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AI artwork featuring #Marvel
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Void

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artist: alex_ross, copyright: dc_comics atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast. A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger. The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest. Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Show Parameters
Original Prompt
atrocitus from DC comics, Alex Ross ART style
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
v
artist: alex_ross, copyright: dc_comics atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast. A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger. The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest. Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Void
#Marvel
AI artwork
v
artist: alex_ross, copyright: dc_comics atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast. A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger. The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest. Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Void
AI artwork
v
artist: alex_ross, copyright: dc_comics atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast. A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger. The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest. Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Void
#X-Men#Marvel

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