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AI artwork featuring #The Quintessential Quintuplets and #Itsuki Nakano
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Itsuki Nakano, The Quintessential Quintuplets

#The Quintessential Quintuplets#Itsuki Nakano
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character: nakano_itsuki, alya_(panalee) split-screen, 2girls, nakano itsuki, alya (panalee), changing room, dirty old locker room, standing, alluring pose, seductive smile, taking off shirt, shirt lift, lifting shirt over head, upper body only, satin silver and red sports bra, sponsor logos, silver and red skin tight shorts, red socks, red kneesocks, sneakers, sitting, sitting on bench, knees up, hugging own knees, from side, profile, close-up, ponytail, tying hair, hair tie, arms up, blue and gold sports bra, blue and gold pleated miniskirt, blue kneehigh socks, smiling, looking at viewer, feet out of frame, locker room, bench, metal lockers, fluorescent light, red hair, long hair, star hair ornament, ahoge, hair between eyes, blue eyes, blonde hair, blue hair streaks, very long hair, brown eyes, horse ears The frame is split vertically down the middle into two halves that meet at a hard seam of black, each half a different bay of the same dirty locker room. In the left half, seen straight on from the front at chest height and cropped hard at the waist so only her upper body shows, a red-haired girl with long hair and a star-shaped hair ornament stands facing the camera with her weight sunk onto her back hip and her ribcage twisted a little off-axis. She has just hauled her shirt up over her head: both arms are raised, elbows flared wide, and the bunched fabric is caught across her face and one shoulder, her mouth and chin still hidden behind it while her blue eyes cut down past the hem straight at the viewer over the cloth. Below the rising shirt her torso is bare from the collarbones down except for a satin silver and red sports bra, the satin catching a long soft highlight along each cup, a row of small sponsor marks printed along the red band and up one strap, the same silver-and-red satin continuing into skin-tight shorts whose waistband sits at the bottom edge of the crop. Red socks and sneakers are in the frame but low and partly cut by the crop. Her smile is crooked and knowing, one corner of her lip pulled up under the shirt hem, and her head tilts a fraction to one side. Behind her is a row of dented grey metal lockers with peeling paint and rust blooming along the vents, a wooden bench scarred with names, and a scuffed tiled floor. In the right half, the same dirty changing bay seen from the side, close-up on Alya: she sits on the wooden bench with her knees drawn up and her chin level, her body turned in profile to the camera so only the near side of her face and one shoulder are visible, her very long blonde hair with its blue streaks falling loose down her back. Both arms are raised behind her head, fingers gathering the whole fall of hair into a high ponytail and twisting a band around it; a few stray strands are still escaping around her knuckles. She wears a blue and gold sports bra with a gold edge seam and a blue and gold pleated miniskirt fanned over her raised thighs, blue knee-high socks pulled tight up her shins, and sneakers planted on the bench seat, but her feet and shoes drop off the bottom edge of the frame entirely — the crop lands at mid-shin. Her head is turned just enough that her eyes find the viewer from within the profile, and she smiles straight out of the frame with a light closed-lip curve while her cheek lifts. A narrow blade of fluorescent light from an overhead fixture in the right bay rakes down the lockers behind her and along her near arm and shin, throwing the far half of her face into shadow and leaving the wet-look shine of the sports bra as the brightest thing in that half; the left bay is lit colder and flatter from a different fixture, so the two halves disagree on light direction on purpose. The palette divides cleanly down the seam — silver, red and worn grey steel on the left, blue, gold and pale blonde on the right — with the grimy brown-grey of the shared locker room as the ground both halves sit on. Dust drifts in the light, a smear of old tape hangs half off a locker door, and the two bays read as one room shot at two moments. Intimate, quietly electric.
