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AI artwork featuring #zetaCollab
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YuuG

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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YuuG

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2girls, halloween, riding in a carriage, dramatic composition, pumpkin, from below, dutch angle, low angle, wide shot, foreshortening, night, full moon, jack-o'-lantern, glowing pumpkin, carved pumpkin, black witch hat, wide brim, short black dress, puffy sleeves, purple satin ribbon, long silver hair, flowing hair, gothic doll dress, crimson tiered lace dress, white frilled stockings, black mary jane shoes, twin ringlets, black ringlets, red hair bows, leaning forward, outstretched arm, holding pumpkin, looking at another, open mouth, grin, wind, billowing hair, dark fantasy, cinematic lighting The camera sits low and close to the road, tilted a few degrees off level so the whole frame climbs, and looks up: the pumpkin carriage looms over the viewer with two great wheels near the left and right edges, a carved grinning jack-o'-lantern body of ribbed orange rind between them, its hollow eyes and jagged mouth lit from within by candle flame, vines curling back like a coachman's reins across its roof to a bent green stem. Two girls ride high on the driver's bench above the pumpkin, and the low angle makes them tower. On the bench's left the witch-girl leans far forward over the pumpkin roof, weight on her forward hip and left knee braced against the footboard, her right arm thrown out ahead of her toward the road as if she is urging the carriage on, her left hand gripping the bench rail so the knuckles pale; her wide-brimmed black velvet hat is pitched back by the wind, the purple satin ribbon at her collar whipping out sideways, her short black dress with puffy sleeves pressed flat against her front, long silver hair streaming up and back in a single bright fan against the night. On her right the doll-girl sits lower and turned three-quarters toward her companion, both hands clasped in her lap over the deep crimson tiers of her lace dress, white frilled stockings and black Mary Jane shoes tucked together under the seat edge, her two long black ringlets and their small red bows blown back off her shoulders; she looks up at the witch-girl with wide eyes and an open-mouthed grin, one brow lifted, and the witch-girl's gaze comes back down at her over her shoulder — their eyes meet, and the stare is what carries the drama. Behind the bench a heap of smaller pumpkins rides loose, rolling, one about to tip. The carriage sits on a rutted road that recedes hard under the wheels, one wheel's rim sinking its own width into the mud with a pressed ridge of wet earth ahead of it. Sky fills the upper third: deep indigo to near-black, a huge full moon low at the right whose cold silver rim-light shaves the left edge of the hat brim, the wheels, and the top of the pumpkin, while warm orange candlelight from inside the rind throws upward onto both girls' chins, throats and forearms — two sources, cold from the right and warm from below, no third. Palette: indigo and silver, pumpkin orange and candle gold, crimson lace, one purple ribbon accent, black velvet and black hair for the mass. Wind is the revealer: it bends the long grass at the roadside all one way and pulls every strand of hair and every ribbon toward the left of frame. Clean linework, gentle glossy skin, expressive eyes; cinematic, ominous and exhilarating.
