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Diablogrim
AI art by Diablogrim on PixAI. Made with Tsubaki.2.
Contest Entry
All About Twintails!#All About Twintails
Show Parameters
- Original Prompt
- A figure sits on a throne carved from black stone, his body so large that the throne barely contains him โ his shoulders rise above the throne's back, his legs extend past the seat, his arms rest on armrests that are too small for them. His body is composed of layered black material, dense and compact, like sedimentary stone compressed by geological pressure. His skin is not skin but stratum โ visible layers running horizontally across his body, each one a slightly different shade of black, as though he has been assembled from geological deposits. His face is massive and mostly obscured by shadow, but his eyes are visible โ two burning red points, deep-set, staring forward from beneath a heavy brow of black stone. His mouth is closed, a straight horizontal line, neither frowning nor smiling. His hands rest on the armrests, palms down, fingers spread, each finger the thickness of a human arm. The throne itself sits at the center of a vast underground chamber โ the ceiling is not visible, the walls are far away, and the floor stretches out in every direction, covered in a dense carpet of small white lights stretching to the horizon. Each light is a soul. Thousands of them. Each one the size of a marble, each one glowing faintly white, each one arranged in concentric rings radiating outward from the throne like the rings of a tree. The rings extend outward for hundreds of feet in every direction, filling the chamber floor. The souls nearest the throne are brightest. The souls farthest away are barely visible, pinpricks of white in the black. Shot from a steep low angle, roughly forty percent of the frame filled by his body and throne, the remaining sixty percent showing the vast field of white soul-lights stretching away into darkness. The only light sources are the souls themselves โ the field of white lights illuminating his body from below in every direction, casting soft white light up across his stone body, his red eyes providing the only warm light in the entire composition. Rendered as a dark fantasy illustration with heavy atmospheric perspective, the soul-lights growing smaller and dimmer with distance, and the black stone of his body rendered in visible geological strata texture.
- Mode
- standard
- Style
- Sharp Ink
- Size
- 768 x 1280
Style: Sharp Ink
Model & LoRA used
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A figure sits on a throne carved from black stone, his body so large that the throne barely contains him โ his shoulders rise above the throne's back, his legs extend past the seat, his arms rest on armrests that are too small for them. His body is composed of layered black material, dense and compact, like sedimentary stone compressed by geological pressure. His skin is not skin but stratum โ visible layers running horizontally across his body, each one a slightly different shade of black, as though he has been assembled from geological deposits. His face is massive and mostly obscured by shadow, but his eyes are visible โ two burning red points, deep-set, staring forward from beneath a heavy brow of black stone. His mouth is closed, a straight horizontal line, neither frowning nor smiling. His hands rest on the armrests, palms down, fingers spread, each finger the thickness of a human arm. The throne itself sits at the center of a vast underground chamber โ the ceiling is not visible, the walls are far away, and the floor stretches out in every direction, covered in a dense carpet of small white lights stretching to the horizon. Each light is a soul. Thousands of them. Each one the size of a marble, each one glowing faintly white, each one arranged in concentric rings radiating outward from the throne like the rings of a tree. The rings extend outward for hundreds of feet in every direction, filling the chamber floor. The souls nearest the throne are brightest. The souls farthest away are barely visible, pinpricks of white in the black. Shot from a steep low angle, roughly forty percent of the frame filled by his body and throne, the remaining sixty percent showing the vast field of white soul-lights stretching away into darkness. The only light sources are the souls themselves โ the field of white lights illuminating his body from below in every direction, casting soft white light up across his stone body, his red eyes providing the only warm light in the entire composition. Rendered as a dark fantasy illustration with heavy atmospheric perspective, the soul-lights growing smaller and dimmer with distance, and the black stone of his body rendered in visible geological strata texture.
