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- Original Prompt
- makima (chainsaw man), she is facing viewer, she stands in a room with short girl laying on the floor at her barefeet on her back, she stands with left foot placed on the throat of laying girl choking her brutally, her right foot is deeply pushed into the girl's stomach making her groan in pain, The girl on the floor is laying sideways to viewer she wears shorts and tshirt she looks tired and she is suffocating under makima relentless pressure on her throat, make it look violent. Top camera make it very violent make sure Makima left foot is visible on the throat of laying girl and make it look like ghislaine is choking the girl to death
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
Similar Images
Show morev3
character: makima_(chainsaw_man), copyright: chainsaw_man
2girls, mature female, red hair, long hair, braid, braided ponytail, sidelocks, yellow eyes, ringed eyes, white collared shirt, black necktie, black pants, bare feet, standing, facing viewer, from above, top-down view, looking down, short girl, lying on back, on floor, head tilted back, shorts, t-shirt, bare feet, bare legs, tired expression, jitome, half-closed eyes, groaning, open mouth, clenched teeth, wincing, tears, sweat, trembling, pain, blush, breathless, suffocating, stomping, foot on throat, foot on stomach, choking, brutal, violent, blood, motion lines, speech bubble, spoken_heart, hopelessness, dim room, single light source
The camera hangs directly overhead, looking straight down at the floor of a bare, dim room, and the whole image is built on that vertical axis. The red-haired woman stands planted over the girl, and because the view is top-down and she faces the viewer, the viewer looks straight down the length of her body: her face tips up toward the lens, yellow irises with their concentric rings fixed on the viewer, expression flat and patient, mouth a faint neutral line, not a hint of effort despite what her feet are doing. Her long red hair is gathered back into a heavy braid and drawn ponytail that lies over one shoulder and onto the floorboard behind her; the sidelocks fall loose along her temples and cast thin shadows across her cheeks. She wears a crisp white collared shirt, sleeves to the wrist and buttoned at the throat over a narrow black necktie, black trousers falling straight to her bare ankles; both feet are bare, and the viewer reads them from directly above. Her left foot is set flat across the girl's throat, the sole pressed down on the windpipe, the toes curled slightly for grip, the arch compressing the soft tissue visibly. Her right foot is planted deep into the girl's midriff, the sole sunk into the stomach's hollow, the skin around it dented and taut. Her weight is split between them, hips slightly off-center over the left foot, arms hanging loose at her sides, one hand casually open. The girl lies on her back across the floor, laid sideways to the viewer so her body reads as a horizontal bar under the standing woman: head to the left of frame, hips to the right, legs drawn up and knees bent, one arm flung out against the floorboards with fingers weakly curled. She is short and slight, in a plain t-shirt rucked up where the right foot presses in and a pair of shorts, both bare feet visible at the edge of frame sole-up. Her head is tilted back and turned, chin pushed up by the pressure, mouth open in a groan with teeth clenched, tears squeezed out at the outer corners of her eyes and running sideways along her temples into her hair, sweat beading at her brow and upper lip; her eyes are half-lidded, staring up and past the standing woman, glassy and exhausted, breath gone shallow, lips going pale at the edges. A thin bracelet of red bloom sits at the base of her throat under the left foot. Her chest rises in a short, strained heave and fails. One jagged speech bubble floats beside her face with a tiny hand-drawn heart inside it, no words. The room is bare: scuffed floorboards, a seam running along the frame under the girl's spine, a baseboard crossing the top of the image, dust in the corners, the shadow of the standing woman cast straight down and slightly to one side so the two bodies merge into one dark shape at the floor. The single overhead light is directly above, cold and hard, so every upward-facing surface is picked out and every crevice under the feet goes black; the standing woman's shadow closes over the girl's chest and face. Palette is desaturated - dark red hair, white shirt, black tie and pants, pale grey floorboards, the girl's washed-out teal shirt, and the raw red at her throat as the only saturated note, with a few dark specks of blood on the boards. Detail budget goes to the two contact points, the curled toes, the dented fabric and the girl's face; the room stays spare. Brutal, airless.
V3zon
v3
character: makima_(chainsaw_man), copyright: chainsaw_man
2girls, mature female, red hair, long hair, braid, braided ponytail, sidelocks, yellow eyes, ringed eyes, white collared shirt, black necktie, black pants, bare feet, standing, facing viewer, from above, top-down view, looking down, short girl, lying on back, on floor, head tilted back, shorts, t-shirt, bare feet, bare legs, tired expression, jitome, half-closed eyes, groaning, open mouth, clenched teeth, wincing, tears, sweat, trembling, pain, blush, breathless, suffocating, stomping, foot on throat, foot on stomach, choking, brutal, violent, blood, motion lines, speech bubble, spoken_heart, hopelessness, dim room, single light source
The camera hangs directly overhead, looking straight down at the floor of a bare, dim room, and the whole image is built on that vertical axis. The red-haired woman stands planted over the girl, and because the view is top-down and she faces the viewer, the viewer looks straight down the length of her body: her face tips up toward the lens, yellow irises with their concentric rings fixed on the viewer, expression flat and patient, mouth a faint neutral line, not a hint of effort despite what her feet are doing. Her long red hair is gathered back into a heavy braid and drawn ponytail that lies over one shoulder and onto the floorboard behind her; the sidelocks fall loose along her temples and cast thin shadows across her cheeks. She wears a crisp white collared shirt, sleeves to the wrist and buttoned at the throat over a narrow black necktie, black trousers falling straight to her bare ankles; both feet are bare, and the viewer reads them from directly above. Her left foot is set flat across the girl's throat, the sole pressed down on the windpipe, the toes curled slightly for grip, the arch compressing the soft tissue visibly. Her right foot is planted deep into the girl's midriff, the sole sunk into the stomach's hollow, the skin around it dented and taut. Her weight is split between them, hips slightly off-center over the left foot, arms hanging loose at her sides, one hand casually open. The girl lies on her back across the floor, laid sideways to the viewer so her body reads as a horizontal bar under the standing woman: head to the left of frame, hips to the right, legs drawn up and knees bent, one arm flung out against the floorboards with fingers weakly curled. She is short and slight, in a plain t-shirt rucked up where the right foot presses in and a pair of shorts, both bare feet visible at the edge of frame sole-up. Her head is tilted back and turned, chin pushed up by the pressure, mouth open in a groan with teeth clenched, tears squeezed out at the outer corners of her eyes and running sideways along her temples into her hair, sweat beading at her brow and upper lip; her eyes are half-lidded, staring up and past the standing woman, glassy and exhausted, breath gone shallow, lips going pale at the edges. A thin bracelet of red bloom sits at the base of her throat under the left foot. Her chest rises in a short, strained heave and fails. One jagged speech bubble floats beside her face with a tiny hand-drawn heart inside it, no words. The room is bare: scuffed floorboards, a seam running along the frame under the girl's spine, a baseboard crossing the top of the image, dust in the corners, the shadow of the standing woman cast straight down and slightly to one side so the two bodies merge into one dark shape at the floor. The single overhead light is directly above, cold and hard, so every upward-facing surface is picked out and every crevice under the feet goes black; the standing woman's shadow closes over the girl's chest and face. Palette is desaturated - dark red hair, white shirt, black tie and pants, pale grey floorboards, the girl's washed-out teal shirt, and the raw red at her throat as the only saturated note, with a few dark specks of blood on the boards. Detail budget goes to the two contact points, the curled toes, the dented fabric and the girl's face; the room stays spare. Brutal, airless.
V3zon
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