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AI artwork featuring #My Hero Academia and #Dabi
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Dabi, My Hero Academia

#My Hero Academia#Dabi
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character: zuko, dabi_(boku_no_hero_academia), copyright: boku_no_hero_academia 1boy, solo, fusion of two characters, muscular, muscular male, wet skin, wet body, water droplets, sweat, topless male, bare chest, bare shoulders, short hair, black hair, spiked hair, messy hair, hair between eyes, hair over one eye, heterochromia, one blue eye, one golden eye, facial scar, burn scar over left eye, purple burn scars across lower face and neck, stapled skin seams, blue flame wisps, ember particles, from below, close-up, dutch angle, looking at viewer, head tilt, water dripping from chin, water running down chest, clenched fist, arm at side, steam rising off shoulders, dark background, single hard light source, high contrast, glowing blue rim light, wet specular highlights, tense, smoldering A low-angle close-up shot from below, tilted slightly on a dutch angle, compresses the lone fused figure into the frame from mid-chest to just above the crown of the head, so the viewer looks up into a face that is turned a few degrees to one side but whose mismatched eyes drop straight down to the lens. The figure is one man carrying both bloodlines at once: short, violently spiked black hair that falls in messy strands between and across the eyes, one lock hanging over the right eye while sharp black spikes stand up at the crown, the whole mass soaked and flattened at the tips where water clings and catches the light. The two eyes are a split decision that reads as one person — the left eye pale ice blue, wide and unblinking; the right eye a hard gold, narrowed beneath a brow that carries deep brow furrow. A smooth-edged burn scar spreads across the left cheek and brow, while the right side of the jaw and the underside of the chin are crossed by tight purple scar tissue stitched with small metal staples that pull the skin taut; the scarred half of the mouth is set in a flat, clamped line while the unscarred corner lifts in a faint lopsided smirk. Steam curls off the scarred shoulder and there is a thin fringe of blue fire licking low along the seam of the jaw staples, hot enough that the vapor rises and bends away from the face. The body is bare, no garment anywhere on the torso, and it is heavy, cut muscle — thick trapezius rising from the neck, broad deltoids, chest and abdominal blocks sharply defined and loaded with tension, veins standing along the forearms. Every inch of the skin is soaking wet: water sheets down the planes of the chest and stomach and hangs in fat droplets from the jaw and chin, a steady drip falling from the chin into the dark below; a single detail fixes the physics — the droplets bead and stand proud on the scarred, staple-pierced tissue along the jaw while on the smooth unscarred half of the face and neck the water flattens into a thin sheen and slides, so the two textures read differently in the same light. The right fist is clenched hard at his side, knuckles pale, tendons raised, and the arm is pulled back out of frame at the bottom edge; the left shoulder rolls forward with the weight shifted onto that leg so the torso is not square to the camera, a slight twist through the waist. His gaze is locked straight down the lens, chin dipped, eyes half-lidded on the gold side as if daring the viewer to look away; the head tilt throws a hard shadow under the scarred jaw. The background is a deep, near-black emptiness with no horizon and no second figure — only dark air and faint drifting embers. The single hard light source comes from below and slightly to the left, an igniting blue-white source that throws raking specular highlights up the underside of the chin, the chest and the inner arms, leaves the top of the head and shoulders in shadow, and casts a faint blue rim on the wet spikes of hair; the darkness beyond the light is absolute. The palette is held to black, wet skin tones, the cold blue-white of the flame light and specular sheen, the purple of the scarred tissue, and the small warm gold of the one eye. Detail sits in the face, the eyes, the wet skin and the staple seams; the water, the steam and the fire are the revealers that make heat and tension visible. Tense, smoldering.
Show Parameters
Original Prompt
fusion, zuko, dabi (boku no hero academia), wet muscle body
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: zuko, dabi_(boku_no_hero_academia), copyright: boku_no_hero_academia 1girl, solo, fusion, muscular, muscular female, wet body, wet skin, water droplets, sexy, short black hair, hair over one eye, spiked hair, hair between eyes, messy hair, blue eyes, scar, burn scar, left eye scar, heterochromia, blue eye and gold eye, wide-eyed, open mouth, grin, teeth, looking at viewer, steam, bare shoulders, bare arms, toned arms, abs, wet hair, shiny skin, collarbone, shoulders, upper body, cowboy shot, from below, dutch angle Seen from below at a low, tilted dutch angle, one figure torn between two bodies stands bare-shouldered in a churning cloud of her own making, the frame cropping her at the hips so that only the upper body, the arms and the sweat-slicked skin above her collarbones are given to the eye. Her black hair is cut short and messy, sprayed up into wet spikes at the crown while a heavy dark fall of it swings down across the left side of her face and half covers that eye; the right side is ragged, the blunt strands plastered to her temple and dripping. Beneath it her eyes are mismatched -- one cold electric blue, one dark gold -- and they fix straight on the viewer with a challenge, wide open above a lopsided, open-mouthed grin that shows the shine of her teeth. A burn scar consumes the skin around the golden eye and pulls up over the cheekbone in ridged, leathery tissue, wet and gleaming where the droplets run through it; paler, older burns crackle faintly down the jaw on that side. Her body is a mass of heavy muscle, deltoid and bicep and the flat slabs of her stomach all defined and carved and slicked with a fine gloss of water that catches every ridge; a heavy strap of fabric clings across her chest, and loose ragged trousers hang low at the frame's lower edge. Her left arm is flung up, elbow bent, hand raking the wet hair back off her forehead so the whole arm flexes; her right shoulder is dropped, that hand loose and hidden below the crop at her hip. A jet of steam vents from the crease of her left shoulder even as the water on her skin is still cold, and where the steam rolls over her it lifts the fine hairs and leaves each drop standing bead-perfect on the muscle instead of running -- little spheres the size of pinheads, each with a tiny bright highlight, only on the upper faces of arm and shoulder, and the undersides dry. The pale wash of light comes from the far right and low, so the scar side of her face drops into a deep flat shadow, the steam behind her catches a pale rose glow, and her whole silhouette is rimmed with cold white where the droplets meet the dark. The palette is black, electric blue, burnt-amber and cold grey-white steam and almost nothing else -- black in the hair and the torn fabric, blue in one eye, ember in the other and in the raw shine of the scar. Fiercely tempting, defiant.
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