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AI art "コンピューターおばあちゃん(バグり気味ックス 1)" featuring #Kimono, #Waist Apron, #Indoors, #Grandma, #Ohoho laugh and #Laugh lines
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コンピューターおばあちゃん(バグり気味ックス 1)

コンピューターおばあちゃんの1番の歌詞をブチ込んだところ、レトロな画風と大量の吹き出しとともに出力されましたが、 なんか色々バグり気味です！明治生まれは2026年現在、最年少でも114歳になるので致し方ない！

#Kimono#Waist Apron#Indoors#Grandma#Ohoho laugh#Laugh lines
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うざぴょい

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2girls, grandmother, boy, elderly woman, machine girl, retro computer parts integrated into body, loose dentures, dentures rattling askew, open mouth, singing, energetic dancing pose, arms up, one knee lifted, sturdy strong legs, sturdy hips, broad stance, Meiji-era kimono and apron, updo grey hair, hair bun, boy, short black hair, school shorts, suspenders, flat cap, hugging grandmother, laughing, :d, from below, dutch angle, full body, joyful, speech bubble, "コンピューターおばあちゃん", "イェイイェイ　ぼくは大好きさ", "明治生まれのコンピューター", "英語もラクラク　入れ歯をガクガク", retro-futuristic living room, mustard and steel-blue palette, low-angle wide shot, dutch angle tilted about ten degrees, full bodies of both figures, grandmother dominating the left two-thirds, legs braced wide on the tatami, one sturdy leg forward with the foot planted flat, other knee lifted high mid-dance, wooden geta kicked half off one raised foot and swung by its strap, hip cocked over the weight-bearing leg, spine tilted back in a laugh, both arms flung up and out with palms open, elbows loose, dentures slipped so they jut below her upper lip and rattle visibly at the gum line, mouth wide open mid-note, eyes squeezed to happy crescents; behind her sternum a small brass-and-bakelite computing panel with rows of flickering punched-card dials and coil springs at her temples, a warm amber needle jittering across a gauge as she sings; grey hair in a tight Meiji-era bun, hairpins holding it, faded indigo kimono with a starched cream apron tied at the waist, sleeves pushed to the elbow; the boy on the right, small against her, standing on the balls of his feet and reaching up to hug her raised forearm with both hands, fingers gripping the apron strap, cheek pressed to her sleeve, eyes closed in an open-mouthed laughing grin, head tipped back toward her face; her eyes come down to him, brow arched; light from a single paper-shaded floor lamp at the right edge, warm honey light raking across both faces from the lower right, throwing their joined shadows long and blue across the tatami to the upper left, the machine housing catching a highlight on its brass rim, the boy lit along one cheek and the rim of his cap; the room a low-ceilinged retro-futuristic living room, kotatsu on the tatami in the near foreground with a folded quilt, low shelves of books and an abacus and stacked punched cards against the back wall, a round clock and a black rotary telephone on a side table, the background a pale cream wall washed with a soft olive tone, one sliding shoji door half open to a strip of outdoor green, cushions smartly aligned; palette of mustard yellow, olive green, faded steel blue, warm cream and deep near-black, with touches of fresh green only in the outdoor strip and the flickering panel lights; flat cel shading, clean even line weight, matte painted surface; exhilarated and heartwarming, one bubble cluster above the pair carrying her sung lines.
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Original Prompt
コンピューターおばあちゃん コンピューターおばあちゃん イェイイェイ　ぼくは大好きさ ぼくのおばあちゃんは 明治生まれのコンピューター 算数国語社会　何でもドンと来いさ 物知り博学　足腰カクシャク 元気にワンツースリー 英語もラクラク　入れ歯をガクガク 得意のABC コンピューターおばあちゃん コンピューターおばあちゃん イェイイェイ　ぼくは大好きさ
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1232 x 1232
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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watercolor_(medium), paper_texture, A medium shot from a low angle, viewed from behind, shows a young boy and his grandmother walking along a narrow dirt path between ripening rice fields in the rural Japanese countryside during an early autumn night in the early Heisei era. The boy, dressed in a simple short-sleeved shirt and shorts, is skipping excitedly with his arms raised, while the grandmother, wearing a traditional modest kimono and a shawl, walks beside him with a gentle, protective posture, her hand resting lightly near his shoulder. The surrounding rice stalks are golden and heavy, nearly ready for harvest, swaying under a faint, pale moonlight. In the far distance, a few dim city lights flicker on the horizon. The scene is rendered as a high-moisture watercolor painting with heavy bleeding, blurred contours, and translucent washes of deep indigo and muted earth tones. The atmosphere is deeply nostalgic and poignant, characterized by soft color bleeding, layered stains, and a wet-on-wet technique that evokes a museum-quality piece with a palpable sense of solitude and warmth.
たぬきのけだま
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Avatar image of たぬきのけだま
watercolor_(medium), paper_texture, a nostalgic, wide shot from behind depicting a young boy and his grandmother walking along a narrow ridge path between rice fields in the rural Japanese countryside during the early Heisei era. The scene takes place on a late summer night in early autumn, where the air still holds a trace of summer heat. The boy is captured in a lively, animated pose, skipping forward with excitement, while the elderly grandmother walks beside him, her posture gentle as she watches him with affection. In the far distance, the faint, shimmering lights of a town are visible under a pale, dim moonlight. The environment is characterized by the dark silhouettes of the fields and the quiet atmosphere of a night filled with the unseen sounds of insects. The visual style is a highly saturated watercolor painting with a strong water-heavy feel, featuring loose linework that blends into translucent washes, gentle color bleeding, and layered stains on a textured paper surface. The color palette is overall dark and subdued, evoking a poignant, melancholic, and museum-quality artistic mood.
たぬきのけだま

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