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AI art "Tekken 3 Eddy Gordo Genderswap" featuring #Tekken, #Tekken 3 and #Eddy Gordo
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Tekken 3 Eddy Gordo Genderswap

#Tekken#Tekken 3#Eddy Gordo
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Dermot

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character: eddy_gordo. In a full body shot with a tilted Dutch angle, a genderswapped female version of eddy_gordo in her 20s is positioned in side profile, leaning one shoulder against the open iron bars of a prison cell. She has a tall, athletic capoeirista build with deep brown skin, high cheekbones, and long dark brown dreadlocks piled atop her head with blond-tipped locks at her neck. She wears a white sleeveless cropped top and white abadá trousers slit from ankle to hip, tied with a yellow cord belt, leaving her midriff and outer legs bare; she is barefoot and wears silver rings and a hoop earring. She has (genderswap_(mtf):1.5) features, posing with one foot pressed flat against the iron bars and arms folded loosely, looking toward the viewer with a brooding expression. The setting is a decaying colonial Brazilian prison corridor with flaking whitewashed walls, open cell doors, and a worn berimbau leaning in a cell. The atmosphere is moody and sensual, illuminated by a shaft of golden-hour sunlight through a high barred window that casts long shadows and highlights her skin against a foggy, stone-grey background. The visual style is an anime illustration with luminous rim lighting and a warm gold and white palette.
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character: eddy_gordo A full body shot framed head to toe, at a tilted Dutch angle. She is a genderswapped Eddy, a woman in her 20s, the heir to a Brazilian fortune who learned capoeira in a prison cell and came out hunting the people who ruined her family. The image has a Tekken fighting-game vibe of the King of Iron Fist Tournament, capoeira cartwheels to the beat of the berimbau, the green, yellow and blue of Brazil, and a family fortune and a family debt both waiting in Rio, and the mood is brooding, defiant and sensual, back in the place where she learned to fight. She is haunting and gorgeous, a woman with a tall, long-limbed capoeirista's build with strong shoulders, a toned, flat stomach, a narrow waist, round, high hips, long, powerful legs and a medium bust. Her skin is a deep brown with a warm undertone, struck gold from one side by the low sun through the barred window, and her face is warm and handsome, with high cheekbones, full lips, dark arched brows with a silver ring through one of them, warm brown eyes and a wide, easy smile. Her expression is distant and brooding, then a slow look up. Her dark brown dreadlocks are long and piled up on top of her head, a few blond-tipped locks hanging free at her neck. She wears a white sleeveless top cut away just below her bust and white abadá trousers slit up both outer legs from the ankle to the hip, knotted at the waist with a yellow cord belt, so that her arms, her shoulders, the whole of her midriff and both outer legs through the slits are bare, and she is barefoot on the stone, with silver rings on her fingers and a silver hoop in one ear. Her makeup is a smoky brown eye and a bare lip. (genderswap_(mtf):1.5) The setting is a cell block in an old colonial prison on the coast of Brazil at a foggy golden hour, long abandoned, a corridor of thick whitewashed stone walls flaking to bare brick, iron-barred cell doors standing open, a high barred window throwing a shaft of gold light through the drifting fog, a worn berimbau left leaning in one cell, and vines creeping in through the bars. The whole scene is fully detailed. In a tilted view, side profile to the viewer, she leans one shoulder against the open bars of a cell door with one foot drawn up flat against the iron and her arms folded loosely, her head turning to the viewer as she slowly lifts her brooding eyes. Window light: the low golden-hour sun through the high barred window strikes her from the side, a warm gold light on her face, her bare midriff and the white cotton with the shadows of the bars laid across her, the far side of her in grey fog shadow. Light gold dominates, with cotton white and stone grey as the accents. Luminous Impasto style: clean digital-painted linework with glossy, warm-toned rim and backlighting as the dominant shading trait, a warm, deep palette of light gold, cotton white, stone grey and cord yellow set against dark grounds, and a finish defined by a dramatic luminous backlight rather than paint texture.
Mode
standard
Size
960 x 1280

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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.45k

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1girl, solo, dark-skinned female, warm dark skin, african american, dark brown eyes, thick long eyeliner, gold lips, gold lipstick, dark hair, box braids, long braids, braids past shoulders, middle part, single hair strand, ahoge, playful upward curl of hair, white halter bralette, gold trim, gold embroidery, floral embroidery, lace-trimmed edges, bare midriff, white harem pants, flowing pants, vertical gold embroidery, gold lace side panels, white hip scarf, coin belt, hanging gold coins, geometric metal pendants, layered gold necklaces, small circular pendants, thin gold bangles, rings, white henna, white body paint, floral lace henna on right shoulder, mandala henna on left shoulder, filigree on left forearm, henna on back of hands, henna on fingers, intricate skin art, arms raised, both arms up, dancing, mid-spin, hip sway, looking down, eyes half-closed, faint closed-lip smile, tattoo, bare shoulders, confident, elegant, from below, low angle, cowboy shot, The camera sits low and looks up at her, so the whole length of her is present: warm dark-skinned African American woman caught mid-spin on the balls of her feet, her right heel lifted and her weight rolled onto the left foot with the left hip pushed out and the hip scarf swung a beat behind her. Both arms are raised — the right elbow bent, forearm curving overhead with the hand loose and the fingers soft, the left arm extended low and out to the side so the forearm and its white henna filigree turn toward the lens. Dark box braids fall past her shoulders, lifted and separated by the turn, a few strands drifting across her collarbone; the middle part runs clean to her scalp and one thin braid escapes upward from the crown, bent in a small playful hook against the light. Her eyes are dark brown, heavy-lidded under the thick long eyeliner that wings far past the outer corners, and she is not looking at the camera — her gaze is aimed down and to her left at the floor where her turn is carrying her, chin dipped, mouth just eased into a faint closed-lip smile with the gold lipstick catching a soft highlight on the lower lip. The halter bralette crosses her chest in white with gold piping along every seam, swirling gold embroidery threading over the cups and a scalloped lace edge lying flat against her ribs; the tie of the halter meets behind her neck and leaves her shoulders and upper back bare, which is where the white henna reads clearest — floral lace crawling over the right shoulder and upper arm, dense mandala whorls and geometric filigree wrapped around the left shoulder and down the forearm, thin white linework over the backs of both hands and ringing each finger. The white harem pants are full and gathered, so the spin has thrown the fabric outward in a bell; a vertical band of gold embroidery and lace runs down each outer seam and is the only place the gold shadows harden. The white hip scarf is knotted at her left hip, and its rows of gold coins and stamped geometric pendants hang by short chains, swinging outward centrifugal to the spin, a few of them clashed together and tilted. Layered gold chains rest against her sternum, small circular pendants overlapping; thin bangles ride her right wrist and have slid down toward the elbow with her arm up; rings band several fingers. The light is a single warm source in front and slightly above her, so the gold warms on the upward faces of the coins, the bangles and the pendants, the white henna glows chalk-bright on her shoulders and hands, and soft shadow pools under her jaw, beneath the hip scarf and behind the gathered fall of the pants. The background is a quiet dark warm-brown studio wall going softly out of focus behind her, empty and unlit at the edges, letting the white-and-gold costume separate cleanly from it. Clean linework, smooth glossy skin shading, expressive eyes; sumptuous and effortless.
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