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AI artwork featuring #Kantai Collection and #Hatsuzuki
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Hatsuzuki, Kantai Collection

#Kantai Collection#Hatsuzuki
Avatar image of おおみなと

おおみなと

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character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle), short brown hair, hair flaps, ahoge, brown eyes, yellow eyes, beret, brown jacket, shorts, gaiters, blue neckerchief, blue cloth wrapped around neck, angry, glaring, furrowed brows, gritted teeth, peeking out from behind cover, holding PPSh-41 submachine gun, firing, drum magazine, muzzle flash, gun smoke, spent brass casings, from side, profile, close-up, leaning out from corner, Italian-style town, ochre plaster walls, terracotta roofs, shutters, cobblestone, bright Mediterranean daylight, dynamic angle The view is a tight from-side close-up at chest height, the camera set slightly below her eyeline and canted a few degrees so the corner of the building cuts a hard vertical edge down the right third of the frame; she is on the near side of that edge, only the left half of her body and the gun emerging past it, the rest of her still swallowed by the shadowed slot behind the wall. Her profile faces the right of frame. A dark brown beret sits pulled low and tilted over her brow, leather band hugging the crown; her short brown hair flares out in two flaps at her ears and one stray strand curls up as an ahoge above the beret. The brown jacket is open over its own lapels, sleeves pushed to her forearms, and a blue cloth is knotted around her neck so its folded edge rides up against her jaw and one loose tail trails down across the jacket's chest. Below the jacket hem, shorts end at mid-thigh and the gaiters wrap her lower legs in bands of cloth over her boots. Her left shoulder and hip press flat against the plaster corner, painting a thin line of contact shadow on her jacket; her right arm swings out past the edge and both hands are locked around the PPSh-41 — right hand on the pistol grip, left cupping the drum housing, the perforated barrel shroud angled forward and slightly up. Her jaw is set, brows dragged into a hard V, upper teeth bared at the corner of her mouth, eyes narrowed and fixed dead past the corner on something out of frame to the right, tracking the target with the muzzle. The muzzle flash blooms from the barrel just past the wall, a hard white core with orange tongues, throwing a rim of hot light along the shroud, the top of her beret and the edge of her cheek, and a short-lived blast shadow behind the flash on the ochre wall; a puff of grey gun smoke curls along the underside of the barrel and drifts back over the corner, and one spent brass casing hangs mid-air tumbling near her elbow. Beyond her, the right of the image opens onto an Italian-style town at midday: ochre and faded pink plaster facades leaning close over a cobbled lane, green shutters half-open, an archway at the far end, a few terracotta roof tiles catching the sun — all softened by distance, the sky a hard pale blue above the rooftops. The sunlight is the only light source, high and warm from the left, so her exposed cheek and the gun's shroud blaze while the whole right side of the frame is thrown into violet-brown shade with the architecture behind her. Palette locks to ochre, plaster pink, terracotta, brown leather and the single hard note of the blue cloth and blue sky. Dust hangs in the light near the corner, and the sharp, controlled fury of it all reads as tense, sunbaked.
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Original Prompt
Hatsuzuki (Kancolle) — wearing a beret, a brown jacket, shorts, and gaiters, with a blue cloth wrapped around her neck — peeks out from behind cover and fires a PPSh-41 (with an angry expression). The setting is an Italian-style town.
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

