Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Twin-Headed Lamia

Contest Entry
Furry Party
#Breasts#Furry#Fangs#solo#Monster girl#Dark skin#Tongue#Saliva#Lamia#Slit pupils#Golden eyes#Open mouth#Looking at viewer#Girl#Green Skin#full body#Crossed arms#Medium Breasts#Colored Skin
More to See

Comments

1girl, solo, monster girl, lamia, anthro, furry, snake girl, two heads, two triangular snake heads, serpentine lower body, thick snake body, black stripes, stripes thicker toward heads, gigantic, 20 meters long, voluptuous, large breasts, wide hips, pale yellow scales, black scales, upper humanoid torso, snake eyes, slit pupils, forked tongue, fangs, lethal venom, dripping poison, wet scales, glistening, from below, extreme foreshortening, low angle, wide shot, looking down, coils, serpentine coils filling the frame, venom droplets, tongue flicking, muscular tail, scale texture, cinematic lighting, backlit Extreme low-angle wide shot from the floor of a cave-like stone hollow, the camera almost touching the ground so the lamia towers up and over the lens in violent foreshortening. Her humanoid torso rises from a colossal serpentine lower body — a single continuous serpent's trunk as thick as a person's waist, far too big for the frame, its coils sweeping across the foreground in three great overlapping loops that crush the ground where they rest and disappear out of the bottom corners of the image. The trunk is covered in smooth overlapping scales, deep olive to warm gold along the belly scutes and darker along the spine, and it is banded with black stripes: thin near the tail-end loops at the bottom of the frame, each stripe visibly thicker and bolder as the eye follows the body upward until, at the base of the humanoid torso, the bands are wide heavy black saddles. From the top of the torso, above a voluptuous hourglass — full heavy breasts bound in a simple wrap of dark cloth, wide hips flaring where scales meet skin, a lean muscular waist — two separate necks branch apart and each ends in a triangular wedge-shaped snake head, flat and broad at the jaw, tapering sharply to the snout. Both heads tilt down at the camera: the left head hangs low and level, mouth slightly parted, showing two long curved fangs beaded with clear venom that catches the light; the right head rears higher and turned three-quarters, forked tongue flickering out, one slit-pupiled amber eye fixed on the lens. Her humanoid arms are folded loosely across her chest, one clawed hand gripping the opposite upper arm, the other resting with the palm flat on her own serpent coil, fingers spread on the scales. A bead of venom runs from the left fang, stretches, and drips free, hanging in mid-air below the jaw. Light comes from a single low fire source off-frame to the right: it rakes the right flank of the body in warm amber, throws a long hard shadow of the coils across the stone floor to the left, and leaves the underside of the belly scutes and the space between the front coils in deep cool shadow; the poison beads are the brightest specular points in the frame because they are wet and translucent. The stone hollow behind her is unlit and reads as a flat near-black void, so her silhouette does the framing work. Palette is restricted to olive-gold scale, heavy black banding, the amber firelight, and the cold blue-green shadow. Every scale is rendered with crisp hand-drawn line texture, the coils carrying the detail budget — the layered loops, the grit of the stone pressed beneath them, the wet gleam of each stripe edge. Menacing, hypnotic.
Show Parameters
Original Prompt
1girl, solo, monster girl, lamia, anthro, furry, snake girl, two heads, two triangular snake heads, serpentine lower body, thick snake body, black stripes, stripes thicker toward heads, gigantic, 20 meters long, voluptuous, large breasts, wide hips, pale yellow scales, black scales, upper humanoid torso, snake eyes, slit pupils, forked tongue, fangs, lethal venom, dripping poison, wet scales, glistening, from below, extreme foreshortening, low angle, wide shot, looking down, coils, serpentine coils filling the frame, venom droplets, tongue flicking, muscular tail, scale texture, cinematic lighting, backlit Extreme low-angle wide shot from the floor of a cave-like stone hollow, the camera almost touching the ground so the lamia towers up and over the lens in violent foreshortening. Her humanoid torso rises from a colossal serpentine lower body — a single continuous serpent's trunk as thick as a person's waist, far too big for the frame, its coils sweeping across the foreground in three great overlapping loops that crush the ground where they rest and disappear out of the bottom corners of the image. The trunk is covered in smooth overlapping scales, deep olive to warm gold along the belly scutes and darker along the spine, and it is banded with black stripes: thin near the tail-end loops at the bottom of the frame, each stripe visibly thicker and bolder as the eye follows the body upward until, at the base of the humanoid torso, the bands are wide heavy black saddles. From the top of the torso, above a voluptuous hourglass — full heavy breasts bound in a simple wrap of dark cloth, wide hips flaring where scales meet skin, a lean muscular waist — two separate necks branch apart and each ends in a triangular wedge-shaped snake head, flat and broad at the jaw, tapering sharply to the snout. Both heads tilt down at the camera: the left head hangs low and level, mouth slightly parted, showing two long curved fangs beaded with clear venom that catches the light; the right head rears higher and turned three-quarters, forked tongue flickering out, one slit-pupiled amber eye fixed on the lens. Her humanoid arms are folded loosely across her chest, one clawed hand gripping the opposite upper arm, the other resting with the palm flat on her own serpent coil, fingers spread on the scales. A bead of venom runs from the left fang, stretches, and drips free, hanging in mid-air below the jaw. Light comes from a single low fire source off-frame to the right: it rakes the right flank of the body in warm amber, throws a long hard shadow of the coils across the stone floor to the left, and leaves the underside of the belly scutes and the space between the front coils in deep cool shadow; the poison beads are the brightest specular points in the frame because they are wet and translucent. The stone hollow behind her is unlit and reads as a flat near-black void, so her silhouette does the framing work. Palette is restricted to olive-gold scale, heavy black banding, the amber firelight, and the cold blue-green shadow. Every scale is rendered with crisp hand-drawn line texture, the coils carrying the detail budget — the layered loops, the grit of the stone pressed beneath them, the wet gleam of each stripe edge. Menacing, hypnotic.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