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白ふわ犬系お兄さんの着替えシーン

ふわふわの白い毛並みがたまらない、犬系のお兄さんのイラストです。黒い着物を脱ぎかけている姿がなんだか色っぽくて、つい見入ってしまいました。このもふもふ感が好きな方は、ぜひいいねとフォローをお願いします！コメントで感想も聞かせてね。

Published on Oct 25, 2026

伊

伊佐ピーポー

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1boy, solo, wolf beastman, kemono, anthropomorphic wolf, fluffy fur, thick fluffy pelt, round face, chubby, obese, overweight, plump, round belly, thick arms, thick legs, black eyes, black kimono, japanese clothes, wafuku, open robe, front-open kimono, half-open kimono, red shorts, crotch bulge, bare chest, bare shoulders, standing, from below, cowboy shot, looking down at viewer, head tilt, one hand at collar, light smile, tail, warm indoor light The camera sits low and looks up at him -- a from-below cowboy shot cropped at mid-thigh, so his round belly and the soft bulk of his chest read as the picture's largest shapes, and the ceiling of a plain tatami room falls away behind his shoulders. He is one wolf beastman, alone in the frame: an obese, chubby build carried with an easy slouch, weight sunk into his right hip and his right leg, his left knee loose and turned slightly inward, which pushes the round belly forward and drops one shoulder lower than the other. His fur is thick and fluffy everywhere it shows -- a dense pale-grey pelt over the chest, a ruff that spills over the kimono's open edge, shorter fur on the round face and the slightly thick arms, longer tufts at the elbows and along the tail that curls out behind his left hip and lifts at the tip. The face is round-cheeked and wide, muzzle short and soft, both black eyes glossy and aimed down the camera's line at the viewer, lids a little lowered and one brow of fur lifted higher than the other in a mild, knowing look; the mouth is a faint closed-lip smile that shows one small canine. The black kimono is the only dark mass in the frame: heavy matte black fabric with a faint weave, worn half open so the front hangs wide from both shoulders and the lapels fall straight down either side of the round belly, leaving the chest, the navel line and the fluffy fur down the centre bare -- the cloth covers roughly half of him, a sleeve slipping low off his right forearm where his hand has caught the collar and tugged it wider, fingers hooked in the fabric. Below, the red shorts sit snug at the hips and strain gently across the tops of the slightly thick thighs, the waistband tucked under the belly's overhang; a slight soft bulge shows at the crotch of the shorts, carried by the fabric's tension rather than outlined. The open hem of the kimono hangs in front of the red cloth on his right side and behind his hip on the left, so the shorts are half-framed, half-bared. Light comes from one paper-shaded lamp low and to his left, warm and shallow: it grazes the upward-facing surfaces -- the top of the belly, the shelf of his chest, the bridge of his muzzle, the curled top of his tail -- while the undersides of the belly, the inner arms and the shadowed inside of the black kimono go deep and cool, and his soft cast shadow spreads across the tatami behind his heels. The palette is the black of the kimono, the warm off-white of fur and paper light, and the red of the shorts, nothing else admitted. Fluffy fur catches a thin rim of that light along its edges. Quiet, unhurried, faintly teasing.

白ふわ犬系お兄さんの着替えシーン

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