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AI artwork featuring #Hololive Production, #Takane Lui and #zetaCollab
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Takane Lui, Hololive Production

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Hololive Production#Takane Lui
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character: takane_lui 1girl, solo, takane_lui, pink hair, short hair, hair between eyes, blue eyes, hairband, head wings, wings, white shirt, long sleeves, black fingerless gloves, black gloves, necktie, high-waist shorts, pantyhose, sitting, sitting in mud, collapsed, kneeling in mud, leaning forward, hand in mud, scooping mud, muddy hands, bare hands in mud, wet clothes, mud stains, from above, from side, looking down, looking at hands, rice paddy, rice field, mud, water, rice seedlings, sunset, warm light, depth of field, mud on face Shot from above and slightly to her right, the camera looks down over her shoulder at a steep angle. A rice paddy fills the frame: neat rows of young green rice seedlings push up out of shallow, opaque brown water, the rows converging toward a far treeline that sits low and dark under a heavy sky. In the foreground, the water is churned and cloudy where the silt has been stirred up. She is down in it — not kneeling upright but collapsed back on her hips and one hip, her weight sunk into the soft silt so the water rises around her thighs and laps at the hem of her shorts. Her legs are folded under and to one side, one knee pressed into the mud, the other foot tucked back. Her torso leans forward over her work, shoulders hunched. Both black fingerless gloves are saturated and dripping; her bare fingers are buried wrist-deep in the mud, one hand just lifting a dripping clump of dark silt up out of the water, the other braced flat in the mud beside her knee. The mud runs off her fingers in thick ropes and splashes back into the paddy in a small burst of brown droplets. Her short pink hair is wet and flattened at the temples, sticking to her forehead in dark strands, and the hairband is still in place but tilted askew. Her blue eyes are fixed down on the muddy mess in her cupped hands, her brow drawn together in concentration, her mouth slightly open in a little huff of effort. Mud is smeared across one cheek and up her forearm; the white shirt is soaked through at the cuffs and splattered with brown droplets across the front, the necktie hanging forward and dripping at its tip. Behind her shoulders, the small pale wings at her head are drooped and faintly translucent against the gray sky, their edges beaded with water. The light is low, warm, late-afternoon gold from the left and behind her, striking the wet mud in slick highlights, rim-lighting the edges of her hair and the wet fabric of her shirt, and casting a long soft shadow of her body across the rippled water toward the camera; the shadow is darker and softer than the mud it falls on. The palette is dominated by mud browns, wet greens, and the gold of the low sun, with her pink hair and the white shirt as the only bright accents in the frame. Quiet, grubby determination.
Show Parameters
Original Prompt
鷹嶺ルイ、田んぼ、座り込む、泥を手で掬い取る
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.42k

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AI artwork
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character: takane_lui 1girl, solo, takane_lui, pink hair, short hair, hair between eyes, blue eyes, hairband, head wings, wings, white shirt, long sleeves, black fingerless gloves, black gloves, necktie, high-waist shorts, pantyhose, sitting, sitting in mud, collapsed, kneeling in mud, leaning forward, hand in mud, scooping mud, muddy hands, bare hands in mud, wet clothes, mud stains, from above, from side, looking down, looking at hands, rice paddy, rice field, mud, water, rice seedlings, sunset, warm light, depth of field, mud on face Shot from above and slightly to her right, the camera looks down over her shoulder at a steep angle. A rice paddy fills the frame: neat rows of young green rice seedlings push up out of shallow, opaque brown water, the rows converging toward a far treeline that sits low and dark under a heavy sky. In the foreground, the water is churned and cloudy where the silt has been stirred up. She is down in it — not kneeling upright but collapsed back on her hips and one hip, her weight sunk into the soft silt so the water rises around her thighs and laps at the hem of her shorts. Her legs are folded under and to one side, one knee pressed into the mud, the other foot tucked back. Her torso leans forward over her work, shoulders hunched. Both black fingerless gloves are saturated and dripping; her bare fingers are buried wrist-deep in the mud, one hand just lifting a dripping clump of dark silt up out of the water, the other braced flat in the mud beside her knee. The mud runs off her fingers in thick ropes and splashes back into the paddy in a small burst of brown droplets. Her short pink hair is wet and flattened at the temples, sticking to her forehead in dark strands, and the hairband is still in place but tilted askew. Her blue eyes are fixed down on the muddy mess in her cupped hands, her brow drawn together in concentration, her mouth slightly open in a little huff of effort. Mud is smeared across one cheek and up her forearm; the white shirt is soaked through at the cuffs and splattered with brown droplets across the front, the necktie hanging forward and dripping at its tip. Behind her shoulders, the small pale wings at her head are drooped and faintly translucent against the gray sky, their edges beaded with water. The light is low, warm, late-afternoon gold from the left and behind her, striking the wet mud in slick highlights, rim-lighting the edges of her hair and the wet fabric of her shirt, and casting a long soft shadow of her body across the rippled water toward the camera; the shadow is darker and softer than the mud it falls on. The palette is dominated by mud browns, wet greens, and the gold of the low sun, with her pink hair and the white shirt as the only bright accents in the frame. Quiet, grubby determination.
