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Artem Kasatstky

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Artem Kasatstky

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1girl, solo, anthro female dog, black fur, long floppy ears, white eyebrows, blue eyes, scar on nose, scars, under-eye bags, big breasts, grey jet pilot suit, closed mouth, raised eyebrows, tired face expression, head shot, close-up, from side, three-quarter view, looking to the side, linework, crosshatching, heavy shading, dutch angle A head shot framed tight from the collarbones up, the camera set at eye level and canted a few degrees off horizontal so the vertical of her long ear hangs at a slant against the ground behind her; she is turned three-quarters away from the lens, near cheek toward the viewer, chin dropped a fraction and jaw carried slightly forward as though she has just set down a weight she is too tired to complain about. Her black fur is matte and dense, the nap readable along the muzzle bridge and the underside of her jaw, and her two long floppy ears fall loose past the line of her cheeks, their weight pulling the fold of each ear out and down, the tips brushing the high collar of the suit; the ear nearer the camera swings forward slightly and catches a rim of light along its outer curl. White eyebrows sit high and arched above the brow ridge, plainly raised, and beneath them her blue eyes are half-lidded and aimed off to the left of frame, past the lens, at nothing in particular; the pale under-eye bags are drawn in with fine parallel hatching that also crosshatches the fur into shadow at the eye sockets, and a short pale scar cuts diagonally across the bridge of her black nose, its edges slightly raised and shining where the light skims. Her mouth is fully closed, the corner turned down a hair, no teeth and no smile; a few older scars thread thin lighter lines through the fur of her cheek and the side of her neck. She wears a grey jet pilot suit, its high zip collar closed to the throat beneath her jaw and its shoulder seams visible at the bottom edge of the frame, the canvas-grey fabric dulled and creased at the neck, and the volume of her chest fills the lower corners of the shot as two broad heavy masses pushing the suit's front seam into a taut crease, the fabric strain drawn in dense crosshatched shadow so the weight reads through the cloth rather than above it. A single hard low light comes from the upper left, striking the near cheekbone, the raised white brow, the nose scar and the near ear rim, and dropping everything on the right of her face and under the chin into deep hatch-built darkness; behind her the ground is an empty flat mid-grey field with no objects, no horizon line and no second light, her cast shadow falling away to the lower right. Palette held to black, grey, cold blue and the pale white of brow, scar and eye-bag. Quiet exhaustion, drawn hard.
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Original Prompt
1girl, anthro female dog, long floppy ears, black fur, big breasts, solo, closed mouth, raised eyebrows, tired face expression, white eyebrows, scar on nose, blue eyes, grey jet pilot suit, scars, Under-eye bags , masterpiece, ultra detailed, linework, crosshatching, heavy shading, head shot
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ak
solo, 1girl, anthro female dog, black fur, floppy ears, blue eyes, white eyebrows, black lips, scar on nose, facial scars, clenched teeth, grey jet pilot suit, big breasts, head shot, close-up, from below, dutch angle, three-quarter view, looking at viewer, narrowed eyes, furrowed brow, tense jaw, neck veins, rough matte fur, linework, crosshatching, heavy shading, monochrome greys with a single blue accent, A head shot from below and slightly to her left, tilted a few degrees off level so the whole frame leans with her. Her chin is pushed forward and down toward the lens, the muzzle cropped just under the jawline so the throat and the collar of the grey jet pilot suit fill the bottom edge; the suit's high collar sits buckled and creased, a hard seam running across her collarbone, and the swell of her chest is only implied at the very bottom of the crop where the suit's chest panel and strap cross it. Her long floppy ears hang down both sides of her head, the left one flopping forward across the outer corner of her brow and the right one hanging looser, its tip just entering frame; the ear leather is matte black with faint pale scar lines along the edges. Black fur covers her whole face, coarse and close, catching a dry sheen along the muzzle bridge; her eyebrows are two short pale-white tufts, the left one drawn down hard, the right one cocked higher, and the mismatched angle is what makes the scowl read. A pale scar cuts diagonally across the bridge of her nose, a second thinner one notches the left cheekbone, a third short nick sits above her right eye; the scar tissue on the nose bridge is lighter and smoother than the fur around it. Her lips are black, thin and pulled back off clenched teeth — the jaw locked, the front teeth meeting in a flat hard line, a sliver of darker gum above them, the corners of the mouth dragged down and back. Her blue eyes are wide open and aimed straight into the lens, the pupils small, the whites catching a cold hard highlight high on the left side of each eye; a fine crease of fur bunches between the brows. The light comes from a single hard source high and to the left, outside the frame: it strikes the left side of her muzzle, the left brow tuft and the left edge of the collar, rakes across the clenched teeth and leaves the right half of her face and the underside of the chin in deep shadow, with the cast shadow of her right ear falling across her right cheek. The palette is held to greys, blacks and off-white highlights, and blue is admitted only in her irises and in the small cold glint on the teeth. Heavy shading builds in the ear hollows, under the jaw and behind the collar; crosshatching hatches the deepest shadow masses on the right cheek and the throat, and crisp ink linework edges every fur clump, every scar and every suit seam. Her right ear tip sways a fraction and the loose fur along her jaw is disturbed by her breath hissing out through the clenched teeth. Combative, hard-edged.