Diablogrim
g
(masterpiece best quality 1.2), ultra-detailed, dark fantasy character design, low angle, zoomed in up close, solo, 1entity, a figure seated on a throne carved from black stone the body so large the throne barely contains it the shoulders rising above the throne's back the arms resting on armrests too small for them, the body composed of layered black material dense and compact like sedimentary stone compressed by geological pressure the skin not skin but stratum visible layers running horizontally across the body each one a slightly different shade of black as though assembled from geological deposits the strata visible across the chest and shoulders and arms the layers telling a geological story of compression and time and weight, the figure's hands resting on the armrests palms down fingers spread each finger the thickness of a human arm BUT the palms are not merely resting โ from both palms a CITY is growing โ miniature towers and walls and bridges and cathedrals assembling themselves from white light spreading outward from the fingertips across the armrests and down the throne and onto the floor the city is not built the city is SPOKEN into existence the architecture growing from the hands the way language grows from a mouth each building a word each district a sentence the city growing from the stone figure's palms and spreading across the floor where the soul-lights live, the throne sits at the center of a vast underground chamber the ceiling not visible the walls far away the floor stretching in every direction covered in a dense carpet of small white lights stretching to the horizon each light a soul thousands of them each one the size of a marble each one glowing faintly white each one arranged in concentric rings radiating outward from the throne like the rings of a tree the rings extending outward for hundreds of feet filling the chamber floor the souls nearest the throne brightest the souls farthest away barely visible pinpricks of white in the black โ BUT the city growing from the figure's hands is growing INTO the soul-field the white-light architecture spreading across the soul-rings the towers rising from between the souls the walls growing along the concentric rings using the soul-rings as foundation the city and the souls becoming one the souls the city's lights the city the souls' architecture the fusion the fusion the city-of-souls the souls-of-the-city, the figure's arms covered in fine white lines tracing a vascular system โ not veins but BLUEPRINTS the white lines are the figure's construction plans drawn on its own stone skin each line a specification each junction a load-bearing calculation the blueprints visible across the arms and the blueprints MATCH the city growing from the palms the body the blueprint the city the building the body and the city sharing the same plan the plan written on the skin and executed from the hands, the figure's face massive and mostly obscured by shadow but the eyes visible two burning red points deep-set staring forward from beneath a heavy brow of black stone the mouth closed a straight horizontal line neither frowning nor smiling the stillness the patience the patience the stillness, from the waist down the figure's body does not dissolve but MERGES the stone strata transitioning into the white-light city the lower body becoming part of the architecture growing from its own hands the figure's legs visible only as stone layers that thin and fragment and become the city's foundations the figure seated on the throne but also the figure IS the throne and the throne IS the city and the city IS the souls and the souls ARE the figure the unity the unity the figure the city the souls the throne one thing one thing one thing, the only light sources are the souls themselves the field of white lights illuminating the figure's stone body from below in every direction casting soft white light up across the geological strata the red eyes providing the only warm light in the entire composition the warm the red the cold the white the contrast the contrast the warm the cold, the growing city's white-light architecture adding a second light source the blue-white glow of the structures mixing with the white soul-light the mixing creating a gradient from warm-white at the souls to cool-blue-white at the city-towers the gradient the growth the growth the gradient, rendered as a dark fantasy illustration with heavy atmospheric perspective the soul-lights growing smaller and dimmer with distance the black stone of the body rendered in visible geological strata texture the white-light city rendered in clean precise architectural linework the two textures โ stone strata and light architecture โ meeting at the figure's waist the meeting the boundary the boundary the fusion the fusion the boundary, highly detailed, cinematic composition, 8K
Grim
g
(masterpiece best quality 1.2), ultra-detailed, dark fantasy character design, low angle, zoomed in up close, solo, 1entity, a figure seated on a throne carved from black stone the body so large the throne barely contains it the shoulders rising above the throne's back the arms resting on armrests too small for them, the body composed of layered black material dense and compact like sedimentary stone compressed by geological pressure the skin not skin but stratum visible layers running horizontally across the body each one a slightly different shade of black as though assembled from geological deposits the strata visible across the chest and shoulders and arms the layers telling a geological story of compression and time and weight, the figure's hands resting on the armrests palms down fingers spread each finger the thickness of a human arm BUT the palms are not merely resting โ from both palms a CITY is growing โ miniature towers and walls and bridges and cathedrals assembling themselves from white light spreading outward from the fingertips across the armrests and down the throne and onto the floor the city is not built the city is SPOKEN into existence the architecture growing from the hands the way language grows from a mouth each building a word each district a sentence the city growing from the stone figure's palms and spreading across the floor where the soul-lights live, the throne sits at the center of a vast underground chamber the ceiling not visible the walls far away the floor stretching in every direction covered in a dense carpet of small white lights stretching to the horizon each light a soul thousands of them each one the size of a marble each one glowing faintly white each one arranged in concentric rings radiating outward from the throne like the rings of a tree the rings extending outward for hundreds of feet filling the chamber floor the souls nearest the throne brightest the souls farthest away barely visible pinpricks of white in the black โ BUT the city growing from the figure's hands is growing INTO the soul-field the white-light architecture spreading across the soul-rings the towers rising from between the souls the walls growing along the concentric rings using the soul-rings as foundation the city and the souls becoming one the souls the city's lights the city the souls' architecture the fusion the fusion the city-of-souls the souls-of-the-city, the figure's arms covered in fine