Show Parameters
Original Prompt
alya kujou, nakano itsuki, splitscreen itsuki is taking off her shirt revealing her satin silver and red sports bra and vle leggings ,,,,alluring pose,changing cabin,seductive smile, standing,, dirty and old locker room, ,itsuki wears a silvwe and red and and sports bra with sponsors with satin silver and red skin tight shorts and red socks and alya wears blue and golden sports bra and blue and gold pleated miniskirt and just makes herself a ponytail,from side, we see alya from side kneehigh socks,close-up of alya, alya smiles at viewer,alya sits on a bench with her knees up,close-up, feet out of frame,both wear sneakers,we only see itsukis upper body
Mode
flash
Size
1280 x 768
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
d
character: nakano_itsuki, emilia_(re:zero) 2girls, split-screen, split screen, nakano_itsuki, emilia_(re:zero), upper body only (itsuki), close-up (emilia), from side (emilia), feet out of frame, knees up, sitting on bench, ponytail, making ponytail, taking off shirt, shirt lift, undressing, satin silver and red sports bra, sponsor logos, silver and red skin-tight shorts, red socks, sneakers, purple and gold sports bra, purple and gold pleated miniskirt, knee-high socks, seductive smile, alluring pose, standing, smiling at viewer, dirty old locker room, changing cabin, wooden bench, lockers, bare shoulders, red hair, long hair, star hair ornament, ahoge, hair between eyes, blue eyes, white hair, purple eyes, hair flower, braid, crown braid, no earrings, both ears bare, bare neck, Split-screen in two vertical halves divided by a thin hard seam down the middle. Left panel: the red-haired girl stands inside an open changing cabin in the old locker room, seen from the waist up only, the frame cropping her at the hips so nothing below her waistband is in shot. Her one-piece shirt is dragged up over her head with both hands, arms raised and crossed, the knit fabric bunched at her wrists and pulling her long red hair up off her back; her chest and shoulders are bared but for a satin silver and red sports bra, its cups glossy silver fading to red at the underband, sponsor logos printed small and crisp across the front band. A star hair ornament clips the side of her hair above one ear, a single ahoge lifts off the crown, locks of red hair fall between her eyes. She is turned three-quarters away from the crop, weight sunk into one hip so a fine curve runs from shoulder to waist, chin dipped, lids lowered and a slow seductive smile pulling one corner of her mouth. Behind her, the changing-cabin partition stands open, its paint chipped back to bare wood, screws rusting, and a grey towel is hooked over its top edge. Right panel: the white-haired girl is seated crosswise on a scarred wooden bench directly under a caged ceiling lamp, knees drawn up, her purple and gold pleated miniskirt fanned over her thighs and a purple-and-gold sports bra crossing her chest; both hands are up behind her head gathering her long white hair into a ponytail, the purple ribbon caught in her fingers, her crown braid running back from her brow and a white flower tucked above one ear. She is seen from the side but her chin turns to the lens and she smiles straight at the viewer, eyes crinkling. Her knee-high socks reach up her shins and her sneakers sit at the bench edge, and the frame cuts just below them so her feet are out of shot. The lamp is the only light: it pools warm on the two faces and the satin sheen, throws their two hard shadows onto the locker door behind, and beyond its light the far aisles go dim. Palette restricted to silver, red, purple and gold against the room's grim grey-brown, dust and scuff marks on the tiled floor, atmosphere sultry and worn-in.
