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Shinkage no Ken: Attack

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Boots #Knife #Aged down #green hair #Hand on own hip #Dagger #Jacket #green eyes #Clenched Hand #DC Comics #Black Pants

Published on Oct 25, 2026

Marco Iori

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copyright: hokuto_no_ken 2boys, ninja, punk, futuristic ninja outfit, post-apocalyptic ninja clothing, matte black reinforced plating, weathered grey fabric wraps, masked face, only eyes visible, sharp eyes, shinobi tools integrated with cybernetic components, jagged colorful mohawk, studded leather vest, torn white t-shirt, ripped black denim jeans, heavy combat boots, casting illusion clones, multiple illusory copies, afterimages, motion blur duplicates, confused, looking around, wide-eyed, open mouth, sweatdrop, white background, full body, dynamic pose, from below, dutch angle, foreshortening, outstretched arm, hand seal, clenched hand, pointing, depth of field, coarse hatching, heavy inking, high contrast, monochrome with spot colour Viewed from a low dutch angle that tilts the white void off its axis, the masked ninja fills the right half of the frame in three-quarter view, weight sunk onto his back leg, torso twisted, his left arm thrust out and his fingers locked in a hand seal while his right hand grips a cybernetic-bladed kunai low at his hip. Around and behind him the illusory copies fan outward in a staggered arc — four near-identical silhouettes of matte black plating and weathered grey wraps, each at a slightly different stage of a step, the farthest ones flatter and paler with distance, their edges dissolving into coarse hatching; one copy's shoulder overlaps the original's elbow, another is half-swallowed by the tilt of his own outflung arm, and the nearest copy's hand seal sits just out of register with the real one. Their eyes, all of them, point at the punk. The punk stands small in the left third, boxed in by the ring of copies, heels rocked back on his combat boots with one boot lifted half off the ground mid-stumble, his studded vest skewed, his torn white t-shirt pulling across his chest as he wrenches his shoulders around to check the figure at his left, his jagged colourful mohawk whipped over to one side by his own spin. His eyes are wide, brows shot up, mouth open on a word that will not come, one hand flung out palm-up toward the nearest copy as if to push it away and the other clamped on his own hip; a sweatdrop clings at his temple. His gaze lands on the ninja's outstretched seal-hand, and the ninja's sharp eyes are already fixed back on him over the mask's edge. The ground is absent — a pure seamless white field that swallows the feet and offers no horizon, so the copies read only by how their ink thins and their hatching loosens with each step back; the punk's lifted boot casts the single hard shadow in the image, thrown to the left by a flat high key from the upper right that planes the ninja's black plating into hard cel shapes and leaves the recesses of the punk's vest in solid black. Palette is disciplined to black ink, paper white and grey wash, with the mohawk as the one saturated run of colour — magenta, acid green, cyan — and the ninja's eyes the only other chromatic note, cold and pale. Fine flakes of ash drifting through the white are the only atmosphere, catching light on their upward faces. Detail is spent on the ninja's hand seal, the plating seams and the punk's panicked face; menace meeting bewilderment, wry and taut.

Shinkage no Ken: Attack

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