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Рейнджер «Ranger»

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Рейнджер «Ranger»

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character: nihilux_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, 1boy, mirror reflection, 2girls, white hair, multicolored hair, colored inner hair, very long hair, long hair, purple eyes, symbol-shaped pupils, cross-shaped pupils, pointy ears, hat, beret, glasses, gloves, jewelry, shirt, dark clothing, black hair, evil twin, reflection, mirror, from side, profile, three-quarter view, looking at mirror, hand on mirror frame, fingertips against glass, snow globe, counter, interior, night, dynamic lighting, rim light, anime sketch style, monochrome with accent color A three-quarter rear view: a slim figure with very long white hair — its lengths mixed with a second, darker color and colored inner strands — stands at the edge of a counter at night, seen from the side and slightly behind, her body angled toward a tall standing mirror on the counter's left. She leans in, her right hand's fingertips pressed to the glass, her hat with a flat beret crown tilted low, thin wire-rimmed glasses catching the low key light as its lens frames the corner of one purple eye. Her face is turned to the mirror, disclosed only in the glass: her pupils are drawn as a symbol and a cross, twin marks inside each iris, and her ears come to fine points, standing up against her hair. Her gaze is on her own reflection, steady, unafraid. Behind her shoulders, a coat collar stands; each hand is gently closed in a glove, the left arm relaxed at her side; a glint of jewelry at her throat. In the reflection the same glass shows not her face turned back but her twin: the same features with the symbol and cross pupils and the pointy ears, but black hair falling straight to the waist, and dark clothing — a dark high-collared coat with a chain at the shoulder. The twin stands square to the glass, weight on one leg, head canted slightly back; her mouth is split in a thin, pleased smile, and both hands lift with fingers spread just behind the glass's surface, starting to reach out of it. Her gaze meets the viewer through the mirror. Dynamic lighting: a single warm lamp behind the viewer's left shoulder is the only source, its beam raking across the real figure's white hair so it lifts and glows, while the mirror's silvering catches a small bounce; deep shadow wedges the counter's underside, and the twin's dark silhouette is lit only from the wrong side, its left cheek bright and its right half drowned in black. A dust speck suspended in the lamp's beam, the only moving particle in the still room, traces the light. Palette: white, off-white paper, graphite black, the muted grey of pencil shading, and one muted warm tone reserved for the lamp, which warms the real figure's hair and cheek only — the twin receives nothing warm. Composition is set off-center with the mirror at left edge and the real figure placed on the right third, so the viewer must decide which one is the reflection. Anime sketch style throughout: loose graphite and pencil linework, cross-hatched shading, visible construction underdrawing, soft cotton paper tooth, sketchy edges and a few rough gestural lines, color applied in sparse washes over the speed-drawn lines. Quiet dread.