Show Parameters
Original Prompt
ハロウィン　2girls　　馬車に乗る　　迫力ある画面　カボチャ　
Mode
pro
Style
Classic Anime
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Classic Anime
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.04k

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AI artwork
yg
2girls, halloween, riding in a carriage, dramatic composition, pumpkin, from below, dutch angle, low angle, wide shot, foreshortening, night, full moon, jack-o'-lantern, glowing pumpkin, carved pumpkin, black witch hat, wide brim, short black dress, puffy sleeves, purple satin ribbon, long silver hair, flowing hair, gothic doll dress, crimson tiered lace dress, white frilled stockings, black mary jane shoes, twin ringlets, black ringlets, red hair bows, leaning forward, outstretched arm, holding pumpkin, looking at another, open mouth, grin, wind, billowing hair, dark fantasy, cinematic lighting The camera sits low and close to the road, tilted a few degrees off level so the whole frame climbs, and looks up: the pumpkin carriage looms over the viewer with two great wheels near the left and right edges, a carved grinning jack-o'-lantern body of ribbed orange rind between them, its hollow eyes and jagged mouth lit from within by candle flame, vines curling back like a coachman's reins across its roof to a bent green stem. Two girls ride high on the driver's bench above the pumpkin, and the low angle makes them tower. On the bench's left the witch-girl leans far forward over the pumpkin roof, weight on her forward hip and left knee braced against the footboard, her right arm thrown out ahead of her toward the road as if she is urging the carriage on, her left hand gripping the bench rail so the knuckles pale; her wide-brimmed black velvet hat is pitched back by the wind, the purple satin ribbon at her collar whipping out sideways, her short black dress with puffy sleeves pressed flat against her front, long silver hair streaming up and back in a single bright fan against the night. On her right the doll-girl sits lower and turned three-quarters toward her companion, both hands clasped in her lap over the deep crimson tiers of her lace dress, white frilled stockings and black Mary Jane shoes tucked together under the seat edge, her two long black ringlets and their small red bows blown back off her shoulders; she looks up at the witch-girl with wide eyes and an open-mouthed grin, one brow lifted, and the witch-girl's gaze comes back down at her over her shoulder — their eyes meet, and the stare is what carries the drama. Behind the bench a heap of smaller pumpkins rides loose, rolling, one about to tip. The carriage sits on a rutted road that recedes hard under the wheels, one wheel's rim sinking its own width into the mud with a pressed ridge of wet earth ahead of it. Sky fills the upper third: deep indigo to near-black, a huge full moon low at the right whose cold silver rim-light shaves the left edge of the hat brim, the wheels, and the top of the pumpkin, while warm orange candlelight from inside the rind throws upward onto both girls' chins, throats and forearms — two sources, cold from the right and warm from below, no third. Palette: indigo and silver, pumpkin orange and candle gold, crimson lace, one purple ribbon accent, black velvet and black hair for the mass. Wind is the revealer: it bends the long grass at the roadside all one way and pulls every strand of hair and every ribbon toward the left of frame. Clean linework, gentle glossy skin, expressive eyes; cinematic, ominous and exhilarating.
YuuG
#zetaCollab
AI artwork
yg
2girls, halloween, riding in a carriage, dramatic composition, pumpkin, from below, dutch angle, low angle, wide shot, foreshortening, night, full moon, jack-o'-lantern, glowing pumpkin, carved pumpkin, black witch hat, wide brim, short black dress, puffy sleeves, purple satin ribbon, long silver hair, flowing hair, gothic doll dress, crimson tiered lace dress, white frilled stockings, black mary jane shoes, twin ringlets, black ringlets, red hair bows, leaning forward, outstretched arm, holding pumpkin, looking at another, open mouth, grin, wind, billowing hair, dark fantasy, cinematic lighting The camera sits low and close to the road, tilted a few degrees off level so the whole frame climbs, and looks up: the pumpkin carriage looms over the viewer with two great wheels near the left and right edges, a carved grinning jack-o'-lantern body of ribbed orange rind between them, its hollow eyes and jagged mouth lit from within by candle flame, vines curling back like a coachman's reins across its roof to a bent green stem. Two girls ride high on the driver's bench above the pumpkin, and the low angle makes them tower. On the bench's left the witch-girl leans far forward over the pumpkin roof, weight on her forward hip and left knee braced against the footboard, her right arm thrown out ahead of her toward the road as if she is urging the carriage on, her left hand gripping the bench rail so the knuckles pale; her wide-brimmed black velvet hat is pitched back by the wind, the purple satin ribbon at her collar whipping out sideways, her short black dress with puffy sleeves pressed flat against her front, long silver hair streaming up and back in a single bright fan against the night. On her right the doll-girl sits lower and turned three-quarters toward her companion, both hands clasped in her lap over the deep crimson tiers of her lace dress, white frilled stockings and black Mary Jane shoes tucked together under the seat edge, her two long black ringlets and their small red bows blown back off her shoulders; she looks up at the witch-girl with wide eyes and an open-mouthed grin, one brow lifted, and the witch-girl's gaze comes back down at her over her shoulder — their eyes meet, and the stare is what carries the drama. Behind the bench a heap of smaller pumpkins rides loose, rolling, one about to tip. The carriage sits on a rutted road that recedes hard under the wheels, one wheel's rim sinking its own width into the mud with a pressed ridge of wet earth ahead of it. Sky fills the upper third: deep indigo to near-black, a huge full moon low at the right whose cold silver rim-light shaves the left edge of the hat brim, the wheels, and the top of the pumpkin, while warm orange candlelight from inside the rind throws upward onto both girls' chins, throats and forearms — two sources, cold from the right and warm from below, no third. Palette: indigo and silver, pumpkin orange and candle gold, crimson lace, one purple ribbon accent, black velvet and black hair for the mass. Wind is the revealer: it bends the long grass at the roadside all one way and pulls every strand of hair and every ribbon toward the left of frame. Clean linework, gentle glossy skin, expressive eyes; cinematic, ominous and exhilarating.