狐
#zetaCollab#Hololive Production#Takane Lui
AI artwork
狐
character: takane_lui 1girl, solo, takane_lui, pink hair, short hair, hair between eyes, blue eyes, hairband, head wings, wings, white shirt, long sleeves, black fingerless gloves, black gloves, necktie, high-waist shorts, pantyhose, sitting, sitting in mud, collapsed, kneeling in mud, leaning forward, hand in mud, scooping mud, muddy hands, bare hands in mud, wet clothes, mud stains, from above, from side, looking down, looking at hands, rice paddy, rice field, mud, water, rice seedlings, sunset, warm light, depth of field, mud on face Shot from above and slightly to her right, the camera looks down over her shoulder at a steep angle. A rice paddy fills the frame: neat rows of young green rice seedlings push up out of shallow, opaque brown water, the rows converging toward a far treeline that sits low and dark under a heavy sky. In the foreground, the water is churned and cloudy where the silt has been stirred up. She is down in it — not kneeling upright but collapsed back on her hips and one hip, her weight sunk into the soft silt so the water rises around her thighs and laps at the hem of her shorts. Her legs are folded under and to one side, one knee pressed into the mud, the other foot tucked back. Her torso leans forward over her work, shoulders hunched. Both black fingerless gloves are saturated and dripping; her bare fingers are buried wrist-deep in the mud, one hand just lifting a dripping clump of dark silt up out of the water, the other braced flat in the mud beside her knee. The mud runs off her fingers in thick ropes and splashes back into the paddy in a small burst of brown droplets. Her short pink hair is wet and flattened at the temples, sticking to her forehead in dark strands, and the hairband is still in place but tilted askew. Her blue eyes are fixed down on the muddy mess in her cupped hands, her brow drawn together in concentration, her mouth slightly open in a little huff of effort. Mud is smeared across one cheek and up her forearm; the white shirt is soaked through at the cuffs and splattered with brown droplets across the front, the necktie hanging forward and dripping at its tip. Behind her shoulders, the small pale wings at her head are drooped and faintly translucent against the gray sky, their edges beaded with water. The light is low, warm, late-afternoon gold from the left and behind her, striking the wet mud in slick highlights, rim-lighting the edges of her hair and the wet fabric of her shirt, and casting a long soft shadow of her body across the rippled water toward the camera; the shadow is darker and softer than the mud it falls on. The palette is dominated by mud browns, wet greens, and the gold of the low sun, with her pink hair and the white shirt as the only bright accents in the frame. Quiet, grubby determination.
