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AI art "Lelouch's Queens" featuring #Code Geass: Lelouch of the Rebellion, #Ritsuka Fujimaru (Male) and #zetaCollab

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Lelouch's Queens

Contest Entry

PixAI × zeta Original Character Creation Contest 2026 #zetaCollab

#Code Geass: Lelouch of the Rebellion #Ritsuka Fujimaru (Male)

Published on Oct 25, 2026

an nguyễn

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character: lelouch_vi_britannia, rias_gremory, grayfia_lucifuge, serafall_leviathan, sona_sitri, copyright: high_school_dxd 5girls, 1boy, lelouch vi britannia, rias gremory, sona sitri, grayfia lucifuge, serafall leviathan, sitting on a throne, smirking, ashford academy school uniform, black hair, short hair, sidelocks, purple eyes, black jacket, high collar, white shirt, red and white wedding dress, agejo gyaru, body tattoo, goth fashion dresses, seductive eyes, seductive smile, seductive poses, long hair, red hair, ahoge, hair between eyes, very long hair, blue eyes, black hair, short hair, hairclip, purple eyes, glasses, grey hair, braid, twin braids, long hair, purple eyes, black hair, drill hair, twin drills, blue eyes, throne room, from below, dutch angle, wide shot, dramatic lighting, red and gold palette The camera looks up from the foot of the dais, tilted a few degrees off level, so the five figures rise in a shallow wedge against a high vaulted dark and the throne crowns the composition. At the center-back, raised on three stone steps, a tall black-and-gold throne with a high pointed back; Lelouch sits deep in it, one leg crossed over the other with the ankle resting on the knee, his left elbow on the armrest and his gloved knuckles under his chin, head tipped slightly down so his eyes look along the length of the room from under half-lowered lids, one corner of his mouth pulled up in a narrow closed-lip smirk. He wears the Ashford Academy uniform: a dark high-collared jacket buttoned to the throat, white shirt collar just visible above it, dark trousers, black gloves, and his short black hair falls in two sidelocks beside his cheeks, one strand displaced by the tilt of his head. Four women stand ranked below him on the floor of the hall, each turned a different way, none of them facing the camera square. At the left of the group Serafall leans her hip against the lowest step, one hand braced flat on the stone, the other lifted to her collarbone, chin dipped and eyes slanted up toward the lens through her lashes with a slow closed-lip smile. Her red and white wedding dress is agejo-gyaru through and through: a fitted white bodice with a sweetheart neckline trimmed in red lace, a full white skirt with a red underlayer showing at the hem, a wide red satin sash tied in a bow at the small of her back, white lace gloves, and her black hair in two long twin drills that hang past her waist; a red rose vine tattooed in fine linework curls over her bare right shoulder and down the outer arm, and a second dark ornamental tattoo bands her left thigh where the skirt's slit parts. To her right Rias stands with her weight on one heel, hips pushed to one side, one hand on her own waist and the other lifted to toy with the tail of her long red hair; her very long crimson hair with its single ahoge spills over one shoulder and the fringe parts around the point between her eyes, and her blue eyes look sideways and down at the viewer with a knowing half-smile. Her goth dress is black velvet with a corseted waist, a high lace collar, long bell sleeves, a layered floor-length skirt with a bustle at the back, and silver-tone buttons running up the front. Beside her Sona stands straighter, hands clasped loosely behind her back so her shoulders draw back, chin lifted, her short black bob neat with a hairclip above one ear and her glasses catching a thin bar of light; her purple eyes look straight out with a composed, faintly amused smile. Her goth dress is a narrow column of charcoal crepe with a high neck, bishop sleeves buttoned at the wrist, a black lace yoke across the chest, and a single row of small dark buttons down the front. At the right Grayfia stands in profile with her shoulders turned away and her face angled back over them, one hand resting on the newel of the stair rail, the other at her hip; her silver-grey hair is gathered into a long twin-braided tail that falls down her back, and her purple eyes come back over her shoulder toward the viewer with a cool, heavy-lidded smile. Her goth dress is deep wine-black with a fitted bodice, an off-shoulder neckline edged in black lace, a long trailing skirt and a small train pooling behind her heel. The light comes from the tall windows high behind and above the throne, a cold pale shaft that catches the tops of their hair, the rims of their shoulders and the throne's gold finials, and leaves their faces in soft reflected half-light from the warm floor below; each figure casts a long thin shadow forward across the black marble, the four women's shadows converging toward the dais and the throne's shadow swallowing them at the steps. The hall is otherwise empty: black stone columns receding into darkness on both sides, a red runner running from the bottom of the frame up the center of the steps, and dust turning slowly in the window shafts. Palette held to deep black stone, wine red, cold white light and old gold, nothing else admitted. Regal, quietly dangerous.

Lelouch's Queens

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