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AI art "Hallows Eve" featuring #Final Fantasy and #Final Fantasy XIV

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Hallows Eve

#Final Fantasy #Final Fantasy XIV

Published on Oct 26, 2026

n00bArtiste

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comic splash page, single full-page panel, multiple views, low-angle camera, from below, strong one-point vanishing point, converging street lines, wide shot, cyberpunk, Halloween night, Night City, rain-slicked boulevard, towering skyscrapers, massive neon holographic advertisements, giant jack-o-lantern hologram, grinning toothy pumpkin hologram, kanji signage, English neon signage, magenta neon, cyan neon, crowd, costumed citizens, cyborg witch, black lace gown, chrome plating, mechanical implants, samurai, neon-trimmed armor, carved pumpkin helmet, katana, surveillance drones, hovering drones, ghost-augmented drones, market stalls, street vendors, awning, jack-o-lantern string lights, candy, black-market cybernetics, wet asphalt, puddles, neon reflections, two translucent holographic ghosts, drifting ghosts, bold heavy ink lineart, halftone screentone, cel-shaded neon glow, hard-edged shadows, speed lines, streaking rain, dense detail, electric magenta, hot cyan, deep purple, true black, warm orange accents, no text A single full-page comic splash panel in vertical page format, bordered by a heavy uneven ink rule, seen from a low camera planted close to the wet asphalt so the boulevard rears up and away; the street's curbs, the stall fronts and the stacked window bands of the skyscrapers all converge on one vanishing point set just above the low center of the page. In the near foreground the rain-slicked asphalt fills the bottom third, broken into long mirror streaks; the deep puddles hold inverted smears of magenta and cyan that are darker and softer than the signs above them, and thin water films run along the joints between the paving slabs. Market stalls line both curb edges in receding ranks: pipe frames under taut awnings, their front edges strung with glowing jack-o-lantern string lights, each bulb a small warm orange gourd with a cut grin, the light falling onto the nearest vendor's counter and dying out within a few meters. Behind the leftmost counter a vendor in a grey jumpsuit and a waterproof synthetic nylon apron leans forward with both palms flat on the counter, chin lifted, grinning wide and calling out; trays of wrapped candy on the left of the counter, and on the right a neat rack of chrome cybernetic forearm modules and loose optic lenses on a black cloth. Beside that stall a cyborg witch in a black lace gown, its lace a web of openwork over a body plated in chrome at the shoulders and collarbone, cable implants running from her temples into her hair, turns her jaw toward the counter with a lopsided smirk and holds a small holographic spell-casting device at hip height in one hand; its projected ring throws cyan light up onto the underside of her chin and the lace across her chest. Two steps further on, a samurai in neon-trimmed lacquered armor with a carved pumpkin helmet stands braced with the weight on his back foot, high-frequency katana held low and angled back behind his calf, the helmet's carved eyes throwing two slots of orange light across his shoulder plate. Between the stalls and above head height, three ghost-augmented surveillance drones hover at staggered depths, translucent green-white bodies with visible skeletal inner frames, rotor blur and hard speed lines streaking back off their shells, lens-eyes pointed down into the crowd. The crowd itself packs the middle distance as a dense field of silhouettes against the glow: costumed citizens in horns, capes, antenna headpieces and chrome masks, shoulders overlapping, most faces turned up and away toward the sky, one raised arm here and another there, all reading as a single surging mass rather than separate portraits. Above them the skyscrapers rise on both sides in forced perspective, their facades swallowed by enormous holographic advertisements in kanji and English lettering, magenta and cyan, layered one behind another with visible scanline flicker and a faint offset of color at their edges. Dominating the upper center, a giant animated jack-o-lantern hologram grins down toothily, its triangular eyes and jagged mouth blazing warm orange, its translucent volume allowing the building windows and a magenta kanji sign to show faintly through its shell, so the pumpkin reads as light rather than matter. Two translucent holographic ghosts drift at mid-level between the neon signs, one higher and further back, one nearer and lower, their trailing forms bending along the perspective lines with a soft cyan edge glow. Rain falls in long diagonal streaks across the whole composition, catching the neon so each streak brightens where it crosses a sign and vanishes where it crosses black. Light is exclusively from the signage, the pumpkin hologram and the string lights: hard-edged shadows fall from every awning, drone and figure, thrown in slightly different directions by the competing magenta and cyan sources; the shadowed walls and the packed crowd carry flat halftone dot screens that grow coarser toward the dark upper corners, while the lit edges stay clean and hard. Lineart is bold heavy ink throughout, blacks spotted solid in the foreground stalls and the underside of the awnings. The palette holds to electric magenta, hot cyan, deep purple and true black, with warm orange admitted only in the pumpkins, the string-light gourds, the hologram's carved grin and the samurai's helmet slots. Dense, restless, high-energy.

Hallows Eve

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