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Kurumi Tokisaki, Date A Live
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- Original Prompt
- tokisaki kurumi, date a live, 1girl, mostrando los pezones, golpeada, sangre, crucificada de manos y pies con clavos, clavada en la cruz, poco de músculo
- Size
- 768 x 1280
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres,(worst quality, bad quality:1.2),bad anatomy,jpeg artifacts,signature,watermark,real life,celluloid,realistic,photorealistic,cosplay photo,3d,sweat,
Model & LoRA used
Similar Images
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nm
tokisaki kurumi\(date a live\), 1girl, mostrando los pezones, golpeada, sangre, crucificada de manos y pies con clavos, clavada en la cruz, poco de músculo
Nicolás Mateo Rodríguez Velasquez
nm
tokisaki kurumi\(date a live\), 1girl, mostrando los pezones, golpeada, sangre, crucificada de manos y pies con clavos, clavada en la cruz, poco de músculo
Nicolás Mateo Rodríguez Velasquez
nm
tokisaki kurumi\(date a live\), 1girl, mostrando los pezones, golpeada, sangre, crucificada de manos y pies con clavos, clavada en la cruz, poco de músculo
Nicolás Mateo Rodríguez Velasquez
こ
character: tokisaki_kurumi, copyright: date_a_live
1girl, solo, tokisaki kurumi, black hair, very long hair, twintails, uneven twintails, red eyes, yellow eyes, heterochromia, clock face in one eye, pale skin, gothic lolita dress, black and crimson dress, frilled sleeves, red ribbon at collar, close-up, face focus, portrait, from above, slight high angle, looking up at viewer, head tilted down, chin lowered, one eye half-closed, quiet smirk, one brow raised, hand raised, gloved fingers near lips, fingerless gloves, arm support,
A tight portrait seen from slightly above and close to the face, so the lens looks down across her brow while she lifts her chin just enough that her mismatched eyes come up under her lashes at the viewer. The camera sits barely past arm's length: her head and one shoulder fill the frame, the crown of her head foreshortened, the far twintail falling away out of focus behind the near one, which swings forward over her shoulder and ends in loose curls just inside the lower edge. Her hair is black with a blue-violet sheen where the key light grazes the top of her head, parted so the long bangs fall between her eyes, half veiling the right one. That eye is red and the other is a molten gold clock face, its hands standing still; the near eye is narrowed a fraction, the far one wide, and the asymmetry does the work of the expression — a lopsided smirk that pulls one corner of her mouth without showing teeth. She stands with her weight sunk into one hip so the shoulder nearest the lens rides higher; her left hand is lifted, two gloved fingers resting lightly against her lower lip, the elbow braced inward against her ribs so the forearm crosses her chest; her right arm hangs out of frame. The dress collar sits high at her throat with its red ribbon, frills edging the sleeve at her wrist. Key light comes from the upper left, cool and thin, laying a bright rim along the crown of her head and the bridge of her nose, dropping the right side of her face into a soft, warm shadow with a single specular catchlight in each eye; there is no second source, and the background behind her is a flat, dark, unreadable crimson-black that yields no furniture, no horizon and no detail. Palette is black, crimson, pale skin and those two unequal eyes, nothing else admitted. Deliberate anime cel rendering faithful to a 2010s TV-anime look: crisp dark linework, hard two-tone shadow shapes, flat saturated fills, a faint gloss on the hair, no painterly blending. Her breath has fogged nothing, but the near lens of her eye holds the room's only sharp highlight, and the fine strands of her bangs break the light exactly where they cross it. Quietly predatory, elegantly still.
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