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lionecho7

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character: ump45_(girls'_frontline), copyright: girls'_frontline 1girl, solo, ump45, long hair, brown-black hair, hair between eyes, yellow eyes, a-cup, small breasts, black dress, jacket over dress, open clothes, pleated skirt, miniskirt, black and yellow color scheme, black fingerless gloves, open-fingered gloves, asymmetric legwear, one leg in black pantyhose, other leg in white pantyhose, bare feet, no footwear, both soles bare, toes, sitting, on sofa, L-shaped sitting pose, crossed legs, one leg over the other, raised foot, sole facing camera, foot up, hands crossed under chin, hands together under chin, elbows on knee, leaning forward, provocative, seductive gaze, half-closed eyes, looking at viewer, lopsided smirk, raised eyebrow, head tilt, from below, cowboy shot, foreshortening, indoor, dramatic light, palette: black, warm yellow, dark brown, Low camera angle looking up at a single woman seated on a deep black upholstered sofa, the sofa running from lower left to the right third of the frame so her body folds into a clear L: hips low against the back cushion, torso leaning forward off the seat, right elbow and forearm braced on her raised right knee, left elbow tucked in against her ribs, both gloved hands crossed and stacked flat beneath her chin so her jaw rests on the backs of her fingers. Her legs cross with the right thigh laid over the left; the right leg drops down over the sofa's front edge while the left leg lifts and bends, black-pantyhose foot held up above the white-pantyhose ankle, and the bare pale sole of that raised foot turns squarely toward the camera in the low foreground, toes spread slightly, arch and heel pad catching the key light, the white stocking taut across the other shin and the black stocking sheened along the lowered calf. No shoes anywhere: the lowered foot's white-stockinged toes rest bare on the carpet, the raised foot's bare sole is the largest, nearest object in frame, larger than her face through foreshortening. She wears a sleeveless black dress with a modest neckline, a black jacket worn open over it with the lapels hanging wide, and a short pleated skirt banded in black and yellow whose knife pleats splay against the cushion under her hips. Fingerless black gloves leave the tips of her fingers and knuckles bare where they press her chin; her brown-black hair falls past her shoulders, strands slipping between her fingers, her head tilted and dropped a little so she looks up at the lens from beneath her brows, yellow eyes half-lidded, one brow arched, one corner of her mouth pulled into a thin knowing smirk. The light is a single warm lamp low and off to the left behind the sofa: it rims her hair and the raised sole, glints along the black stocking's sheen and the yellow skirt pleats, and leaves the far side of her face, the underside of the sofa and the rest of the room in a flat deep dark, with her cast shadow thrown long across the carpet to the right of the sofa legs. Everything in the room beyond the sofa stays near-black and unreadable. Palette admits only black, warm amber-yellow and dark brown. Slow, deliberate, teasing.
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Original Prompt
参考少女前线中的ump45,莱娅,上身穿着黑色连衣裙,外套夹克,a罩杯,下身穿百褶短裙,以黑黄色为主,一只脚穿黑色丝袜,另一只脚穿白色丝袜,头发主体为棕黑色,一条腿搭在另一条腿上,把其中一只脚心朝向镜头,人坐在沙发上,人物呈L型坐姿,不穿鞋,挑衅勾引的眼神,两只手交叉放在下巴下面,手部穿着黑色露趾手套
Mode
pro
Size
768 x 1280
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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l7
character: ump45_(girls'_frontline), copyright: girls'_frontline 1girl, solo, long hair, brown hair, dark brown hair, hair between eyes, yellow eyes, black dress, jacket, black jacket, open clothes, short sleeves, a-cup, small breasts, pleated skirt, black and yellow theme, one black stocking, one white stocking, mismatched legwear, crossed legs, one foot sole facing camera, barefoot, no shoes, bare toes, black peep-toe gloves, both hands crossed under chin, sitting on sofa, leaning forward, reclining, L-shaped pose, provocative gaze, seductive gaze, half-closed eyes, raised eyebrow, lopsided smirk, looking at viewer, head tilt, from below, foreshortening, indoor, dim room, warm lamplight The camera sits low, below knee height, looking up at her along the length of her own raised leg, so her crossed legs and the sole of her foot dominate the foreground and her face hangs above them in the upper third of the frame. She occupies a dark upholstered sofa set against a bare wall, the sofa's arm behind her left shoulder, one cushion compressed under her hip where she has settled her weight; she is alone in the frame. Her torso leans back into the corner of the sofa and her spine is carried in the loose L of a woman who has decided to stay put: hips low and forward at the seat edge, upper body reclined, shoulders rolled back against the cushion, chin propped atop her two gloved hands. Both forearms are folded one over the other just below her mouth, wrists crossed, so the backs of her fingers press together under her jaw and her elbows rest lightly on her drawn-up knee; the black open-toed gloves end at the wrist, each fingertip exposed at the open tips, and the fabric creases at the knuckle of each thumb. Her right leg crosses high over the left, the right ankle resting on the left knee, and from this low angle the raised right foot turns its sole flat toward the lens, the white stocking pale and slightly taut across the ball of the foot, heel and arch angled away, toes relaxed and separated, nothing on her feet. The left leg drops down to the seat with the black stocking catching the light along the shin and vanishing into shadow beneath the crossed knee. Her pleated skirt, black with a yellow band at the hem, fans out over her thighs in half-opened pleats that flatten where her hip presses the cushion and lift in a single fold where her crossed thigh pulls it; the yellow is repeated thinly at the jacket's lining edge and nothing else in the room admits that colour. The black dress is a snug sleeveless bodice under the open jacket, whose sleeves are shoved to the elbow, and across her chest the fabric runs flat and unbroken, small and narrow, the dress cut close. Her long brown-black hair falls forward off the back cushion in two heavy sections, one sliding along her right shoulder onto the jacket's collar, the other hanging loose beside her cheek so a strand crosses the corner of her mouth. Her chin is tipped down while her eyes look straight up out of that lowered head at the viewer, lids half shut, one brow lifted higher than the other, the corner of her mouth pulled into a slow uneven smirk, a single tooth catching the light; the tilt is a dare, not an invitation, and her gaze lands square on the lens. A single warm table lamp stands off frame to her right and low, its light raking up the inner face of the raised white sole and the underside of her chin, catching the yellow hem and the shin of the black stocking, while everything behind her shoulders and under the sofa falls into a flat brown darkness; the only other light is a faint cool spill from a doorway far behind, which touches the wall and nothing else. Because the lamp is low, the shadow of her crossed ankle is thrown large and soft onto the sofa back behind her knee, and the white stocking reads brighter than the lamp itself where the light skims it. Palette held to black, yellow and warm brown skin, with the single white note at the sole of her foot. Quietly insolent, unmistakably in control.
lionecho7

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