狐
#zetaCollab#Hololive Production#Takane Lui
AI artwork
狐
character: takane_lui 1girl, solo, takane_lui, pink hair, short hair, hair between eyes, blue eyes, hairband, head wings, wings, white shirt, long sleeves, black fingerless gloves, black gloves, necktie, high-waist shorts, pantyhose, sitting, sitting in mud, collapsed, kneeling in mud, leaning forward, hand in mud, scooping mud, muddy hands, bare hands in mud, wet clothes, mud stains, from above, from side, looking down, looking at hands, rice paddy, rice field, mud, water, rice seedlings, sunset, warm light, depth of field, mud on face Shot from above and slightly to her right, the camera looks down over her shoulder at a steep angle. A rice paddy fills the frame: neat rows of young green rice seedlings push up out of shallow, opaque brown water, the rows converging toward a far treeline that sits low and dark under a heavy sky. In the foreground, the water is churned and cloudy where the silt has been stirred up. She is down in it — not kneeling upright but collapsed back on her hips and one hip, her weight sunk into the soft silt so the water rises around her thighs and laps at the hem of her shorts. Her legs are folded under and to one side, one knee pressed into the mud, the other foot tucked back. Her torso leans forward over her work, shoulders hunched. Both black fingerless gloves are saturated and dripping; her bare fingers are buried wrist-deep in the mud, one hand just lifting a dripping clump of dark silt up out of the water, the other braced flat in the mud beside her knee. The mud runs off her fingers in thick ropes and splashes back into the paddy in a small burst of brown droplets. Her short pink hair is wet and flattened at the temples, sticking to her forehead in dark strands, and the hairband is still in place but tilted askew. Her blue eyes are fixed down on the muddy mess in her cupped hands, her brow drawn together in concentration, her mouth slightly open in a little huff of effort. Mud is smeared across one cheek and up her forearm; the white shirt is soaked through at the cuffs and splattered with brown droplets across the front, the necktie hanging forward and dripping at its tip. Behind her shoulders, the small pale wings at her head are drooped and faintly translucent against the gray sky, their edges beaded with water. The light is low, warm, late-afternoon gold from the left and behind her, striking the wet mud in slick highlights, rim-lighting the edges of her hair and the wet fabric of her shirt, and casting a long soft shadow of her body across the rippled water toward the camera; the shadow is darker and softer than the mud it falls on. The palette is dominated by mud browns, wet greens, and the gold of the low sun, with her pink hair and the white shirt as the only bright accents in the frame. Quiet, grubby determination.
狐
#zetaCollab#Hololive Production#Takane Lui
AI artwork
狐
character: takane_lui 1girl, solo, takane lui, pink hair, short hair, hair between eyes, blue eyes, head wings, hairband, white shirt, long sleeves, black shorts, high-waist shorts, fingerless black gloves, necktie, pantyhose, squatting, sitting down, sitting in water, kneeling in mud, crouching, leaning forward, scooping, hand in mud, cupped hands, muddy hands, mud on hands, mud on gloves, wet clothes, wet shirt, mud splatter, smile, grinning, open mouth, excited, wide-eyed, sparkling eyes, looking down, looking at object, from above, from side, dutch angle, close-up, rice paddy field, mud, water, rice shoots, rural landscape The camera looks down at a steep angle from her left, tilted slightly off level, so the flooded paddy spreads beneath her in bands of brown water and green rice-shoot rows running away to a low bund. She is crouched low, not seated flat — hips near the waterline, weight sunk back on her bent right leg with its knee buried in the soft mud, left knee raised higher, left forearm resting across it, and her whole torso pitched forward over the water. Both hands are cupped together and just lifted from the paddy: a rounded daub of thick dark mud held in the hollow of her gloved palms, slurry still draining between her fingers in thick threads and dripping back down, the droplets striking the water surface and throwing out small concentric rings that swell and fade around her knees. Her fingerless gloves are black and slick, the exposed fingertips and the cuffs ringed with wet mud; mud is smeared in a streak across the back of her right hand and up along the white shirt cuff, and the long sleeves are darkened and clinging where the water has soaked them. Her left knee has pushed a ridge of mud up around it, and the water pools in a shallow darker hollow where her weight has pressed the paddy floor down. Her head is tilted down toward the mud in her hands, eyes wide and fixed on it, mouth open in a delighted grin with the corners pulled high, one brow lifted — the excitement is all in the eyes and the held breath, not in a pose. Short pink hair with the strands falling between her eyes swings forward around her jaw as she leans; the two small white head wings above her hairband flick upward and back with the tilt of her head, their edges caught in the light. The hairband sits above them, a little rain-misted. Water beads stand on her skin and on the fabric of the shirt. Late-afternoon daylight comes from the upper right, low and warm, raking across the paddy; it lights the top of her head, the ridge of her shoulders, the raised knee and the wet sheen of the mud in her hands, while the undersides of her arms and the water immediately beneath her chest fall into shadow, and her cast shadow lies as a compressed dark shape on the water at her knees, shortened and bent by the slope of the ground. The palette is narrow and earthy: ochre-brown and grey-green water and mud, the vivid new green of the rice shoots, and against them the pale pink of her hair and the clean white of the soaked shirt as the only bright notes. She is small in the upper-left of the frame, the paddy filling the rest, with the far bund and a thin line of treeline as an out-of-focus band at the top. Playful, sunlit.
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