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息耐者カール

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息耐者カール

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3girls, 2girls, 1boy, male focus, man in center, three-person group, deep kiss, french kiss, kissing, embrace, hugging, bride, wedding dress, white satin sleeveless gown with deep V-neckline, cleavage, large breasts, restrained from behind, grabbed from behind, arms pinned, woman behind him, white lace wedding dress, high collar, long sleeves, floor-length lace skirt, face veil, heart-shaped pupils, heart eyes, glowing heart-shaped light frame, heart-shaped bokeh, sparkle, dutch angle, cowboy shot, from side, looking at each other, one eye closed, blush, open mouth, hand on another's cheek, hand on another's waist, gripping forearm, wedding chapel interior, backlit, warm white and rose palette The camera looks from a low side angle, tilted a few degrees into a dutch angle, framing the group from knee level up so the three bodies stack into a single clustered silhouette inside a ring of heart-shaped light. The man occupies the exact center of the frame, his body angled three-quarters toward the right and his head tipped down and to his right. His eyes are wide open, and where the pupils should be there are two glossy pink heart shapes, lit from inside, each with a small white catchlight; his brows are lifted and his face is flushed across the cheekbones. On his right, the first bride presses into him. She wears a sleeveless white satin gown with a deep V-neckline cut low and open between her breasts, the satin stretched taut across the chest so the seam of the V pulls into a narrow crease, and the exposed skin of her cleavage catching a bright band of rim light along its upper curve while the inner shadow between the breasts stays warm and soft. Her left arm comes up over his shoulder, her palm flat on the back of his neck, fingers spread against his nape, and her right hand grips the front of his collar, knuckles whitening the fabric. Her chin is tilted up and her mouth meets his in a deep kiss, lips parted and pressed hard, her eyes squeezed shut with one brow furrowed. Her hair falls back off her shoulders as she leans in, a few strands lifting in the small air current of the movement. On his left and behind him, the second bride restrains him. She is a head shorter than he is, standing at his back and slightly to his left, so her body is partly hidden by his shoulder and her face appears in profile over the top of his arm. She wears a floor-length white lace wedding dress with a high collar closed to the throat and long lace sleeves down to her wrists, the lace pattern dense and scalloped at the cuffs. Both of her arms are locked around him; her right forearm crosses hard over his upper chest just below the collarbone, the sleeve compressing the fabric of his shirt, and her left hand closes around his left wrist and pulls it back and down against his hip, pinning it there. Her heels are planted wide for leverage, her weight shifted onto her back foot, and her chin is turned toward his face; her eyes are open and fixed on his mouth where it meets the other bride's, her lips pressed into a thin line and one corner drawn up. The man's right hand cups the first bride's jaw, thumb along her cheekbone, while his left hand is trapped and useless at his hip. Between the three of them, the contact points read clearly: her palm on his nape, her fist in his collar, the second bride's forearm across his chest, her grip on his wrist. All three stand on the shallow step of a chapel, and behind them the aisle recedes into soft focus with rows of pale pews and a tall arched window. The only real light source is the heart-shaped frame itself: a ring of glowing pink and white heart-shaped lights, some large and some small, orbiting the group in a loose oval that runs in front of their shoulders and behind their heads, and this light does the work of a key. It rims the man's hair and jaw in warm rose, throws a hard bright edge along the satin of the first bride's neckline and shoulder, and catches the lace of the second bride's sleeve, while the chapel behind them drops away into a dim warm haze. Because the light comes from the frame in front of and around them, their cast shadows fall backward onto the step and the aisle floor, stretching long and soft behind their feet, and the small heart lights nearest the camera bloom into soft halos that briefly overlap the man's shoulder. The palette is held to warm white, rose pink, and skin tones, black reserved for the man's hair and the outlines, with no other hue admitted. The rendering is flat cel-shaded anime with clean hard outlines, high-contrast flat colour fills, and simple two-tone shadows, as if a single frame cut from a classic TV animation. Passionate, dizzy.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1408 x 1408
