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character: ronald_mcdonald, colonel_sanders, mickey_mouse character: ronald_mcdonald, colonel_sanders, mickey_mouse A hyper-realistic cinematic wide shot, rain-soaked noir mood turned oddly warm: in a midnight back alley, two battle-scarred men toast their hard-won peace. Ronald McDonald the red-haired clown mascot with smeared white face paint and a brow bandage, torn rain-soaked yellow jumpsuit, and Colonel Sanders, elderly with white hair and goatee, torn white suit, bloody arm sling and cracked glasses — stand facing each other across an upturned crate, raising glass bottles that clink mid-air. Above the crate, mounted on two Y-shaped metal posts over glowing charcoal embers, a long iron spit runs lengthwise through a whole roasted Mickey Mouse roasting like a suckling pig: skin deeply browned, charred and crispy with crackling blisters, fat dripping and sizzling on the embers below, an apple stuffed in his mouth on the spit. Even fully cooked he is unmistakably Mickey Mouse: iconic round black dish ears, white muzzle, bright red shorts with two white buttons, white gloves, oversized yellow shoes, all singed and smoke-stained. Steam and thin smoke curl up into the cold rainy air, blood and rainwater pool around their boots, amber lamp glow and ember light on battered faces, wet cobblestone reflections, film grain, high contrast chiaroscuro, gritty yet strangely tender atmosphere.
Show Parameters
Mode
flash
Size
2048 x 1536

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.41k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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character: ronald_mcdonald, colonel_sanders, mickey_mouse character: ronald_mcdonald, colonel_sanders, mickey_mouse A hyper-realistic cinematic wide shot, rain-soaked noir mood turned oddly warm: in a midnight back alley, two battle-scarred men toast their hard-won peace. Ronald McDonald the red-haired clown mascot with smeared white face paint and a brow bandage, torn rain-soaked yellow jumpsuit, and Colonel Sanders, elderly with white hair and goatee, torn white suit, bloody arm sling and cracked glasses — stand facing each other across an upturned crate, raising glass bottles that clink mid-air. On a charcoal grill built from an oil drum between them, Mickey Mouse has been butchered into chunks and skewered like yakitori: metal skewers pierce his severed parts — one skewer through his chopped-off head, round black dish ears still attached, white muzzle with an apple stuffed in the mouth; a skewer through his torso chunk still clad in the bright red shorts with two white buttons; skewers strung with his white-gloved hands and big yellow shoes like grilled meat pieces. All pieces are deeply roasted, skin caramelized crispy golden-brown with charred edges, juices dripping and sizzling on the embers. Even butchered he is unmistakably Mickey Mouse: ears, red shorts, gloves and yellow shoes clearly visible. Steam and thin smoke curl into the cold rainy air, amber ember light on battered faces, wet cobblestone reflections, film grain, high contrast chiaroscuro, gritty yet strangely tender atmosphere.
hanagedetemasuyo
#My Space Ride
AI artwork
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character: ronald_mcdonald, colonel_sanders, mickey_mouse character: ronald_mcdonald, colonel_sanders, mickey_mouse A hyper-realistic cinematic wide shot, rain-soaked noir mood turned oddly warm: in a midnight back alley, two battle-scarred men toast their hard-won peace. Ronald McDonald, the red-haired clown mascot with his white face paint smeared and chipped, a fresh bandage on his brow, torn rain-soaked yellow jumpsuit, and Colonel Sanders, elderly with white hair and goatee, white suit torn and stained, arm in a bloody sling, cracked wire-rimmed glasses — stand facing each other across an upturned crate used as a table, raising glass bottles that clink together mid-air. On the crate between them sits an enormous platter bearing a whole roasted Mickey Mouse, unmistakably Mickey Mouse: iconic round black dish ears, white face and muzzle, bright red shorts with two big white buttons, white gloves and oversized yellow shoes still on the crispy golden-brown roasted body like a suckling pig, an apple wedged in his mouth, steam curling up into the cold air. Blood and rainwater pool around their boots, light rain falling, an amber lamp and the fire of an oil drum casting warm light on their battered faces, wet reflections on the cobblestones, film grain, high contrast chiaroscuro, gritty yet strangely tender atmosphere.
hanagedetemasuyo
#Machine Contest
AI artwork
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character: ronald_mcdonald, colonel_sanders, mickey_mouse character: ronald_mcdonald, colonel_sanders, mickey_mouse A retro 1990s anime style scene, cel shaded with bold shadows and analog film grain: the aftermath banquet at dawn. Ronald McDonald the red-haired clown mascot in a patched-up yellow jumpsuit with bandaged arm and cracked face paint, and Colonel Sanders the white-haired elderly man with mustache and goatee, torn white suit and forehead bandage, sit side by side on stacked milk crates in a cluttered alley, clinking cups together with wide cheerful grins despite their bandages. In front of them, a whole roasted Mickey Mouse is skewered lengthwise on an iron roasting spit propped over the remains of a burnt folding chair used as a fire pit, still hot from the coals: thoroughly roasted like a festival roast pig, his skin deep crispy golden-brown and charred with blistered crackling texture, juices and rendered fat dripping onto a battered metal tray below, an apple in his mouth at the spit's end. He is unmistakably Mickey Mouse even roasted: big round black dish ears, white muzzle, bright red shorts with two white buttons, white gloves and large yellow shoes, all visibly singed with soot marks. Steam rises from the crackling body, the sky behind the brick walls and fire escape glows soft orange dawn light, warm rim lighting, scattered debris and bloodstains on the ground, nostalgic 90s anime palette, low warm angle, triumphant and absurdly heartwarming mood.
hanagedetemasuyo
AI artwork
h
character: ronald_mcdonald, colonel_sanders, mickey_mouse character: ronald_mcdonald, colonel_sanders, mickey_mouse A retro 1990s anime style scene, cel shaded with bold shadows and analog film grain: the aftermath banquet at dawn. Ronald McDonald the red-haired clown mascot in a patched-up yellow jumpsuit with bandaged arm and cracked face paint, and Colonel Sanders the white-haired elderly man with mustache and goatee, torn white suit and forehead bandage, sit side by side on stacked milk crates in a cluttered alley, clinking cups together with wide cheerful grins despite their bandages. In front of them, over the remains of a burnt folding chair used as a fire pit, a wire rack holds Mickey Mouse chopped into chunks and skewered festival-style like grilled street food: bamboo skewers pierce his dismembered parts — his severed head on a skewer, big round black dish ears intact, white muzzle with an apple in the mouth; his torso chunk still in the bright red shorts with two white buttons on its own skewer; his white-gloved hands and large yellow shoes threaded onto skewers like meat chunks. Every piece is thoroughly roasted deep golden-brown and crispy with charred grill marks, juices dripping onto a battered metal tray below. He is unmistakably Mickey Mouse even chopped up: ears, red shorts, gloves and yellow shoes all clearly visible on the skewered pieces. Steam rises, the sky behind the brick walls and fire escape glows soft orange dawn light, warm rim lighting, scattered debris and bloodstains on the ground, nostalgic 90s anime palette, low warm angle, triumphant and absurdly heartwarming mood.
hanagedetemasuyo
#My Space Ride

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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