Effect, 脳の疲労物質が減りそうなwall poster, これから酢橘ジュースを作って飲む40代の男性。1人住まい用アパートのキッチン。 Citrus sudachi, [[[マイナス側のクオリアが、マイナス5階のダウンクォークとプラス1階からプラス3階までのWボソンでそれぞれ相対位置の繋がりが無い形で、クオリアの最小単位を限界突破してある感じも絵に含める。]]] 2029年11月9日ころ。 相転移の雰囲気は、3層構成であり、前景層は「固体+昇華」、中間層は「液体系の流体」、背景層は「気体としての流体で、ガス状態とプラズマ状態があり、異種の気体への気化がある」 [ファミコンソフトの基盤と回路の雰囲気も絵に出来ると思った。ユーザー側に出力を出す雰囲気がコード化的な雰囲気と違うだろう。ファミコンソフトの雰囲気とは、少なくともグラフィックと音声データと地図とマクロとミクロそれぞれの制御とハードウェアが持つ仕様の制約とつながる5つ以上のアルゴリズム群で構成されている感じだ。]
Size
768 x 1280
Sampling Steps
36
Sampling Method
Euler a
CFG Scale
5.5
Negative
nsfw, long neck, deformed, mutated, mutation, ugly, disfigured, poorly drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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