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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character: chris_redfield, leon_s._kennedy, leon_s_kennedy, copyright: resident_evil 2men, yaoi, bara, muscular male, hypermuscular, bearded, facial hair, kiss, kissing, first kiss, dipping pose, dip kiss, groom, wedding, altar, chapel, church, stained glass, wedding dress, wedding veil, white cape, white suit, formalwear, fully clothed, short hair, curtained hair, closed eyes, embrace, romantic, sweet, from side, cowboy shot. Seen from a low three-quarter side angle, two massive, hyper-muscular men perform an elegant wedding dip during their first kiss before a sunlit chapel altar. The standing groom, possessing a monolithic muscular frame, short cropped dark hair, and a thick trimmed beard, plants his feet firmly on the altar dais to support the dip. He is fully clothed in an impeccably tailored white suit and waistcoat that stretch taut across his immense chest, accented by a long white ceremonial cape fastened at the shoulders. His heavy, powerful arm wraps securely around the other man's waist, lifting and stabilizing his torso. Dipped backward over his partner's forearm, the second man—similarly hyper-muscular with defined curtained dirty-blonde bangs framing his face and a neatly kept beard—arches gracefully, both eyes closed in bliss. He is fully clothed in an opulent white wedding dress structured across his broad, brawny torso, with a gossamer white bridal veil pinned into his hair. One of his thick arms loops affectionately over the standing groom's neck, hand resting against the white suit collar as their lips press together in a tender, romantic kiss. Gravity pulls the sheer veil and the heavy white cape downward, causing the fabric to hang vertically and spill softly across the polished white marble steps. Warm sunlight streams through a towering stained-glass window behind the stone altar archway, haloing their broad silhouettes in radiant gold and projecting faint jewel tones across the white silk and floral arrangements. Romantic and sweet.
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character: chris_redfield, leon_s._kennedy, leon_s_kennedy, copyright: resident_evil 2men, bara, muscular male, hairy body, body hair, beard, facial hair, bridal carry, carrying, front view, from below, low angle, wedding dress, bridal veil, cape, tuxedo, high heels, garter belt, thighhighs, fully clothed, parted bangs, short hair, looking at each other, blush, light smile, cathedral interior, pillars Seen from below in a dramatic front view, two exceptionally muscular men are captured in a grand cathedral. The standing man, built with massive bara proportions, curtained dirty-blonde bangs framing blue eyes, and a neatly trimmed beard, firmly holds the other in a steady bridal carry. He is fully clothed in a sleek black tuxedo tightly fitted over his massive chest and broad shoulders, with a long black cape fastened at his collar sweeping gently behind him as his arms lock securely under his partner's back and thighs. Cradled in his arms, an equally hulking man with short cropped dark hair and a thick dark beard looks back with a soft, affectionate blush in his expressive eyes. His thick, brawny arm is looped around the carrier's neck, resting a large hand against the satin lapel of the suit. He is fully clothed in a tailored white bridal gown featuring a corseted lace bodice hugging his massive pecs, with dark body hair subtly visible beneath the sheer lace yoke, and a delicate white bridal veil draping down from his head. The voluminous white satin skirt gathers and parts over the carrier's supporting forearm, revealing white garter belt straps connected to white thigh-high stockings that wrap his thick, muscular, hairy legs, ending in pointed white high heels suspended in the air. The vast cathedral arches and marble columns rise into the background, illuminated by soft golden light cascading through tall stained glass windows. Clean linework defines the contours, with a palette of deep formal blacks, luminous whites, and warm, gentle ambient tones glinting against smooth, glossy skin. The heavy textile of the wedding dress compresses realistically beneath the firm grip of the carrier's forearm, conveying solid physical weight and effortless strength. Triumphant romantic devotion.
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#Resident Evil

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