Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Mijuwara

#Pokémon#Oshawott
More to See

Comments1

character: oshawott 1girl, solo, oshawott gijinka, petite, aqua hair, medium hair, kishimen hair, animal ears, animal tail, grey eyes, freckles, ajirogasa, white blouse, blue happi, long sleeves, short blue scarf, blue hakama shorts, light yellow ribbon around waist, white tabi socks, black okobo shoes, open mouth, smile, fang, v-shaped eyebrows, blush, holding wooden tantou, looking at viewer, standing on one leg, dynamic pose, full body shot, white background, cute, pastel colors, from below, dutch angle, foreshortening, one leg up, raised knee, arm out, tilted head, hair spread, motion, full-length figure, plain white field, airy The camera looks up from slightly below eye level and canted a few degrees off vertical, so the girl towers a touch and the pose reads as a caught mid-spin hop. Full body in frame from the soles of her okobo to the crown of her ajirogasa, her figure centered but tilted along the dutch axis; the raised knee of her lifted leg comes toward the lens and is drawn with mild foreshortening while the supporting leg runs straight down to the flat white ground. She balances on her right foot in the black-lacquered okobo, the solid block sole planted square, white tabi sock wrapped snug at the ankle; her left knee is pulled up high and its okobo sole shows toward the viewer, toe pointed down. Her torso twists toward her left while her head tips back toward the lens, chin lifted, the broad conical ajirogasa sitting low on her brow with its woven wicker ribs fanning out and one edge dipping to shade the top of her cheek. Aqua medium-length hair spills in many thin flat ribbon-like kishimen locks, blunt-ended and catching a little air from the spin, some strands swinging across her shoulder and a few flicking out beyond the hat brim. Two small round animal ears poke up at either side of her head just under the brim, and a tapered furred animal tail swings out behind her right hip, curling clear of the hakama hem. Grey eyes look straight at the viewer, wide and bright; v-shaped eyebrows angle sharply down toward the nose; both cheeks flush pink and a scatter of small freckles crosses the bridge of her nose and the tops of her cheeks. Her mouth is open in a full joyful smile, one small white fang peeking at the corner of the upper lip. A white blouse sits under a short blue happi, the happi's long sleeves pushed back a little and flaring out from the spin; a short blue scarf is knotted at her throat with its ends lifting away. Blue hakama shorts end at the knee, and a light yellow ribbon is tied around her waist with its bow and two tails streaming to her right. Her right arm swings outward and up for balance, the long sleeve opening wide; in her left hand, held up and out beside her shoulder with the wrist cocked, is a wooden tantou — a smoothly carved short blade of pale blond wood, no metal, its blunt carved edge catching the light, her fingers closed firmly around the bare wooden grip. Her gaze targets the viewer, and the whole pose presents itself to them with easy confidence. The background is a pure flat white field, seamless and empty, with nothing behind her but white; a soft pale contact shadow pools only beneath her planted okobo, tight and faint, and no other shadow falls anywhere. Light comes evenly from the front-left, gentle and cool, laying soft highlights on the wicker brim, the wooden blade, the aqua hair ribbons and the glossy black okobo sole's lacquer, while the shadow side of her lifted knee and the underside of the hat brim stay in a silvery soft grey. The palette is all pastel and low-contrast: pale aqua hair, powder blue happi and scarf, muted indigo hakama shorts, warm off-white blouse and tabi, butter-yellow ribbon, honey-toned straw, and one small red strap at the okobo. Where the raised foot points at the lens, the tabi fabric pulls taut over the arch and the split-toe line runs clean and true. Soft cel-shaded anime rendering with clean fine linework and gentle gradient shading, cute and buoyant.
Show Parameters
Original Prompt
1girl, solo, oshawott gijinka, petite, aqua hair, medium hair, kishimen hair, animal ears, animal tail, grey eyes, freckles, ajirogasa, white blouse, blue happi, long sleeves, short blue scarf, blue hakama shorts, light yellow ribbon around waist, white tabi socks, black okobo shoes, open mouth, smile, fang, v-shaped eyebrows, blush, holding wooden tantou, looking at viewer, standing on one leg, dynamic pose, full body shot, white background, cute, pastel colors,
Mode
pro
Size
720 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