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Tsubaki.3 Flash
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Avatar image of おおみなと
character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle), short brown hair, hair flaps, ahoge, brown eyes, yellow eyes, beret, brown jacket, shorts, gaiters, blue neckerchief, blue cloth wrapped around neck, angry, glaring, furrowed brows, gritted teeth, peeking out from behind cover, holding PPSh-41 submachine gun, firing, drum magazine, muzzle flash, gun smoke, spent brass casings, from side, profile, close-up, leaning out from corner, Italian-style town, ochre plaster walls, terracotta roofs, shutters, cobblestone, bright Mediterranean daylight, dynamic angle The view is a tight from-side close-up at chest height, the camera set slightly below her eyeline and canted a few degrees so the corner of the building cuts a hard vertical edge down the right third of the frame; she is on the near side of that edge, only the left half of her body and the gun emerging past it, the rest of her still swallowed by the shadowed slot behind the wall. Her profile faces the right of frame. A dark brown beret sits pulled low and tilted over her brow, leather band hugging the crown; her short brown hair flares out in two flaps at her ears and one stray strand curls up as an ahoge above the beret. The brown jacket is open over its own lapels, sleeves pushed to her forearms, and a blue cloth is knotted around her neck so its folded edge rides up against her jaw and one loose tail trails down across the jacket's chest. Below the jacket hem, shorts end at mid-thigh and the gaiters wrap her lower legs in bands of cloth over her boots. Her left shoulder and hip press flat against the plaster corner, painting a thin line of contact shadow on her jacket; her right arm swings out past the edge and both hands are locked around the PPSh-41 — right hand on the pistol grip, left cupping the drum housing, the perforated barrel shroud angled forward and slightly up. Her jaw is set, brows dragged into a hard V, upper teeth bared at the corner of her mouth, eyes narrowed and fixed dead past the corner on something out of frame to the right, tracking the target with the muzzle. The muzzle flash blooms from the barrel just past the wall, a hard white core with orange tongues, throwing a rim of hot light along the shroud, the top of her beret and the edge of her cheek, and a short-lived blast shadow behind the flash on the ochre wall; a puff of grey gun smoke curls along the underside of the barrel and drifts back over the corner, and one spent brass casing hangs mid-air tumbling near her elbow. Beyond her, the right of the image opens onto an Italian-style town at midday: ochre and faded pink plaster facades leaning close over a cobbled lane, green shutters half-open, an archway at the far end, a few terracotta roof tiles catching the sun — all softened by distance, the sky a hard pale blue above the rooftops. The sunlight is the only light source, high and warm from the left, so her exposed cheek and the gun's shroud blaze while the whole right side of the frame is thrown into violet-brown shade with the architecture behind her. Palette locks to ochre, plaster pink, terracotta, brown leather and the single hard note of the blue cloth and blue sky. Dust hangs in the light near the corner, and the sharp, controlled fury of it all reads as tense, sunbaked.
おおみなと
AI artwork
Avatar image of おおみなと
character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle), short brown hair, hair flaps, ahoge, brown eyes, yellow eyes, beret, brown jacket, shorts, gaiters, blue neckerchief, blue cloth wrapped around neck, angry, glaring, furrowed brows, gritted teeth, peeking out from behind cover, holding PPSh-41 submachine gun, firing, drum magazine, muzzle flash, gun smoke, spent brass casings, from side, profile, close-up, leaning out from corner, Italian-style town, ochre plaster walls, terracotta roofs, shutters, cobblestone, bright Mediterranean daylight, dynamic angle The view is a tight from-side close-up at chest height, the camera set slightly below her eyeline and canted a few degrees so the corner of the building cuts a hard vertical edge down the right third of the frame; she is on the near side of that edge, only the left half of her body and the gun emerging past it, the rest of her still swallowed by the shadowed slot behind the wall. Her profile faces the right of frame. A dark brown beret sits pulled low and tilted over her brow, leather band hugging the crown; her short brown hair flares out in two flaps at her ears and one stray strand curls up as an ahoge above the beret. The brown jacket is open over its own lapels, sleeves pushed to her forearms, and a blue cloth is knotted around her neck so its folded edge rides up against her jaw and one loose tail trails down across the jacket's chest. Below the jacket hem, shorts end at mid-thigh and the gaiters wrap her lower legs in bands of cloth over her boots. Her left shoulder and hip press flat against the plaster corner, painting a thin line of contact shadow on her jacket; her right arm swings out past the edge and both hands are locked around the PPSh-41 — right hand on the pistol grip, left cupping the drum housing, the perforated barrel shroud angled forward and slightly up. Her jaw is set, brows dragged into a hard V, upper teeth bared at the corner of her mouth, eyes narrowed and fixed dead past the corner on something out of frame to the right, tracking the target with the muzzle. The muzzle flash blooms from the barrel just past the wall, a hard white core with orange tongues, throwing a rim of hot light along the shroud, the top of her beret and the edge of her cheek, and a short-lived blast shadow behind the flash on the ochre wall; a puff of grey gun smoke curls along the underside of the barrel and drifts back over the corner, and one spent brass casing hangs mid-air tumbling near her elbow. Beyond her, the right of the image opens onto an Italian-style town at midday: ochre and faded pink plaster facades leaning close over a cobbled lane, green shutters half-open, an archway at the far end, a few terracotta roof tiles catching the sun — all softened by distance, the sky a hard pale blue above the rooftops. The sunlight is the only light source, high and warm from the left, so her exposed cheek and the gun's shroud blaze while the whole right side of the frame is thrown into violet-brown shade with the architecture behind her. Palette locks to ochre, plaster pink, terracotta, brown leather and the single hard note of the blue cloth and blue sky. Dust hangs in the light near the corner, and the sharp, controlled fury of it all reads as tense, sunbaked.
