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おおみなと

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おおみなと

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character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle)-inspired character, short brown hair with two upward hair flaps, single ahoge, yellow-brown eyes, flat expressionless face, beret, brown jacket, shorts, gaiters, blue cloth wrapped around neck, rifle slung on back, holding cigarette, smoking, cigarette between lips, smoke curl, standing, leaning back against stone wall, one knee bent, foot flat on wall, from below, dutch angle, cowboy shot, looking away, looking to the side, italian-style cityscape, narrow cobbled alley, ochre and terracotta plaster walls, shuttered windows, laundry lines overhead, warm afternoon light, long shadows, three-quarter view, The camera sits low and tilted a few degrees off level, looking up: the pale plaster wall of an Italian alley rises behind her and the sky is a thin bright strip between the eaves. She stands with her back against the sunlit wall, right shoulder blade and the flat of the rifle's upper receiver pressed to the plaster, hips pushed slightly forward off the stone; her left leg is straight and takes her weight through a gaiters-wrapped calf and boot heel, while her right knee is bent with the sole of that boot planted flat against the wall a hand's span above the ground, so the whole pose hangs off the wall. The rifle is slung diagonally across her back on a dark canvas strap that crosses her right shoulder and disappears under the left arm; the wooden stock juts below her right hip and the barrel rises past her left shoulder, both clear of the wall, the strap flattened where it meets the plaster. Her brown jacket hangs open over a plain dark undershirt, sleeves shoved to just below the elbow, collar turned up; the shorts end mid-thigh and the gaiters wrap her shins in tight horizontal bands over scuffed boots. The blue cloth is knotted at the side of her throat with a thumb-width of slack, its free end lying across the jacket's lapel and lifting a little at the edge where it catches the light. Her hands are busy in a small, ordinary way: the right hand is lifted near her jaw, fingers loosely curled, the cigarette pinched between index and middle finger just short of her lips, a thin thread of smoke rising and bending toward the wall where the warm air pools; her left hand is hooked into the jacket pocket, thumb out. Her face is completely flat, brow level, eyes half-lidded and slid sideways down the alley, lips closed and set, no smile and no frown, the cigarette held an inch from her mouth as if she has just taken it away. Hair flaps and ahoge stir slightly in the draught. The alley is close and human-scaled: ochre and terracotta plaster with scabbed patches showing brick, green shutters, a line of washing strung between two windows, a scooter's mirror glinting at the far end, cobbles running out of focus behind her boots. Low warm sun comes from the right and rakes across the wall, so the left side of her face and the underside of the beret sit in shadow, and her shadow is cast up and left onto the plaster with the rifle's silhouette broken out of it. Palette: warm ochre, terracotta and dusty brown, one clear note of blue at her throat. Quiet, unsentimental.
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Original Prompt
Hatsuzuki (Kancolle) wearing a beret, a brown jacket, shorts, and gaiters, with a blue cloth wrapped around her neck; set against an Italian-style cityscape; she has a rifle slung on her back and is smoking a cigarette with an expressionless face.
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Avatar image of おおみなと
character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle)-inspired character, short brown hair with two upward hair flaps, single ahoge, yellow-brown eyes, flat expressionless face, beret, brown jacket, shorts, gaiters, blue cloth wrapped around neck, rifle slung on back, holding cigarette, smoking, cigarette between lips, smoke curl, standing, leaning back against stone wall, one knee bent, foot flat on wall, from below, dutch angle, cowboy shot, looking away, looking to the side, italian-style cityscape, narrow cobbled alley, ochre and terracotta plaster walls, shuttered windows, laundry lines overhead, warm afternoon light, long shadows, three-quarter view, The camera sits low and tilted a few degrees off level, looking up: the pale plaster wall of an Italian alley rises behind her and the sky is a thin bright strip between the eaves. She stands with her back against the sunlit wall, right shoulder blade and the flat of the rifle's upper receiver pressed to the plaster, hips pushed slightly forward off the stone; her left leg is straight and takes her weight through a gaiters-wrapped calf and boot heel, while her right knee is bent with the sole of that boot planted flat against the wall a hand's span above the ground, so the whole pose hangs off the wall. The rifle is slung diagonally across her back on a dark canvas strap