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Tekken 3 Julia Genderswap

#Tekken#Julia Chang#Tekken 3
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character: julia_chang. A full body shot from a tilted Dutch angle, featuring a male version of Julia Chang in a 3/4 view within a research facility. He is a handsome man in his 20s with a broad, heavily muscled grappler's build, copper-brown skin, and long brown hair tied at the nape. He wears a long white lab coat open over a fitted charcoal turtleneck, dark grey trousers, and black leather shoes, with a turquoise beaded bracelet and a family pendant on a leather cord. He stands at a steel bench, holding a glass vial between two fingers of one hand while his other hand rests flat on the surface, his expression narrowed and intent. The background is a GENOCELL research lab with steel benches, glowing green plant tanks, and monitors, with a window showing a grey, overcast dawn. The scene uses a cel-shaded 3D/toon-shader style with clean vector contours and flat shading. Hard white overhead lighting creates sharp shadows, contrasted by the sickly green glow of the tanks and a muted charcoal and white color palette. (genderswap_(ftm):1.5)
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character: julia_chang A full body shot framed head to toe, at a tilted Dutch angle. He is a genderswapped Julia, a man in his 20s, the Chang Kenpo fighter from Arizona who means to green the desert again and bring his mother home from the Mishima Zaibatsu. The image has a Tekken fighting-game vibe of the King of Iron Fist Tournament, Chang Kenpo grappling and palm strikes, beadwork and turquoise from the desert Southwest, and the family pendant that glows whenever Ogre is near, and the mood is intent, composed and quietly dangerous, a researcher who knows exactly what G Corporation is up to. He is composed and handsome, a man with a broad, heavily muscled grappler's build with wide shoulders, a deep, hard chest, thick arms, a solid, ridged stomach and powerful thighs, the bulk of it squared off by a lab coat. His skin is a warm copper-brown, lit hard and white by the lab lights, and his face is strong and handsome, with high, broad cheekbones, a straight, strong nose, a firm square jaw, thick dark brows, steady dark brown eyes and a serious mouth. His expression is intent, his eyes narrowed. His brown hair is long and neatly tied at the nape, his bangs falling to each side of his face. He wears a long white lab coat hanging open over a fitted charcoal turtleneck that sits close across his deep chest, dark grey trousers and black leather shoes, with a beaded turquoise bracelet at one wrist and a pen clipped to the coat's breast pocket. The Chang family pendant hangs over the turtleneck on its leather cord. He wears no makeup. (genderswap_(ftm):1.5) The setting is a GENOCELL research lab inside a G Corporation complex at an overcast dawn, a long white room of steel benches and glass fume hoods, racks of plant samples growing in glowing green tanks, a centrifuge humming on a bench, a wall of monitors glowing pale blue, clipboards and seed packets stacked by a microscope, and a tall window showing a grey dawn over a forested hillside. The whole scene is fully detailed. In a tilted view, three-quarter toward the viewer, he stands at a steel bench holding a glass sample vial up to the light between two fingers, his other hand resting flat on the bench, his eyes moving from the vial to the viewer, narrowed and intent. Artificial light: the hard white overhead lab lights cut down across him, sharp shadows at the brow and jaw and in the folds of the lab coat, the green tanks throwing a sickly glow at his side and the dawn window grey behind. Coat white dominates, with tank green and turtleneck charcoal as the accents. Cel-shaded 3D/toon-shader style: a toon-shaded 3D model with clean vector contours tracing the 3D model's surfaces, flat shading with zero smooth gradients, a vibrant colour palette of coat white, tank green, turtleneck charcoal and pendant turquoise, and a clean, polished game-cinematic finish.
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960 x 1280

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Avatar image of Joshua Froat
character: victor_gideon, copyright: resident_evil 1boy, solo, shirtless, bare pectorals, open lab coat, long white lab coat hanging open, nothing underneath, bare torso visible through open coat, bare chest, collarbone exposed, no shirt, black pants, long black hair, medium-length hair, grey streaks at temples, full beard, facial hair, red eyes, yellow eyes, black sclera, colored sclera, ring, jewelry, bare arms in coat sleeves, standing, leaning back against laboratory counter, one hand braced on counter edge, other hand holding a small glass vial, head tilted down, looking at vial, sideways glance toward viewer, half-closed eyes, light smirk, from below, cowboy shot, lab interior, dim laboratory The camera looks up at him from just below chest height, so the open lab coat and the bare torso behind it dominate the frame. He stands with his weight rocked back onto his right leg, hips against the edge of a steel laboratory counter, the left knee slightly bent โ€” a deliberate, unhurried lean rather than a slouch. His right hand is braced flat on the counter behind him, fingertips pressed to the cold metal edge, taking his weight; his left hand holds a small glass vial up at chest height, thumb and two fingers pinching its neck, and his chin is dipped toward it. Beneath the long white lab coat the chest is completely bare โ€” no shirt, no undershirt, no tape โ€” with only the coat's open front and a pair of black pants below; the coat sleeves are pushed down to his wrists so his bare forearms come out of the cuffs. The coat hangs straight down his body, its front folds falling back on either side of the sternum to lay the whole torso open to the light, and the two front edges of the coat fall in a narrow V past the stomach. His head is turned down toward the vial, one eye on the glass; the other lifts sideways toward the lens, half-lidded under a heavy brow, the mouth pulled into a light, self-satisfied smirk. Long black hair with grey at the temples falls forward over one shoulder and down across the top of the coat collar; the beard catches the light on its right side and goes dark on the left. Behind him the lab counter runs off-frame with glassware and a closed steel cabinet; the rest of the room falls away into unlit depth. The single light source is the counter's overhead strip lamp, positioned above and slightly to his right, so it runs a bright edge down his right pectoral and the right side of his face, leaves the left side of the chest and the left side of the coat in a cool shadow, and throws the shadow of his braced arm and the vial across the counter top; beyond the lamp's pool the room is dark. Palette of bone-white coat, warm skin, black pants and hair, with a single red glint caught in the vial's glass. His hair and the coat's hem lift slightly with a drift of air from a vent. Cool, clinical, quietly menacing.
Joshua Froat

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