おおみなと
#Hatsuzuki
AI artwork
Avatar image of おおみなと
character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle), short brown hair, hair flaps, ahoge, brown eyes, yellow eyes, beret, brown jacket, shorts, gaiters, blue neckerchief, blue cloth wrapped around neck, angry, glaring, furrowed brows, gritted teeth, peeking out from behind cover, holding PPSh-41 submachine gun, firing, drum magazine, muzzle flash, gun smoke, spent brass casings, from side, profile, close-up, leaning out from corner, Italian-style town, ochre plaster walls, terracotta roofs, shutters, cobblestone, bright Mediterranean daylight, dynamic angle The view is a tight from-side close-up at chest height, the camera set slightly below her eyeline and canted a few degrees so the corner of the building cuts a hard vertical edge down the right third of the frame; she is on the near side of that edge, only the left half of her body and the gun emerging past it, the rest of her still swallowed by the shadowed slot behind the wall. Her profile faces the right of frame. A dark brown beret sits pulled low and tilted over her brow, leather band hugging the crown; her short brown hair flares out in two flaps at her ears and one stray strand curls up as an ahoge above the beret. The brown jacket is open over its own lapels, sleeves pushed to her forearms, and a blue cloth is knotted around her neck so its folded edge rides up against her jaw and one loose tail trails down across the jacket's chest. Below the jacket hem, shorts end at mid-thigh and the gaiters wrap her lower legs in bands of cloth over her boots. Her left shoulder and hip press flat against the plaster corner, painting a thin line of contact shadow on her jacket; her right arm swings out past the edge and both hands are locked around the PPSh-41 — right hand on the pistol grip, left cupping the drum housing, the perforated barrel shroud angled forward and slightly up. Her jaw is set, brows dragged into a hard V, upper teeth bared at the corner of her mouth, eyes narrowed and fixed dead past the corner on something out of frame to the right, tracking the target with the muzzle. The muzzle flash blooms from the barrel just past the wall, a hard white core with orange tongues, throwing a rim of hot light along the shroud, the top of her beret and the edge of her cheek, and a short-lived blast shadow behind the flash on the ochre wall; a puff of grey gun smoke curls along the underside of the barrel and drifts back over the corner, and one spent brass casing hangs mid-air tumbling near her elbow. Beyond her, the right of the image opens onto an Italian-style town at midday: ochre and faded pink plaster facades leaning close over a cobbled lane, green shutters half-open, an archway at the far end, a few terracotta roof tiles catching the sun — all softened by distance, the sky a hard pale blue above the rooftops. The sunlight is the only light source, high and warm from the left, so her exposed cheek and the gun's shroud blaze while the whole right side of the frame is thrown into violet-brown shade with the architecture behind her. Palette locks to ochre, plaster pink, terracotta, brown leather and the single hard note of the blue cloth and blue sky. Dust hangs in the light near the corner, and the sharp, controlled fury of it all reads as tense, sunbaked.
おおみなと
#Kantai Collection#Hatsuzuki
AI artwork
Avatar image of おおみなと
character: hatsuzuki_(kancolle) 1girl, solo, hatsuzuki (kancolle)-inspired character, short brown hair with two upward hair flaps, single ahoge, yellow-brown eyes, flat expressionless face, beret, brown jacket, shorts, gaiters, blue cloth wrapped around neck, rifle slung on back, holding cigarette, smoking, cigarette between lips, smoke curl, standing, leaning back against stone wall, one knee bent, foot flat on wall, from below, dutch angle, cowboy shot, looking away, looking to the side, italian-style cityscape, narrow cobbled alley, ochre and terracotta plaster walls, shuttered windows, laundry lines overhead, warm afternoon light, long shadows, three-quarter view, The camera sits low and tilted a few degrees off level, looking up: the pale plaster wall of an Italian alley rises behind her and the sky is a thin bright strip between the eaves. She stands with her back against the sunlit wall, right shoulder blade and the flat of the rifle's upper receiver pressed to the plaster, hips pushed slightly forward off the stone; her left leg is straight and takes her weight through a gaiters-wrapped calf and boot heel, while her right knee is bent with the sole of that boot planted flat against the wall a hand's span above the ground, so the whole pose hangs off the wall. The rifle is slung diagonally across her back on a dark canvas strap that crosses her right shoulder and disappears under the left arm; the wooden stock juts below her right hip and the barrel rises past her left shoulder, both clear of the wall, the strap flattened where it meets the plaster. Her brown jacket hangs open over a plain dark undershirt, sleeves shoved to just below the elbow, collar turned up; the shorts end mid-thigh and the gaiters wrap her shins in tight horizontal bands over scuffed boots. The blue cloth is knotted at the side of her throat with a thumb-width of slack, its free end lying across the jacket's lapel and lifting a little at the edge where it catches the light. Her hands are busy in a small, ordinary way: the right hand is lifted near her jaw, fingers loosely curled, the cigarette pinched between index and middle finger just short of her lips, a thin thread of smoke rising and bending toward the wall where the warm air pools; her left hand is hooked into the jacket pocket, thumb out. Her face is completely flat, brow level, eyes half-lidded and slid sideways down the alley, lips closed and set, no smile and no frown, the cigarette held an inch from her mouth as if she has just taken it away. Hair flaps and ahoge stir slightly in the draught. The alley is close and human-scaled: ochre and terracotta plaster with scabbed patches showing brick, green shutters, a line of washing strung between two windows, a scooter's mirror glinting at the far end, cobbles running out of focus behind her boots. Low warm sun comes from the right and rakes across the wall, so the left side of her face and the underside of the beret sit in shadow, and her shadow is cast up and left onto the plaster with the rifle's silhouette broken out of it. Palette: warm ochre, terracotta and dusty brown, one clear note of blue at her throat. Quiet, unsentimental.
おおみなと

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