Oct 23, 2026

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AI art "蒸気文明の魔女は空を飛ぶ" featuring #Broom, #solo, #flying, #Witch, #Steampunk, #Mage (Female), #Girl, #Building and #Witch Compendium

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蒸気文明の魔女は空を飛ぶ

スチームパンクな世界にもし魔女がいたら？と考えて投稿しました。自分もその文明の利器を使いながら、自ら掲げる魔女になるため今日も空を翔ぶ。

Contest Entry

Halloween Witch Compendium

#Broom #solo #flying #Witch #Steampunk #Mage (Female)#Girl #Building

Published on Oct 26, 2026

z6rh6dmth6@privaterelay.appleid.com

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1girl, solo, witch, steampunk, straddling, riding broom, flying broomstick, mechanical broom, pointed hat, witch hat, goggles on headwear, goggles on hat, soot smudge on cheek, dirty face, defiant expression, challenging look, smirk, furrowed brows, looking at viewer, from below, low angle, cowboy shot, head tilt, city, steampunk city, brass pipes, airship, smoke, teal sky, black leather corset, cream ruffled blouse, rolled-up sleeves, pleated charcoal skirt, long hair, windblown hair, mid-air, seen from a low angle just off her front-left, the girl fills the right two-thirds of the frame, her tall pointed black fabric hat with brass-rimmed goggles perched across the cone tipping up into the pale sky while the broom-vehicle sweeps in from the lower left toward the upper right; she straddles the thing properly — the long broom-shaped craft runs under her, its fore-shaft of polished brass and dark walnut clamped between her knees, her right calf hooked back over its tail, her left boot braced flat on a riveted foot-iron, so her hips ride high and her weight presses down hard into the saddle pad and the brass plate beneath her; one hand fists the leather grip wrapped around the shaft behind the boiler-head, the other arm is flung out to the side, palm open, as though she dares the whole city to try and catch her; her chin is lifted, brows pulled down, one corner of her mouth hard and pulled sideways in a flat grin of pure challenge. A smear of soot sits thick across her left cheekbone and a faint dusting of it is along the other cheek and the outer edge of one hand. The vehicle is all the era: a copper kettle-boiler slung beneath the shaft, pressure gauges and a small brass whistle, a thin rudder fin of riveted tin at the tail, and a spinning propeller of beaten brass just below and behind her calf, whose wash throws her hair and the long back panel of her coat out and back. The wind of the flight pulls her pleated charcoal skirt out behind her leg and snaps the ruffled cuffs of her cream linen blouse; her dark brown leather corset laces strained, sleeves rolled to the elbow. Behind and below, the city stacks up: a canyon of narrow facades in teal-verdigris metal and sand-warm stone, over-leaning iron bridges, chimneys and gas lamp posts threaded with copper piping, a moored airship drifting dim in the haze, and thin columns of steam pouring from vents upward into a teal-green sky going ochre toward the horizon — the steam columns bend and tear in one direction only, exactly with her flight-path, the one detail that betrays how fast she is actually moving. Sunlight from the upper left strikes the top of her hat, the brass rims of the goggles, her right shoulder and the boiler dome; the undersides of hat brim and jaw, the inside of her skirt and the far side of the city fall into cool teal shadow, and her own shadow slides along the near rooftops. Everything is held to the palette: warm sand-gold light on brass and stone, teal-verdigris in the metalwork, sky and shadow, and a quiet range of sage, bone, olive and muted warm grey-brown across her clothes and skin, nothing saturated beyond that. Cute cel-shaded anime rendering with flat, high-contrast colours, clean outlines and simple shadows like a classic TV animation frame. Bold, brass-bright, endlessly sure of herself.

蒸気文明の魔女は空を飛ぶ

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