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Yuri

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Yuri

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1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
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Original Prompt
Hair style: She has dark grey or black hair tied back into a loose, low ponytail, styled with choppy, face-framing bangs that fall over her forehead. Hair color accents: Distinct streaks of crimson red run through her hair, contrasting against the dark base color. Expression & Eyes: She has wide, slightly half-lidded eyes with dark irises, framed by prominent eyelashes, giving her a relaxed or observant expression. Accessories: A black fabric face mask covers her nose and mouth, complemented by a thin, silver hoop earring in her right ear. Clothing: She wears a layered outfit featuring a high-collared black undershirt paired with a loose, olive-green crewneck top. Pose: She is holding a dark smartphone in her right hand while her left hand casually adjusts the collar of her shirt.
Mode
flash
Style
Retro Glam Anime
Size
1104 x 1824
Style: Retro Glam Anime
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Tsubaki.3 Flash
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AI artwork
Avatar image of Yuri
1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Yuri

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