white lines tracing a vascular system โ not veins but BLUEPRINTS the white lines are the figure's construction plans drawn on its own stone skin each line a specification each junction a load-bearing calculation the blueprints visible across the arms and the blueprints MATCH the city growing from the palms the body the blueprint the city the building the body and the city sharing the same plan the plan written on the skin and executed from the hands, the figure's face massive and mostly obscured by shadow but the eyes visible two burning red points deep-set staring forward from beneath a heavy brow of black stone the mouth closed a straight horizontal line neither frowning nor smiling the stillness the patience the patience the stillness, from the waist down the figure's body does not dissolve but MERGES the stone strata transitioning into the white-light city the lower body becoming part of the architecture growing from its own hands the figure's legs visible only as stone layers that thin and fragment and become the city's foundations the figure seated on the throne but also the figure IS the throne and the throne IS the city and the city IS the souls and the souls ARE the figure the unity the unity the figure the city the souls the throne one thing one thing one thing, the only light sources are the souls themselves the field of white lights illuminating the figure's stone body from below in every direction casting soft white light up across the geological strata the red eyes providing the only warm light in the entire composition the warm the red the cold the white the contrast the contrast the warm the cold, the growing city's white-light architecture adding a second light source the blue-white glow of the structures mixing with the white soul-light the mixing creating a gradient from warm-white at the souls to cool-blue-white at the city-towers the gradient the growth the growth the gradient, rendered as a dark fantasy illustration with heavy atmospheric perspective the soul-lights growing smaller and dimmer with distance the black stone of the body rendered in visible geological strata texture the white-light city rendered in clean precise architectural linework the two textures โ stone strata and light architecture โ meeting at the figure's waist the meeting the boundary the boundary the fusion the fusion the boundary, highly detailed, cinematic composition, 8K
Grim
g
(masterpiece best quality 1.2), ultra-detailed, dark fantasy character design, low angle, zoomed in up close, solo, 1entity, a figure seated on a throne carved from black stone the body so large the throne barely contains it the shoulders rising above the throne's back the arms resting on armrests too small for them, the body composed of layered black material dense and compact like sedimentary stone compressed by geological pressure the skin not skin but stratum visible layers running horizontally across the body each one a slightly different shade of black as though assembled from geological deposits the strata visible across the chest and shoulders and arms the layers telling a geological story of compression and time and weight, the figure's hands resting on the armrests palms down fingers spread each finger the thickness of a human arm BUT the palms are not merely resting โ from both palms a CITY is growing โ miniature towers and walls and bridges and cathedrals assembling themselves from white light spreading outward from the fingertips across the armrests and down the throne and onto the floor the city is not built the city is SPOKEN into existence the architecture growing from the hands the way language grows from a mouth each building a word each district a sentence the city growing from the stone figure's palms and spreading across the floor where the soul-lights live, the throne sits at the center of a vast underground chamber the ceiling not visible the walls far away the floor stretching in every direction covered in a dense carpet of small white lights stretching to the horizon each light a soul thousands of them each one the size of a marble each one glowing faintly white each one arranged in concentric rings radiating outward from the throne like the rings of a tree the rings extending outward for hundreds of feet filling the chamber floor the souls nearest the throne brightest the souls farthest away barely visible pinpricks of white in the black โ BUT the city growing from the figure's hands is growing INTO the soul-field the white-light architecture spreading across the soul-rings the towers rising from between the souls the walls growing along the concentric rings using the soul-rings as foundation the city and the souls becoming one the souls the city's lights the city the souls' architecture the fusion the fusion the city-of-souls the souls-of-the-city, the figure's arms covered in fine white lines tracing a vascular system โ not veins but BLUEPRINTS the white lines are the figure's construction plans drawn on its own stone skin each line a specification each junction a load-bearing calculation the blueprints visible across the arms and the blueprints MATCH the city growing from the palms the body the blueprint the city the building the body and the city sharing the same plan the plan written on the skin and executed from the hands, the figure's face massive and mostly obscured by shadow but the eyes visible two burning red points deep-set staring forward from beneath a heavy brow of black stone the mouth closed a straight horizontal line neither frowning nor smiling the stillness the patience the patience the stillness, from the waist down the figure's body does not dissolve but MERGES the stone strata transitioning into the white-light city the lower body becoming part of the architecture growing from its own hands the figure's legs visible only as stone layers that thin and fragment and become the city's foundations the figure seated on the throne but also the figure IS the throne and the throne IS the city and the city IS the souls and the souls ARE the figure the unity the unity the figure the city the souls the throne one thing one thing one thing, the only light sources are the souls themselves the field of white lights illuminating the figure's stone body from below in every direction casting soft white light up across the geological strata the red eyes providing the only warm light in the entire composition the warm the red the cold the white the contrast the contrast the warm the cold, the growing city's white-light architecture adding a second light source the blue-white glow of the structures mixing with the white soul-light the mixing creating a gradient from warm-white at the souls to cool-blue-white at the city-towers the gradient the growth the growth the gradient, rendered as a dark fantasy illustration with heavy atmospheric perspective the soul-lights growing smaller and dimmer with distance the black stone of the body rendered in visible geological strata texture the white-light city rendered in clean precise architectural linework the two textures โ stone strata and light architecture โ meeting at the figure's waist the meeting the boundary the boundary the fusion the fusion the boundary, highly detailed, cinematic composition, 8K
Grim
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