Artem Kasatstky
#Kill la Kill
AI artwork
ak
1girl, solo, anthro female borzoi, borzoi snout, long floppy ears dipped forward, orange fur, white eyebrows, blue eyes, big breasts, grey jet pilot suit, closed mouth, raised eyebrows, tired expression, half-closed eyes, under-eye bags, scar on nose, scars on cheek and jaw, head shot, side profile, from side, looking to the side, facing left, linework, crosshatching, heavy shading, square composition A true side profile head shot of a single anthro female borzoi facing the left edge of the frame, her long narrow borzoi snout projecting horizontally past her cheek, the nose tip almost touching the left border. Her head is turned so the camera sees one blue eye in three-quarter-lid profile, its pupil drifted toward the left of frame, looking at nothing in the middle distance; the far eye is hidden behind the bridge of her snout. Both long floppy ears hang down and slightly forward, the near ear falling across the base of her jaw and the far ear visible as a soft edge behind her skull, their tips pushed back a little by the turn of her head. Orange fur covers her skull, muzzle and throat, longer and paler at the throat and ear fringes, and the white eyebrows sit high and arched above the near eye; the skin under that eye sags into a soft bluish bag, and a pale old scar cuts diagonally across the top of her nose, with two smaller scars on her cheekbone and one at the jaw hinge. Her mouth is fully closed, the lip line a single relaxed seam with no tooth showing. Her neck rises from a grey jet pilot suit whose collar, zipped to the throat, is the only part of it in frame; the suit's bulk at the bottom of the crop implies her big chest below the frame edge, and a single stitched seam runs down from the collar. The background is an empty cool slate-grey field with no objects, no horizon and no further figures. A single hard key light from the upper left grazes the top of her snout, the brow ridge and the near ear, leaving the underside of the jaw and the far side of her skull in a dense shadow block; the eye catches one small tight highlight. Cool grey palette with the orange fur as the only warm mass, all shading built from dense crosshatching that thickens into near-black at the jaw and thins to open hatch lines on the lit plane of the snout, crisp ink linework bounding every shape. Quiet exhaustion.
Artem Kasatstky
AI artwork
s
1girl, solo, anthro female dog, dog girl, floppy ears, drooping ears, white fur, white hair, short fur, big breasts, large breasts, grey jet pilot suit, flight suit, zipped-up pilot suit, scars, facial scar, scar across cheek, scarred arms, clenched teeth, gritted teeth, bared teeth, snarling, furrowed brow, intense gaze, looking at viewer, from below, low angle, close-up, upper body, foreshortening, dramatic lighting, linework, crosshatching, heavy shading, high contrast, monochrome with grey, masterpiece, ultra detailed Seen from a low angle looking up at her, the anthro dog woman fills the upper half of the frame, her head tilted down toward the lens so the underside of her muzzle and the line of her jaw are the nearest thing in the picture. Her floppy white ears hang forward past her temples, the tips brushing the collar of the flight suit, and the short white fur along her neck and cheeks catches the light in fine directional strokes. Her brow is pulled hard down and her lips are peeled back off clenched teeth, the jaw muscles bunched at the hinge, a low snarl frozen mid-breath; one eye is narrowed tighter than the other, and both eyes lock straight at the viewer. The grey jet pilot suit is zipped to the throat, its heavy fabric stretched taut across her big breasts so the chest seam and the shoulder straps pull into tight creases, the collar standing up against her jaw. A pale scar cuts diagonally across her right cheek below the eye, a second runs along the outside of her forearm where the sleeve is pushed back to the elbow, and a thin older mark crosses the bridge of her muzzle; the fur grows back ragged and slightly parted over each one. Her right hand is raised, fingers hooked into the collar of the suit and pulling it down hard, knuckles pressed into the grey fabric, the tendons standing out on the back of her hand; her left arm hangs at her side, fist half-closed against her thigh. The light comes from a single hard source low and behind her right shoulder, rimming the edge of her ear, the line of her jaw, and the top curve of her chest in a hot white edge while the front of her face and the deep folds under her breasts fall into dense shadow. Behind her the background is a flat dark grey hangar wall with no detail, and her cast shadow stretches huge and soft down the wall to the left. The whole picture is built from linework and crosshatching, dense hatching layered in the shadows of her cheek, throat and chest and thinning to bare directional strokes in the highlights, heavy shading pressing the darks almost solid, the palette held to white fur, grey suit and the cold white rim light. Tense, coiled, defiant.
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