that crosses her right shoulder and disappears under the left arm; the wooden stock juts below her right hip and the barrel rises past her left shoulder, both clear of the wall, the strap flattened where it meets the plaster. Her brown jacket hangs open over a plain dark undershirt, sleeves shoved to just below the elbow, collar turned up; the shorts end mid-thigh and the gaiters wrap her shins in tight horizontal bands over scuffed boots. The blue cloth is knotted at the side of her throat with a thumb-width of slack, its free end lying across the jacket's lapel and lifting a little at the edge where it catches the light. Her hands are busy in a small, ordinary way: the right hand is lifted near her jaw, fingers loosely curled, the cigarette pinched between index and middle finger just short of her lips, a thin thread of smoke rising and bending toward the wall where the warm air pools; her left hand is hooked into the jacket pocket, thumb out. Her face is completely flat, brow level, eyes half-lidded and slid sideways down the alley, lips closed and set, no smile and no frown, the cigarette held an inch from her mouth as if she has just taken it away. Hair flaps and ahoge stir slightly in the draught. The alley is close and human-scaled: ochre and terracotta plaster with scabbed patches showing brick, green shutters, a line of washing strung between two windows, a scooter's mirror glinting at the far end, cobbles running out of focus behind her boots. Low warm sun comes from the right and rakes across the wall, so the left side of her face and the underside of the beret sit in shadow, and her shadow is cast up and left onto the plaster with the rifle's silhouette broken out of it. Palette: warm ochre, terracotta and dusty brown, one clear note of blue at her throat. Quiet, unsentimental.
おおみなと
AI artwork
Avatar image of おおみなと
character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle)-inspired character, short brown hair with two upward hair flaps, single ahoge, yellow-brown eyes, flat expressionless face, beret, brown jacket, shorts, gaiters, blue cloth wrapped around neck, rifle slung on back, holding cigarette, smoking, cigarette between lips, smoke curl, standing, leaning back against stone wall, one knee bent, foot flat on wall, from below, dutch angle, cowboy shot, looking away, looking to the side, italian-style cityscape, narrow cobbled alley, ochre and terracotta plaster walls, shuttered windows, laundry lines overhead, warm afternoon light, long shadows, three-quarter view, The camera sits low and tilted a few degrees off level, looking up: the pale plaster wall of an Italian alley rises behind her and the sky is a thin bright strip between the eaves. She stands with her back against the sunlit wall, right shoulder blade and the flat of the rifle's upper receiver pressed to the plaster, hips pushed slightly forward off the stone; her left leg is straight and takes her weight through a gaiters-wrapped calf and boot heel, while her right knee is bent with the sole of that boot planted flat against the wall a hand's span above the ground, so the whole pose hangs off the wall. The rifle is slung diagonally across her back on a dark canvas strap that crosses her right shoulder and disappears under the left arm; the wooden stock juts below her right hip and the barrel rises past her left shoulder, both clear of the wall, the strap flattened where it meets the plaster. Her brown jacket hangs open over a plain dark undershirt, sleeves shoved to just below the elbow, collar turned up; the shorts end mid-thigh and the gaiters wrap her shins in tight horizontal bands over scuffed boots. The blue cloth is knotted at the side of her throat with a thumb-width of slack, its free end lying across the jacket's lapel and lifting a little at the edge where it catches the light. Her hands are busy in a small, ordinary way: the right hand is lifted near her jaw, fingers loosely curled, the cigarette pinched between index and middle finger just short of her lips, a thin thread of smoke rising and bending toward the wall where the warm air pools; her left hand is hooked into the jacket pocket, thumb out. Her face is completely flat, brow level, eyes half-lidded and slid sideways down the alley, lips closed and set, no smile and no frown, the cigarette held an inch from her mouth as if she has just taken it away. Hair flaps and ahoge stir slightly in the draught. The alley is close and human-scaled: ochre and terracotta plaster with scabbed patches showing brick, green shutters, a line of washing strung between two windows, a scooter's mirror glinting at the far end, cobbles running out of focus behind her boots. Low warm sun comes from the right and rakes across the wall, so the left side of her face and the underside of the beret sit in shadow, and her shadow is cast up and left onto the plaster with the rifle's silhouette broken out of it. Palette: warm ochre, terracotta and dusty brown, one clear note of blue at her throat. Quiet, unsentimental.
おおみなと

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