YuuG
#zetaCollab
AI artwork
yg
2girls, halloween, riding in a carriage, dramatic composition, pumpkin, from below, dutch angle, low angle, wide shot, foreshortening, night, full moon, jack-o'-lantern, glowing pumpkin, carved pumpkin, black witch hat, wide brim, short black dress, puffy sleeves, purple satin ribbon, long silver hair, flowing hair, gothic doll dress, crimson tiered lace dress, white frilled stockings, black mary jane shoes, twin ringlets, black ringlets, red hair bows, leaning forward, outstretched arm, holding pumpkin, looking at another, open mouth, grin, wind, billowing hair, dark fantasy, cinematic lighting The camera sits low and close to the road, tilted a few degrees off level so the whole frame climbs, and looks up: the pumpkin carriage looms over the viewer with two great wheels near the left and right edges, a carved grinning jack-o'-lantern body of ribbed orange rind between them, its hollow eyes and jagged mouth lit from within by candle flame, vines curling back like a coachman's reins across its roof to a bent green stem. Two girls ride high on the driver's bench above the pumpkin, and the low angle makes them tower. On the bench's left the witch-girl leans far forward over the pumpkin roof, weight on her forward hip and left knee braced against the footboard, her right arm thrown out ahead of her toward the road as if she is urging the carriage on, her left hand gripping the bench rail so the knuckles pale; her wide-brimmed black velvet hat is pitched back by the wind, the purple satin ribbon at her collar whipping out sideways, her short black dress with puffy sleeves pressed flat against her front, long silver hair streaming up and back in a single bright fan against the night. On her right the doll-girl sits lower and turned three-quarters toward her companion, both hands clasped in her lap over the deep crimson tiers of her lace dress, white frilled stockings and black Mary Jane shoes tucked together under the seat edge, her two long black ringlets and their small red bows blown back off her shoulders; she looks up at the witch-girl with wide eyes and an open-mouthed grin, one brow lifted, and the witch-girl's gaze comes back down at her over her shoulder — their eyes meet, and the stare is what carries the drama. Behind the bench a heap of smaller pumpkins rides loose, rolling, one about to tip. The carriage sits on a rutted road that recedes hard under the wheels, one wheel's rim sinking its own width into the mud with a pressed ridge of wet earth ahead of it. Sky fills the upper third: deep indigo to near-black, a huge full moon low at the right whose cold silver rim-light shaves the left edge of the hat brim, the wheels, and the top of the pumpkin, while warm orange candlelight from inside the rind throws upward onto both girls' chins, throats and forearms — two sources, cold from the right and warm from below, no third. Palette: indigo and silver, pumpkin orange and candle gold, crimson lace, one purple ribbon accent, black velvet and black hair for the mass. Wind is the revealer: it bends the long grass at the roadside all one way and pulls every strand of hair and every ribbon toward the left of frame. Clean linework, gentle glossy skin, expressive eyes; cinematic, ominous and exhilarating.
YuuG
#zetaCollab

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