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Trevor

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Trevor

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character: tsukishiro_yanagi 1girl, 1boy, 2girls, 2boys, couple, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, off-shoulder sweater, cream knit sweater, skirt, black skirt, white hair, medium length hair, blue eyes, toned body, casual clothes, navy t-shirt, grey lounge pants, cuddling, sitting on couch, leaning on another, head on another's shoulder, arm around waist, arm around shoulder, hand on another's arm, looking at another, light smile, half-closed eyes, blush, couch, cozy living room, warm lamp light, indoors, sunset through window, two-shot, close-up, from side, profile, soft warm palette, tender The frame is a side-on two-shot, camera level with the couch cushions and close, so the two of them fill the picture and the room falls away in soft focus behind. The couch runs across the lower right of the frame, a deep, nubby-upholstered couch in muted olive drab; the man sits near its center, weight back into the corner, one of its cushions compressed under his hip while the other sinks under her. He is the one leaning back — a tall, mature man with a solid, toned build, medium-length white hair swept back off his forehead and falling just past his nape, his navy t-shirt stretched across his chest and shoulders, his grey lounge pants bunched at one knee. His left arm lies along the couch's backrest and drops around her shoulders, his hand settling on the outside of her upper arm, thumb flat against the knit. His right hand rests loose on his own thigh. She is pressed in against his side, the direction of the whole shot set by the way she has tipped into him: her long pink hair — cut with the heavy side-swept wings and the short curtain of fringe that hang between her eyes — spills across the front of his shoulder and across the cream knit of her sweater, some of it falling onto his chest. Her glasses, rimless and near-invisible, catch a thin white line of reflection across one lens. Her violet eyes are turned up and sideways toward his jaw; her cheek is against the slope of his shoulder, her lashes lowered halfway, her lips in a small closed curve, a faint warmth of blush high on her cheekbone. Her figure is emphatically full — the off-shoulder sweater is a soft cream knit that has slipped off both shoulders, leaving the bare line of her collarbones and the tops of her arms exposed, the wool pulled taut over her gigantic chest and cinched in at her waist before her wide hips and wide thighs spread across the cushion, the short black skirt riding up against the seat. One of her thighs lies over his, the weight of it visibly sinking the cushion. Her left hand is folded against his chest, fingers curled into the cotton of his t-shirt, knuckles resting lightly, her other arm tucked down between them. The primary light is a warm table lamp out of frame at the left, a low golden key that strikes the left side of her face and glass and the left plane of his neck, leaving the right side of both of them in a soft, warm-shadowed dark against the couch. A cool dusk light from a window behind them edges the tops of their hair — hers pink, his white — in a thin silver rim and dies before it reaches their faces. The palette is warm and narrow: cream wool, olive couch, the blue-black of his shirt, her pink hair and the small hard glint of the rimless frames, on a ground of amber lamp shadow. Where her cheek meets his shoulder, the wool of his cotton bunches into a shallow fold, and the couch cushion keeps the dent of both their weights. Quiet, intimate.
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Original Prompt
1girl, mature adult, pink hair, long length, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breast, curvy body, wide hips, wide thighs, off shoulders sweater, skirt, cuddling with, 1boy, mature adult, white hair, medium length, blue eyes, toned body, casual clothes, both on couch
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Avatar image of Trevor
character: tsukishiro_yanagi 1girl, 1boy, 2girls, 2boys, couple, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, off-shoulder sweater, cream knit sweater, skirt, black skirt, white hair, medium length hair, blue eyes, toned body, casual clothes, navy t-shirt, grey lounge pants, cuddling, sitting on couch, leaning on another, head on another's shoulder, arm around waist, arm around shoulder, hand on another's arm, looking at another, light smile, half-closed eyes, blush, couch, cozy living room, warm lamp light, indoors, sunset through window, two-shot, close-up, from side, profile, soft warm palette, tender The frame is a side-on two-shot, camera level with the couch cushions and close, so the two of them fill the picture and the room falls away in soft focus behind. The couch runs across the lower right of the frame, a deep, nubby-upholstered couch in muted olive drab; the man sits near its center, weight back into the corner, one of its cushions compressed under his hip while the other sinks under her. He is the one leaning back — a tall, mature man with a solid, toned build, medium-length white hair swept back off his forehead and falling just past his nape, his navy t-shirt stretched across his chest and shoulders, his grey lounge pants bunched at one knee. His left arm lies along the couch's backrest and drops around her shoulders, his hand settling on the outside of her upper arm, thumb flat against the knit. His right hand rests loose on his own thigh. She is pressed