Show Parameters
Original Prompt
nihilux (honkai: star rail), symbol-shaped pupils, pointy ears, cross-shaped pupils, white hair, masterpiece, best quality, anime sketch style, dynamic lighting, an evil twin in a reflection with dark clothing and black hair
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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рr
character: nihilux_(honkai:_star_rail), copyright: honkai:_star_rail 2girls, mirror reflection, looking at mirror, standing in profile, from side, upper body, close-up, white hair, very long hair, multicolored hair, purple inner hair, purple eyes, cross-shaped pupils, symbol-shaped pupils, pointy ears, hat, beret, glasses, gloves, shirt, jewelry, pale skin, faint closed-lip smile, half-closed eyes, sideways glance, hand raised to the glass, fingertips on the mirror surface, reflection of same girl, evil twin, black hair, dark clothing, black high-collared coat, dark gloves, smirk, one raised eyebrow, tilted head, cold violet rim light, dark background, dynamic lighting, high contrast, anime sketch style, rough pencil linework, loose hatching, visible construction strokes, monochrome graphite with a single cold violet accent, masterpiece, best quality, quietly sinister The camera sits at her shoulder in a near-profile, so the frame holds two figures: the white-haired girl in the near foreground, facing the tall mirror set into a black wall, and her reflection standing inside the glass, turned a half-step toward the viewer while she herself is turned away from the lens. The girl stands with her weight on her back foot, hip cocked, chin dipped; her right hand is raised and her fingertips press flat against the mirror's cold surface, four points of contact that stop the glass from reading as a window. Her white hair is very long and falls past her shoulder in a heavy sheet, the inner layer showing a purple cast, and one blunt-tipped ear juts free of it; above her brow the beret sits low and a pair of glasses rests half-caught in her hair, their rim catching a thin line of light. Her visible eye is half-lidded and its pupil is a stacked symbol inside a second shape, crossbars meeting in the middle; that gaze is aimed into the glass, meeting the eyes of the thing that looks back. Behind the glass the twin is that same white-haired shape drained to black: black hair falling in the same long sweep, dark high-collared coat buttoned to the throat, dark gloves closed into a loose fist at her side. Her head is tilted, one brow arched, the corner of her mouth pulled up on one side only, and her pupils carry the same two symbol shapes, so the likeness reads as a corruption rather than a stranger. The mirror frames her from the waist up, its beveled edge crossing in front of the standing girl's shoulder so the two silhouettes overlap in a single vertical seam. No other figures, no extra reflections, no clutter on the floor or the wall. A single hard light comes from the upper left and strikes the near girl's cheekbone, knuckle and beret brim, throwing the rest of her face into shadow; the light that reaches the reflection is dimmer, cooler, angled the opposite way, a violet-tinged bounce that limns the twin's jaw and the edge of her dark collar and leaves her eyes as the brightest points in the frame. Everything beyond the mirror's edge falls into a flat near-black with no detail. Rendering stays in loose sketch register: rough graphite construction lines left visible across the shoulders and the hair, hatching in the shadows, the reflection's contour deliberately less finished than the near figure's, a single cold violet wash laid only into the inner hair and the rim light. The mirror's surface carries one fine bloom of condensation where her warm fingertips rest, and only the fingertips touch it. Quietly sinister.
Рейнджер «Ranger»
#Honkai: Star Rail
AI artwork
рr
character: nihilux_(honkai:_star_rail), copyright: honkai:_star_rail close-up, 1girl, solo, symbol-shaped pupils, cross-shaped pupils, magenta eyes, pointy ears, head tilt, smug, smirk, half-closed eyes, looking down at viewer, blush, looking at viewer, from below, white hair, multicolored hair, long hair, very long hair, colored inner hair, purple hair, hat, beret, glasses, gloves, jewelry, shirt, sketch, monochrome base with magenta accent, dynamic lighting, anime sketch, masterpiece, best quality, highly detailed A vertical close-up framed from below, tight on the head and shoulders so the chin sits slightly above the viewer's eye line and the crown of the hat nearly brushes the top edge. The figure is tilted: the head cants a few degrees to one side, the neck stretched along that diagonal, one shoulder lifted higher than the other, the whole upper body leaning in toward the lens so the near shoulder crowds the lower left corner and the far side falls back into soft sketch hatching. Long white hair streaked with multicolored bands spills over both shoulders, most of it swept to the raised side, a few strands lifted away from the cheek as if by the small movement of the tilt; the colored inner hair shows in darker ribbons behind the white locks near the jaw. A beret sits tilted over the back of the head, its brim cutting a clean arc across the top of the frame, and thin-rimmed glasses catch a hard diagonal glint across one lens. The eyes are the anchor of the shot: half-lidded, lashes low, irises a saturated magenta with cross-shaped pupils and smaller symbol-like marks folded inside them, rendered with crisp inked edges against the rougher pencil work around them. The gaze comes down the frame straight at the viewer, chin dipped, one brow faintly arched, the mouth pulled into a lopsided smirk with one corner raised and a small wedge of teeth showing, warm blush drawn as loose diagonal hatch marks across both cheeks and the bridge of the nose. Gloved fingers rest at the collar of the shirt, knuckles just touching the fabric, a ring of jewelry glinting at the wrist. Lighting is a single hard key raking in from the upper right: it strikes the cheekbone, the edge of the glasses and the lifted shoulder, throws the eye sockets and the underside of the jaw into deep sketch shadow, and leaves the left side of the face in loose crosshatch. The palette is near-monochrome graphite and cool grey paper with magenta reserved for the irises, the blush and one thin rim of light along the hair, nothing else admitted. The drawing keeps visible construction lines, roughened pencil strokes and erased edges around the silhouette, with the inked eyes and mouth as the only fully resolved passages. Quietly smug, effortlessly superior.
