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AI art "Saneshino wedding" featuring #Demon Slayer: Kimetsu no Yaiba and #Sanemi Shinazugawa
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Saneshino wedding

Cute Saneshino rarepair support in an AU where Shinobu Kocho survives.

#Demon Slayer: Kimetsu no Yaiba#Sanemi Shinazugawa
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character: shinazugawa_sanemi, kochou_shinobu wedding, 2girls, 1boy, hetero couple, bride and groom, shinazugawa sanemi, kochou shinobu, taisho era wedding attire, traditional japanese wedding clothing, uchikake, shiromuku, white silk kimono, wataboshi, white hood, tsunokakushi, white wedding headdress, hakama, montsuki, black kimono with white family crests, standing side by side, from below, dutch angle, low angle, three-quarter view, gazes meeting, looking at another, holding hands, interlocked fingers, sake cup, sakazuki, san-san-kudo, small white porcelain cup, both hands cupped around the cup, short white spiked hair, hair between eyes, purple eyes, scarred face, wide scar across nose and cheek, short black hair, purple gradient hair tips, purple eyes, butterfly hair ornament, parted bangs, light smile, closed mouth, blush, windblown hair, fluttering sleeves, confetti, paper streamers, falling paper, shrine hall interior, tatami, shoji screens, sunlight through shoji, warm backlight, dust motes, happy, tender. From a low, tilted angle the two of them stand close together on a tatami floor in a shrine hall, both in formal Taisho-era wedding dress, seen from just below eye level so the wooden beams and the top of the shoji screens lean behind their heads. Behind them a row of shoji screens stands open on a sunlit garden; the sun comes through the paper from behind them at a low angle, rimming their shoulders and hair in warm light while their faces stay in soft reflected brightness and their shadows stretch forward across the tatami toward the viewer. He stands on the left, a black montsuki kimono with small white family crests at the chest and shoulders over a grey-striped hakama, the striped hem falling straight to his feet, one hand resting on the ridge of his hakama at his hip, the other raised to meet hers. His short, spiky white hair is pushed up and back by the wind, a few strands fallen between his eyes; the wide scar runs across the bridge of his nose and cheek, and his purple eyes cut sideways and down toward the cup, not the camera. She stands close on his right, angled to him, in a pure-white shiromuku: the heavy silk kimono padded at the hem, the long sleeves hanging straight, the collar crossing left over right at her throat, and a white wataboshi hood covering the crown of her head, its curved edge framing her face. Her short black hair shows at the sides under the hood with the bangs parted and a butterfly-shaped hair ornament tucked above her left ear; her purple eyes lift to his face with a faint closed-mouth smile and a blush across both cheeks. Between them, at chest height, their hands meet around a small white porcelain sakazuki: his fingers and hers curled together on the cup, her knuckles against the back of his hand, the cup tilted a little toward her mouth as she brings it up, his thumb steadying the rim. Both her wrists emerge from the wide white sleeves, and the rim of the cup touches her lower lip. A handful of paper streamers and confetti is caught in the air around them, coming apart from above and drifting down, lit gold at the edges where the backlight catches them, and one streamer has settled on the shoulder of his black kimono, another fluttering against her white sleeve. Beyond them the garden is a flat green haze seen through the open screens, and the tatami weave reads in the low angle as long converging lines running under their feet. The palette is black, grey-striped hakama and deep shadow against pure white silk, with warm amber backlight and the green of the garden admitted only as a soft blur behind; the faces and hands carry the detail, the hems and sleeves simplified into clean folds. The edges of the white kimono glow slightly along the backlight, while the folds facing the viewer fall into cool grey, and the shadows of both bodies stretch out across the tatami toward the bottom of the frame. Tender, ceremonial.
Show Parameters
Original Prompt
Sanemi Shinazugawa is marrying Shinobu Kocho in Taisho Era traditionnal clothing.
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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