dewdd
AI artwork
d
character: nakano_itsuki, emilia_(re:zero) 2girls, split-screen, split screen, nakano_itsuki, emilia_(re:zero), upper body only (itsuki), close-up (emilia), from side (emilia), feet out of frame, knees up, sitting on bench, ponytail, making ponytail, taking off shirt, shirt lift, undressing, satin silver and red sports bra, sponsor logos, silver and red skin-tight shorts, red socks, sneakers, purple and gold sports bra, purple and gold pleated miniskirt, knee-high socks, seductive smile, alluring pose, standing, smiling at viewer, dirty old locker room, changing cabin, wooden bench, lockers, bare shoulders, red hair, long hair, star hair ornament, ahoge, hair between eyes, blue eyes, white hair, purple eyes, hair flower, braid, crown braid, no earrings, both ears bare, bare neck, Split-screen in two vertical halves divided by a thin hard seam down the middle. Left panel: the red-haired girl stands inside an open changing cabin in the old locker room, seen from the waist up only, the frame cropping her at the hips so nothing below her waistband is in shot. Her one-piece shirt is dragged up over her head with both hands, arms raised and crossed, the knit fabric bunched at her wrists and pulling her long red hair up off her back; her chest and shoulders are bared but for a satin silver and red sports bra, its cups glossy silver fading to red at the underband, sponsor logos printed small and crisp across the front band. A star hair ornament clips the side of her hair above one ear, a single ahoge lifts off the crown, locks of red hair fall between her eyes. She is turned three-quarters away from the crop, weight sunk into one hip so a fine curve runs from shoulder to waist, chin dipped, lids lowered and a slow seductive smile pulling one corner of her mouth. Behind her, the changing-cabin partition stands open, its paint chipped back to bare wood, screws rusting, and a grey towel is hooked over its top edge. Right panel: the white-haired girl is seated crosswise on a scarred wooden bench directly under a caged ceiling lamp, knees drawn up, her purple and gold pleated miniskirt fanned over her thighs and a purple-and-gold sports bra crossing her chest; both hands are up behind her head gathering her long white hair into a ponytail, the purple ribbon caught in her fingers, her crown braid running back from her brow and a white flower tucked above one ear. She is seen from the side but her chin turns to the lens and she smiles straight at the viewer, eyes crinkling. Her knee-high socks reach up her shins and her sneakers sit at the bench edge, and the frame cuts just below them so her feet are out of shot. The lamp is the only light: it pools warm on the two faces and the satin sheen, throws their two hard shadows onto the locker door behind, and beyond its light the far aisles go dim. Palette restricted to silver, red, purple and gold against the room's grim grey-brown, dust and scuff marks on the tiled floor, atmosphere sultry and worn-in.
dewdd
AI artwork
d
character: nakano_itsuki, takarada_rikka split screen, 2girls, takarada rikka, nakano itsuki, left panel: nakano itsuki, standing, undressing, taking off her shirt, shirt lifted to her chest, taking off her pants, sweatpants and jeans pushed down her thighs, silver and red satin sports bra, sponsor logos on the bra, silver and red skin-tight shorts, red socks, sneakers, seductive smile, half-closed eyes, alluring pose, weight on one hip, only upper body visible, lower body out of frame, changing cabin, dirty old locker room, right panel: takarada rikka, from side, profile, close-up, sitting on a bench, knees up, hugging own knees, making a ponytail, hands in her hair, ponytail, blue and gold sports bra, blue and gold pleated miniskirt, knee-high socks, sneakers, feet out of frame, smiling at viewer, looking at viewer, head turned to camera, black hair, blue eyes, bow, scrunchie, bare shoulders, bare arms, vertical divider line, worn metal lockers, peeling paint, wooden bench, dim overhead fluorescent light, cool grey-green palette with silver-red and blue-gold accents, grainy 35mm film texture, intimate, casually alluring Two vertical panels split by a thin hard divider running the full height of the frame. Left panel: a standing girl seen from the front, framed from the crown of her head to just below her ribcage — her lower body lies entirely outside the frame edge, and nothing of it is drawn. Long red hair with a small star-shaped hair ornament and a single ahoge strand between her eyes frames a face with blue eyes and a seductive, half-lidded smile, lip corner pulled up on one side, chin dipped, eyes angled down toward the viewer. Both arms are crossed at chest height, fingers hooked in the hem of a dark sweat shirt that she peels upward; the bunched fabric rides over