in against his side, the direction of the whole shot set by the way she has tipped into him: her long pink hair — cut with the heavy side-swept wings and the short curtain of fringe that hang between her eyes — spills across the front of his shoulder and across the cream knit of her sweater, some of it falling onto his chest. Her glasses, rimless and near-invisible, catch a thin white line of reflection across one lens. Her violet eyes are turned up and sideways toward his jaw; her cheek is against the slope of his shoulder, her lashes lowered halfway, her lips in a small closed curve, a faint warmth of blush high on her cheekbone. Her figure is emphatically full — the off-shoulder sweater is a soft cream knit that has slipped off both shoulders, leaving the bare line of her collarbones and the tops of her arms exposed, the wool pulled taut over her gigantic chest and cinched in at her waist before her wide hips and wide thighs spread across the cushion, the short black skirt riding up against the seat. One of her thighs lies over his, the weight of it visibly sinking the cushion. Her left hand is folded against his chest, fingers curled into the cotton of his t-shirt, knuckles resting lightly, her other arm tucked down between them. The primary light is a warm table lamp out of frame at the left, a low golden key that strikes the left side of her face and glass and the left plane of his neck, leaving the right side of both of them in a soft, warm-shadowed dark against the couch. A cool dusk light from a window behind them edges the tops of their hair — hers pink, his white — in a thin silver rim and dies before it reaches their faces. The palette is warm and narrow: cream wool, olive couch, the blue-black of his shirt, her pink hair and the small hard glint of the rimless frames, on a ground of amber lamp shadow. Where her cheek meets his shoulder, the wool of his cotton bunches into a shallow fold, and the couch cushion keeps the dent of both their weights. Quiet, intimate.
Trevor
AI artwork
Avatar image of Trevor
character: tsukishiro_yanagi 1girl, 1boy, 2girls, 2boys, couple, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, off-shoulder sweater, cream knit sweater, skirt, black skirt, white hair, medium length hair, blue eyes, toned body, casual clothes, navy t-shirt, grey lounge pants, cuddling, sitting on couch, leaning on another, head on another's shoulder, arm around waist, arm around shoulder, hand on another's arm, looking at another, light smile, half-closed eyes, blush, couch, cozy living room, warm lamp light, indoors, sunset through window, two-shot, close-up, from side, profile, soft warm palette, tender The frame is a side-on two-shot, camera level with the couch cushions and close, so the two of them fill the picture and the room falls away in soft focus behind. The couch runs across the lower right of the frame, a deep, nubby-upholstered couch in muted olive drab; the man sits near its center, weight back into the corner, one of its cushions compressed under his hip while the other sinks under her. He is the one leaning back — a tall, mature man with a solid, toned build, medium-length white hair swept back off his forehead and falling just past his nape, his navy t-shirt stretched across his chest and shoulders, his grey lounge pants bunched at one knee. His left arm lies along the couch's backrest and drops around her shoulders, his hand settling on the outside of her upper arm, thumb flat against the knit. His right hand rests loose on his own thigh. She is pressed in against his side, the direction of the whole shot set by the way she has tipped into him: her long pink hair — cut with the heavy side-swept wings and the short curtain of fringe that hang between her eyes — spills across the front of his shoulder and across the cream knit of her sweater, some of it falling onto his chest. Her glasses, rimless and near-invisible, catch a thin white line of reflection across one lens. Her violet eyes are turned up and sideways toward his jaw; her cheek is against the slope of his shoulder, her lashes lowered halfway, her lips in a small closed curve, a faint warmth of blush high on her cheekbone. Her figure is emphatically full — the off-shoulder sweater is a soft cream knit that has slipped off both shoulders, leaving the bare line of her collarbones and the tops of her arms exposed, the wool pulled taut over her gigantic chest and cinched in at her waist before her wide hips and wide thighs spread across the cushion, the short black skirt riding up against the seat. One of her thighs lies over his, the weight of it visibly sinking the cushion. Her left hand is folded against his chest, fingers curled into the cotton of his t-shirt, knuckles resting lightly, her other arm tucked down between them. The primary light is a warm table lamp out of frame at the left, a low golden key that strikes the left side of her face and glass and the left plane of his neck, leaving the right side of both of them in a soft, warm-shadowed dark against the couch. A cool dusk light from a window behind them edges the tops of their hair — hers pink, his white — in a thin silver rim and dies before it reaches their faces. The palette is warm and narrow: cream wool, olive couch, the blue-black of his shirt, her pink hair and the small hard glint of the rimless frames, on a ground of amber lamp shadow. Where her cheek meets his shoulder, the wool of his cotton bunches into a shallow fold, and the couch cushion keeps the dent of both their weights. Quiet, intimate.
Trevor

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