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AI art "青帽の道士・中国僵尸の少年" featuring #long hair, #Chinese clothes, #Grey eyes, #Jiangshi, #Boy and #zetaCollab

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青帽の道士・中国僵尸の少年

中国の伝統的な僵尸（キョンシー）の装束をまとった、青い帽子が印象的な男の子のイラストです。白い長髪と灰色の瞳が神秘的な雰囲気を醸し出していて、見ているうちにすっかり魅了されてしまいました。気に入っていただけたら、いいねとフォローをお願いします！コメントでの感想もお待ちしています〜

Contest Entry

PixAI × zeta Original Character Creation Contest 2026 #zetaCollab

#long hair #Chinese clothes #Grey eyes #Jiangshi #Boy

Published on Oct 25, 2026

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More to See

1boy, solo, male jiangshi, beautiful boy, white hair, long straight white hair, pale skin, upturned eyes, looking at viewer, looking up, yellow paper talisman, talisman on hat, mandarin hat, qing dynasty hat, high-collared robe, navy blue robe, gold embroidery, chinese clothes, arms outstretched forward, stiff arms, from below, close-up, dutch angle, dark background, lantern light, gold lettering. Shot from below at a low, tilted dutch angle, so the boy's chin lifts and his whole face is read from under the brim of his hat. One lone jiangshi boy -- no one else in frame. He is a beautiful boy with a fine-boned, delicate face: narrow jaw, smooth high cheekbones, pale almost bloodless complexion with a faint cool undertone, thin dark brows, and long straight white hair that falls in a heavy sheet past his shoulders, the fringe parted so it does not cover his eyes. His eyes are tilted up hard toward the lens, irises rolled high under long lashes, upper lid lifted and lower lid slightly raised, so the whites show beneath the pupil and the look reads as supplicating, eerie and direct at once; his lips are parted a sliver, a small breath caught between them, no smile. He wears a stiff mandarin hat with a turned-up brim seated on his head, and a yellow paper talisman pasted flat across the front of the crown, its ink-brushed red seal-characters legible and slightly curled at one corner where the paper lifts from the fabric. Below the hat, a high-collared Qing-dynasty robe in deep navy blue closes all the way to the throat, its collar band stiff and upright against his neck, gold embroidery of coiled clouds and wave scrollwork running across the chest and shoulders, the silk catching hard specular highlights along every fold. His arms are locked straight out in front of him at shoulder height, sleeves hanging in stiff navy cones, both hands hidden inside the cuffs, wrists rigid, the classic jiangshi posture; his torso stays bolt upright, spine straight, weight even on both feet because he does not bend. The camera is close, cropping him at mid-chest, and the low tilted angle throws the hat brim and the talisman forward so the talisman is the single brightest shape in frame, its yellow paper glowing against the navy robe and the hot red seal ink sitting on it. The only light source is a warm lantern glow from below and to the left, out of frame: it lights the underside of his jaw, the inner rims of his upturned eyes, the lower edge of the talisman and the gold thread of the embroidery, while the top of the hat and the crown of his white hair fall into shadow, and the background is absolute darkness with no visible wall or floor, just a faint warm haze behind his shoulders. Palette is strictly navy blue, white, yellow paper and hot red seal ink on black, nothing else admitted. Where the talisman's lower corner has peeled away from the hat, a thin sliver of shadow shows between paper and cloth -- the one place the light proves the paper is a separate sheet. Quiet, uncanny, and oddly tender.

青帽の道士・中国僵尸の少年

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