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AI artwork featuring #Shorekeeper and #zetaCollab
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Shorekeeper

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Shorekeeper
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Galaxy

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An ultra-detailed 2.5D semi-realistic masterpiece illustration of the Shorekeeper from Wuthering Waves as a blushing schoolgirl at her desk after class, alone with the viewer in an empty classroom at sundown — sitting up on her school desk in her loosened uniform, offering one white cotton-stockinged sole toward the camera, in an after-school POV foot scene. The Shorekeeper from Wuthering Waves, her long straight hair pale white fading into soft blue at the ends worn loose with a small ribbon half undone, fine strands falling between her gentle violet eyes, her cheeks flushed pink, the tips of her ears red, her lips parted, her fingernails painted glossy blue. Her school uniform is charmingly mussed — the navy ribbon tie pulled loose and hanging askew, the white shirt untucked from the waistband with its hem bunched out in soft folds, the pleated tartan skirt rucked up her thighs where she sits. Her stockings are mismatched: her left leg wears a white cotton over-knee stocking with its cuff slouched down into soft folds around her calf, her right leg wears a black cotton over-knee stocking holding just under her knee, a stretch of bare thigh showing above each stocking top. Her loafers have been kicked off under the desk. She sits up on the front edge of her school desk facing the camera, her weight settled on the desktop, one palm braced on the desktop behind her. Her right leg hangs from the knee over the desk edge, relaxed, the black cotton-stockinged foot suspended in the air above the aisle. Her left leg lifts — knee drawing up and turning out, the white cotton-stockinged sole rising to FACE THE CAMERA, offered, a little shy. Through the soft matte cotton of the upturned white sole the low sun shows the gentle shapes beneath — the dome of the heel, the hollow of the arch, the ball of the foot where the weave is worn slightly smooth from a day of walking, the five toes lying side by side with their round undersides resting against the worn fabric, the toes descending in a clean smooth line from the big toe down to the little toe, the weave deepening softly in tone between the toes where it folds. She watches the camera over her own raised knee, blushing to the roots of her hair, fingers of her braced hand curling against the desktop, the corner of her mouth betraying a small nervous, daring smile — a girl testing exactly how far after school goes. The classroom stands empty and gold at sundown, the late sun slanting low through the tall windows. The camera sits where her schoolmate sits — in the front-row chair turned around to face her desk, looking up at her from just below the level of her raised sole, so her offered white cotton sole reads closest and largest in the frame, her blushing face held above it, vertical 3:4 composition. One warm sunset light family carries the scene from the low west windows, the low sun warming the white weave of the offered sole to gold, the mullion shadows of the window falling across the offered sole as faint dark rungs, catching the smooth worn ball of the foot as the brightest point, the slouched white cuff glowing at the edge of the light, her flushed face held in the same warm glow, soft matte cotton texture against her skin, highly detailed fabric and skin texture, subsurface scattering, sharp focus on the offered sole, gentle depth of field toward her face.
Show Parameters
Mode
lite
Size
960 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.11k

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Avatar image of Galaxy
An ultra-detailed 2.5D semi-realistic masterpiece illustration of the Shorekeeper from Wuthering Waves as the secret lover of her boss, caught in an after-hours tryst at the office — sitting up on the big office desk in her disheveled secretary suit, blushing deep, both sheer stockinged feet lifted toward the camera in offering, one sole presented full and close, in an intimate POV foot scene. The Shorekeeper from Wuthering Waves, her long straight hair pale white fading into soft blue at the ends now loose and mussed, strands clinging to her flushed cheek, her gentle violet eyes glassy and half-lidded, her cheeks burning crimson, the tips of her ears red, her lips parted and soft, her fingernails painted glossy blue. Her secretary suit is in beautiful disarray — the white shirt unbuttoned at the top with the collar pulled aside, its hem pulled loose from the waistband, a glimpse of black lace at the opened edge; the charcoal pencil skirt creased and rucked up her thighs. Her sheer black nylon stockings are torn from the hurry of it — a fine pale run snaking up the front of one calf, a small round hole at the other knee, the taut weave laddering at one thigh — but from her ankles down both stockings run whole and unbroken, the sheer dark nylon over both feet, toes and soles taut, smooth and flawless. She sits up on the front edge of the big office desk facing the camera, her weight settled on the desktop, leaning back a little. Both her hands reach down and cradle her own legs from behind the knees, lifting them toward the camera — offering, presenting. Her left foot rises closest to the lens, turned so its ENTIRE SOLE FACES THE CAMERA — through the sheer dark nylon the warm lamplight shows the pale skin beneath, the soft dome of the heel, the hollow of the arch, the broad pad of the ball of the foot, and the toes: exactly five toes lying side by side, relaxed and even, each toe ending in a soft rounded pad resting against the taut flawless fabric, the five toes descending in a clean smooth line from the big toe down to the little toe, the weave deepening in tone between the toes where it folds, a whisper-thin tone-mmatched seam running under the line of each toe. Her right foot holds a little lower and further back, turned three-quarters inward toward its pair, so the camera reads the smooth curve of its stockinged instep and the outer edge of its arch, its toes pointing toward the far side of the frame, the ankle softly extended — a foot at ease beside a foot on offer. She looks at the camera from over her own raised knees through half-lidded violet eyes, blushing to the roots of her hair, biting her lower lip, the corner of her mouth betraying a small helpless smile — a secretary who knows exactly what she is showing, and to whom. The corner-suite office is dark except for one warm desk lamp beside her hip, its low amber glow pooling over her rumpled shirt and her offered soles; behind her the floor-to-ceiling windows hold the blurred cold blue lights of the night city, far away now and out of focus, the rest of the office dissolving in shadow. The camera sits where her lover sits — in the desk chair directly in front of her, looking up at her from slightly below the level of the desktop, so her offered left sole reads closest and largest in the frame, the turned right foot setting depth beside it, vertical 3:4 composition. One warm desk-lamp light family carries the scene, laying soft amber sheen bands across the upturned left sole, catching the rounded toe pads as the brightest points, rimming the outer edge of the right foot's arch against the dark office, her flushed face held in the same warm glow, the cold city lights reduced to a blurred blue bokeh field behind her, glossy satiny sheen on the nylon, highly detailed skin and fabric texture, subsurface scattering, sharp focus on the offered sole, gentle depth of field toward her burning face.
Galaxy
#zetaCollab#Wuthering Waves#Shorekeeper
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1girl, alisa mikhailovna kujou, alya sometimes hides her feelings in russian, from below, sitting, chair, classroom, barefoot, feet, soles, bare soles, toes, 5 toes per foot, smug, holding white stockings, dusk, outdoor, masterpiece, 4k, 8k, cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors, foot focus, show soles, show face, long hair, bangs, blue eyes, hair ribbon, ahoge, grey hair, red ribbon
qutjaz9

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