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アッシュズ・オブ・エデン・タクティカルスタイル

『Ashes of Eden』のキャラクターたちを描いてみました。緻密なタクティカル装備と、彼らの持つクールな雰囲気がとても魅力的で、つい見入ってしまいます。気に入っていただけたら、いいねとフォローをぜひお願いします!次回の投稿もお楽しみに。コメントもお待ちしています。

#Dual Persona#Gun#Aqua hair#Multicolored hair#Holster#Aqua eyes#Tactical clothes#2 Boys
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character: miuka_(bunny_garden), ASHES OF EDEN — Official Key Visual. A masterpiece, high-quality official anime game key visual featuring exactly two characters, Frostwald and Myuka, posed together in a dramatic, sophisticated composition. Pure white background, minimalist and spacious, with subtle pale-gray shadows and a few delicate floating fragments resembling ash. No scenery, no city background, no complicated environment. The two characters are the absolute focus. COMPOSITION AND POSES: A dynamic, asymmetrical two-character composition with strong visual hierarchy. Frostwald stands slightly forward and near the center, his body turned three-quarters toward the viewer. One hand rests near the equipment at his waist, while the other is raised slightly. He has a composed, reserved, and quietly confident posture, with cool blue-gray eyes looking toward the viewer with a calm, mysterious expression. Myuka stands close behind Frostwald on the opposite side, leaning forward slightly with a graceful, alert posture. One hand reaches outward toward the viewer, fingers relaxed but expressive, while the other rests near his own tactical equipment. His expression is gentle and attentive. CHARACTER 1 — FROSTWALD: A 16-year-old human boy with an androgynous appearance, pale skin, sharp delicate facial features, cool blue-gray eyes, and a calm, reserved, mysterious expression. Hair: pure cool-toned silver-white with a distinct icy blue undertone, layered wolf cut with a long nape, styled half-up at the back of the crown. Long side-swept bangs partially cover one eye; long, straight, sharply defined hime-cut sidelocks frame the face. Outfit: complex futuristic tactical outfit combining cyberpunk fashion and military-inspired utility gear in black, white, charcoal gray, and metallic silver. Structured white and dark-gray tactical jacket, black harness straps, utility belts, metallic buckles, reinforced gloves, tactical trousers, and sturdy futuristic boots. A small, bright yellow cylindrical utility canister is attached to the waist or thigh. CHARACTER 2 — MYUKA: An androgynous youthful nonhuman character with silver-white hair, delicate sharp facial features, pale skin, cool blue-gray eyes, and a gentle, composed expression. Hair: layered medium-length silver-white hair with long sweeping bangs partially covering the eyes. Multiple ear piercings. Outfit: Futuristic black-and-white tactical clothing with layered technical fabrics, black harnesses, metallic buckles, utility straps, and intricate mechanical accessories. ART DIRECTION AND TYPOGRAPHY: Pure white background with abundant negative space and subtle ash-like particles. Cool neutral-white lighting, icy blue highlights, blue-gray shadows, and refined metallic reflections. Palette is primarily white, silver, charcoal, and black, with restrained cyan-blue accents. At the bottom edge, the exact title "ASHES OF EDEN" in large, elegant, uppercase narrow sans-serif typography, black or dark charcoal. Professional anime concept art, official game key visual, intricate character design, polished rendering, someone_beautiful boy, beautiful face, anime, sharp lineart, high contrast, deep shadows, high-gloss texture.
Show Parameters
Mode
standard
Quality Tag
﹝Prompts﹞
Size
768 x 1280

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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