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寝台列車旅行

山岳地帯を走る寝台列車。朝日が昇るなか眠そうに起きる彼ら。次の目的地迄もうすぐだ

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Furry Party
#Kemonomimi#Furry#Sunrise#Sunlight#Girl#Boy#Indoors#pink shirt#Cat Boy#Male Furry#Female Furry
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A medium shot from a side angle inside a luxurious sleeper train compartment, capturing two feline beastmen waking up on a bed as the first light of dawn enters the room. A muscular male brown tabby cat beastman with thick, fluffy fur and a female calico cat beastman with soft, multicolored fluffy fur are seen stretching and waking up with sleepy expressions, their hands rubbing their eyes and yawning. They are dressed in comfortable, light sleepwear. Outside the window, a rugged mountainous landscape is visible, where the rising sun creates a sharp contrast of brilliant light and deep shadows across the steep cliffs. The interior of the cabin is detailed with polished wood panels and soft linens. The lighting is a warm, golden morning glow that illuminates the dust particles in the air, creating a peaceful and cozy atmosphere with a high-quality anime illustration style.
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Original Prompt
朝日がでたばかりの寝台列車個室 外は山岳地帯 朝日で崖が光と影のコントラストを描いている 車内のベッドにはモフモフ毛皮の茶虎猫獣人男性と モフモフ毛皮の三毛猫獣人女性が眠そうに起きる
Mode
lite
Size
768 x 1280

Model & LoRA used

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AI artwork
Avatar image of ゴースケ銅鑼
2girls, 1boy, male and female, cat ears, animal ears, fluffy fur, brown tabby fur, tabby stripes, calico fur, orange and black and white fur patches, beastman, kemonomimi, sleepy, drowsy, half-closed eyes, waking up, lying in bed, bed sheet, pillow, sleeper train, private compartment, train interior, window, sunrise, morning light, mountains, cliff, strong light and shadow contrast, from above, close-up, pov, looking at each other, head on pillow, arm support, stretching, yawning, bare shoulders, blanket, crumpled sheets, warm amber palette, cold blue shadow, Shot from above, looking down from the ceiling corner of the compartment onto the two of them. A narrow private sleeper cabin: a single shelf-like bunk under the window, a drawn curtain bunched to one side, a fold-down table latched flat against the wall, padded walls in worn maroon fabric. The man, a brown tabby beastman with fluffy fur and darker tabby stripes banding his forearms and the sides of his face, lies on his back on the far side of the bed, one arm flung out past the mattress edge, the other bent with the back of his hand resting over his eyes; he has pushed the blanket down to his waist, his chest bare, a low drowsy rumble in the set of his jaw, one striped ear swiveled toward the window and the other still folded flat. The woman, a calico beastwoman with fluffy fur patched in orange, black and white, lies turned toward him on her side, both hands tucked under her cheek on the shared pillow, knees drawn up so her hip presses into his, the blanket pulled to her shoulder and gripped loosely in one hand at the collarbone; one orange ear flicks, her eyes open only to slits, and her gaze drifts sideways until it lands on his face. Their heads share the same pillow; the tips of their ears almost touch. Outside the window, a mountain wall fills the glass from edge to edge, its rock face split by the just-risen sun into a blazing amber rim on every upward-facing ledge and a deep cold blue-black in every gully and overhang, the low sun throwing long horizontal shadows across the cliff and running a hard band of light down the middle of the bed, over the crumpled sheets and across the woman's white-patched cheek, while the rest of the compartment stays in cool blue shade. The window glass is still cold enough that the warmth of their breathing has fogged a small oval at the corner, and above it the ledge of the window frame catches the light in one thin bright line. The light source is that low sun alone, striking from the window side; the compartment's shadowed side goes almost black. Palette restricted to warm amber and cream against cold blue-grey, with the tabby browns and the calico orange, black and white carrying the mid-tones. Slow, quiet, tender.
ゴースケ銅鑼
AI artwork
Avatar image of ゴースケ銅鑼
2girls, 1boy, male and female, cat ears, animal ears, fluffy fur, brown tabby fur, tabby stripes, calico fur, orange and black and white fur patches, beastman, kemonomimi, sleepy, drowsy, half-closed eyes, waking up, lying in bed, bed sheet, pillow, sleeper train, private compartment, train interior, window, sunrise, morning light, mountains, cliff, strong light and shadow contrast, from above, close-up, pov, looking at each other, head on pillow, arm support, stretching, yawning, bare shoulders, blanket, crumpled sheets, warm amber palette, cold blue shadow, Shot from above, looking down from the ceiling corner of the compartment onto the two of them. A narrow private sleeper cabin: a single shelf-like bunk under the window, a drawn curtain bunched to one side, a fold-down table latched flat against the wall, padded walls in worn maroon fabric. The man, a brown tabby beastman with fluffy fur and darker tabby stripes banding his forearms and the sides of his face, lies on his back on the far side of the bed, one arm flung out past the mattress edge, the other bent with the back of his hand resting over his eyes; he has pushed the blanket down to his waist, his chest bare, a low drowsy rumble in the set of his jaw, one striped ear swiveled toward the window and the other still folded flat. The woman, a calico beastwoman with fluffy fur patched in orange, black and white, lies turned toward him on her side, both hands tucked under her cheek on the shared pillow, knees drawn up so her hip presses into his, the blanket pulled to her shoulder and gripped loosely in one hand at the collarbone; one orange ear flicks, her eyes open only to slits, and her gaze drifts sideways until it lands on his face. Their heads share the same pillow; the tips of their ears almost touch. Outside the window, a mountain wall fills the glass from edge to edge, its rock face split by the just-risen sun into a blazing amber rim on every upward-facing ledge and a deep cold blue-black in every gully and overhang, the low sun throwing long horizontal shadows across the cliff and running a hard band of light down the middle of the bed, over the crumpled sheets and across the woman's white-patched cheek, while the rest of the compartment stays in cool blue shade. The window glass is still cold enough that the warmth of their breathing has fogged a small oval at the corner, and above it the ledge of the window frame catches the light in one thin bright line. The light source is that low sun alone, striking from the window side; the compartment's shadowed side goes almost black. Palette restricted to warm amber and cream against cold blue-grey, with the tabby browns and the calico orange, black and white carrying the mid-tones. Slow, quiet, tender.
ゴースケ銅鑼

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