the satin silver and red sports bra and its printed sponsor patch across the chest band. The waistband of pushed-down jeans and sweatpants bunches at the very bottom edge of the frame, silver and red skin-tight shorts showing above it. Her weight rests on her right hip, one shoulder lower, torso twisted slightly toward the divider. Behind her: a scuffed changing cabin with a dented metal door standing ajar, its mirror streaked and cloudy. Right panel: a close-up side view of a second girl seated on a worn wooden bench, body in profile facing the divider, hips and both knees drawn up, arms raised with both hands gathering her long black hair into a high ponytail; a scrunchie is wound around the tail, a small red bow peeking at its base. Her head is turned back over her shoulder so her blue eyes land directly on the viewer, a warm closed-lip smile with one raised brow. Blue and gold sports bra and blue and gold pleated miniskirt sit against the bench, bare shoulders and arms, and the tops of knee-high socks and sneakers fall below the frame's lower edge — her feet are not in the picture at all. Environment continues across both panels: the same dirty old locker room, chipped olive-grey lockers, cracked tile, a bench leg scarred with carved initials, dust in the air. A single bank of overhead fluorescent tubes is the only light; it throws hard top-down shadows under the bench, her collarbones and the bra bands, and leaves the corners of each panel deep and murky. Palette held to worn grey-green and rust for the room, with silver-and-red satin glinting on the left figure and blue-and-gold on the right — those six colours and nothing else. Sweat sheen catches only on the upward-facing planes of skin and satin. Intimate, casually alluring.
dewdd
AI artwork
d
character: nakano_itsuki, emilia_(re:zero) 2girls, split-screen, split screen, nakano_itsuki, emilia_(re:zero), upper body only (itsuki), close-up (emilia), from side (emilia), feet out of frame, knees up, sitting on bench, ponytail, making ponytail, taking off shirt, shirt lift, undressing, satin silver and red sports bra, sponsor logos, silver and red skin-tight shorts, red socks, sneakers, purple and gold sports bra, purple and gold pleated miniskirt, knee-high socks, seductive smile, alluring pose, standing, smiling at viewer, dirty old locker room, changing cabin, wooden bench, lockers, bare shoulders, red hair, long hair, star hair ornament, ahoge, hair between eyes, blue eyes, white hair, purple eyes, hair flower, braid, crown braid, no earrings, both ears bare, bare neck, Split-screen in two vertical halves divided by a thin hard seam down the middle. Left panel: the red-haired girl stands inside an open changing cabin in the old locker room, seen from the waist up only, the frame cropping her at the hips so nothing below her waistband is in shot. Her one-piece shirt is dragged up over her head with both hands, arms raised and crossed, the knit fabric bunched at her wrists and pulling her long red hair up off her back; her chest and shoulders are bared but for a satin silver and red sports bra, its cups glossy silver fading to red at the underband, sponsor logos printed small and crisp across the front band. A star hair ornament clips the side of her hair above one ear, a single ahoge lifts off the crown, locks of red hair fall between her eyes. She is turned three-quarters away from the crop, weight sunk into one hip so a fine curve runs from shoulder to waist, chin dipped, lids lowered and a slow seductive smile pulling one corner of her mouth. Behind her, the changing-cabin partition stands open, its paint chipped back to bare wood, screws rusting, and a grey towel is hooked over its top edge. Right panel: the white-haired girl is seated crosswise on a scarred wooden bench directly under a caged ceiling lamp, knees drawn up, her purple and gold pleated miniskirt fanned over her thighs and a purple-and-gold sports bra crossing her chest; both hands are up behind her head gathering her long white hair into a ponytail, the purple ribbon caught in her fingers, her crown braid running back from her brow and a white flower tucked above one ear. She is seen from the side but her chin turns to the lens and she smiles straight at the viewer, eyes crinkling. Her knee-high socks reach up her shins and her sneakers sit at the bench edge, and the frame cuts just below them so her feet are out of shot. The lamp is the only light: it pools warm on the two faces and the satin sheen, throws their two hard shadows onto the locker door behind, and beyond its light the far aisles go dim. Palette restricted to silver, red, purple and gold against the room's grim grey-brown, dust and scuff marks on the tiled floor, atmosphere sultry and worn-in.
dewdd

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