Рейнджер «Ranger»
AI artwork
рr
character: nihilux_(honkai:_star_rail), copyright: honkai:_star_rail upper body, close-up, 1girl, solo, leaning forward, hands on own cheeks, cupping own face, arms folded up, elbows raised, looking at viewer, smirk, blush, glowing eyes, magenta eyes, cross-shaped pupils, symbol-shaped pupils, pointy ears, yandere, long hair, very long hair, white hair, multicolored hair, colored inner hair, hat, beret, glasses, shirt, gloves, jewelry, from above, dutch angle, dynamic lighting, high contrast, rim light, dark background The camera looks down at her from slightly above and tilted a few degrees off level, holding her in a tight close-up that crops at the collarbones and cuts the crown of her beret at the top edge. She leans far forward toward the lens, shoulders rolled in, chest tipped over the unseen edge of the frame, so that her face fills the upper two-thirds of the picture and sits nearer the camera than anything else; her very long white hair, streaked through with a shifting second colour along its length and a darker tint running along the inner strands beside her jaw, spills forward off both shoulders and hangs in loose strands that cross in front of her collar, the tips falling out of frame at the bottom. Both arms are folded up sharply at the elbow, forearms vertical, and both gloved hands are pressed flat to her own cheeks, palms cupping the jaw and fingers curled back along the cheekbones so the flesh of her cheeks bunches up against the heels of her hands; her elbows are lifted and spread wide, and a sliver of the shirt cuff and a small piece of jewellery show where the glove meets the sleeve near her right wrist. Her chin dips slightly toward her cupped hands while her eyes roll up under her brow to look straight into the lens: magenta irises lit from within, luminous and hot against the shadowed eye sockets, each pupil a crisp cross with a clear vertical and horizontal bar, ringed by fine symbol marks that break the circular iris edge. Her ears are long and pointed, sweeping back and up out of the hair, the pointed tips catching the light. Her mouth is pulled into a lopsided smirk, one corner higher than the other, a small wedge of teeth showing, and a broad blush blooms high across both cheeks and the bridge of her nose, reddening the skin right where her fingers press. The single light source is a hard, cool key from high and slightly behind the camera's left shoulder: it strikes the tops of her cheekbones, the ridge of her nose, the raised knuckles, and the upper curve of the beret, and it leaves the eye sockets, the underside of her jaw and the hollow of her throat in deep shadow; a thin magenta rim light traces the outer edge of her right ear, the outer line of her right forearm, and the loose hair falling on that side, separating her from the background. Behind her the ground drops into an almost black field, unlit and featureless, so nothing competes with the lit face. Her dangling hair strands cast fine soft shadows across the shirt at her collarbone, and the blush's warmth sits only where the light reaches, fading abruptly into the shadow on the far side of her face. The palette is held to three things: the white and multi-toned hair, the hot magenta of the eyes and rim light, and the dark ground, with the red blush as the only warm accent. Fine detail concentrates in the irises, the curl of the gloved fingers, the sheen on the skin under the hands and the individual lit hair strands; texture on the sleeve and beret stays simple. Intimate menace, unblinking.
Рейнджер «Ranger»

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