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らり

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らり

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character: yukino_mifuyu_(puuzaki_puuna) 1girl, solo focus, multiple boys, 6+boys, dark skinned male, faceless male, faceless muscular dark-skinned man, muscular, gold chain, grey sweatpants, naughty eyes, seductive smile, grinning face, dark skin, silver hair, blue eyes, hair between eyes, hair bun, long hair, sidelocks, ahoge, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings, black heels, bound legs, bound wrists, restrained arms and legs, outstretched arms, X pose, floor frame bondage, bondage, bdsm, industrial pipe, on floor, lying, arm grab, grabbing another's head, holding another's wrist, holding another's ankle, struggling to break free, angry, closed eyes, in heat, shy, embarrassed, full face blush, flustered, orgasm, wavy mouth, clenched jaw, tearful, (((Lots of sound effects))), (((pervert))), (((hentai))), from side, high floor, night view, curtain wall construction room, The camera sits low and to the side, a from-side view across the bare concrete of a high construction floor, so the silver-haired girl on the floor reads in profile against the glittering night skyline beyond the unfinished curtain wall; behind and above her the six dark-skinned men are arranged in a loose circle, all faceless, all bare-headed, all wearing only gold chains at the throat and grey sweatpants low on the hips, their (Faceless, muscular, dark-skinned man:1.0) bodies catching the cold blue spill of the city lights. One man kneels at her head and grips her silver hair, tilting her face up; a second crouches at her right and his thick fingers close around her wrist; a third pins her ankle flat to the floor with one palm while his other hand grips her other wrist, pulling her arms out to full stretch; the remaining three stand over her, the nearest leaning down with a slow seductive smile and half-lidded naughty eyes fixed on her face, the others grinning, teeth bared, watching her strain. She lies on her back on the rough concrete with her arms flung wide and her bound legs drawn up and crossed at the ankles, industrial pipes running along the floor beside her and a coil of rope lashed to the nearest pipe, the floor-frame bondage holding her wrists and legs taut so her body makes an X against the grey floor. Her huge breasts press and shift inside the white turtleneck and the light blue cardigan slipping off both shoulders, the sleeveless sweater riding up, and the tight shiny dark blue latex micromini pencil skirt creases hard at her hips over the dark brown leggings, black heels still on and one heel skidding uselessly against the concrete. Her eyes are squeezed shut, her wavy mouth pulled open, her jaw clenched tight, her whole face flooded with blush from the ears to the throat, tears beading at the corners of her eyes and running back into her silver hair as her bound arms and legs quiver and jerk against the restraints, the muscles of her forearms standing out with effort. The only light comes from the city at night beyond the open curtain wall, a cool blue-white wash that picks out the sheen on her skirt and the sweat on the men's shoulders while the concrete behind them drops away into darkness; on the floor the pooled rope and the shadowed pipes anchor the composition. Big hand-lettered sound effects are stacked across the air around the struggling figures — heavy black brush strokes with red accents crowding the upper left of the frame and repeating along the lower edge near her straining feet — and where the men's grinning faces hover over her, small speech bubbles carry the words "pervert" and "hentai" in bold cramped lettering. Rough concrete texture, cold blue palette against warm dark skin, condemned, breathless.
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Original Prompt
Yukino Mifuyu, blue eyes, silver hair, hair between eyes, hair bun, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings,black heels、 inside the curtain wall construction room, high floor, night view, floorframebondage, top-down bottom-up,outstretched_arms,bound legs,bound wrists,bdsm,bondage,industrial pipe,on floor, from side、 ,(closed eyes) in heat, shy, embarrassed, full face blush, flustered, orgasm, embarrassed , wavy mouth , tightly, clenching jaw, tearful,(((Lots of sound effects)))(((pervert)))(((hentai))),sitting in a circle on the floor surrounded by six boys,1girl, solo focus, ,arm grab, solo focus, lying,grabbing another's head, holding another's wrist, holding another's ankle, restrained arms and legs, X pose, struggling to break free,angry, BBC_TP, BBC, dark skin, dark skinned male, gold chain, grey sweatpants, m_crowd, multiple boys, faceless male, naughty eyes, seductive smile, (Faceless, muscular, dark-skinned man:1.0), grinning face,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1280 x 768
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: yukino_mifuyu_(puuzaki_puuna), yukino_(blue_archive) 1girl, solo focus, 5boys, multiple boys, m_crowd, crowd of boys around one girl, group of five men pressed tightly against her, grabbing her head, grabbing her neck, grabbing her arms, grabbing her back, grabbing her legs, clinging to her, tight press, two blue-haired women, long blue hair, bangs, hair between eyes, ponytail, blue eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, silver hair, hair bun, huge breasts, dark-skinned male, dark skin, gold chain, grey sweatpants, floor-to-ceiling curtain wall windows, high floor, night city view, night, from side, cowboy shot, dutch angle, low-key lighting, blue night ambient light, warm interior lamp, cramped composition, bodies filling frame, hands on head, hands on neck, hands on arm, hands on back, hands on thigh, half-closed eyes, parted lips, overwhelmed, breath on skin, intimate menace, The shot is a slightly tilted cowboy shot from the side, inside a bare high-floor construction room whose whole far wall is a grid of floor-to-ceiling curtain wall glass, the night city spread beyond it as a dense field of tiny lit windows far below and a low horizon of aircraft warning lights, the room itself unfinished — exposed concrete floor, aluminium mullion frames, a coil of cable and a stack of panel crates pushed to the left edge. In the centre of the frame two women stand back to back, hemmed in by five men who press in so close their shoulders overlap and their bodies blot out most of the glass behind them; the two women are the only figures in sharp focus, the men rendered as a tight continuous mass of shoulders, arms and chests crowding the foreground and the edges of the frame. The woman facing camera-left stands in a white turtleneck whose collar sits high on her throat, a tight dark blue short skirt, dark brown leggings and black heels; her long blue hair is gathered in a ponytail with bangs and strands falling between her eyes, and her blue eyes are wide and fixed on nothing in the room, chin lifted as a man's hand cups the back of her head and tilts it. The woman facing camera-right is the taller, fuller figure, silver hair pinned up in a bun with loose strands between her eyes, huge breasts straining the front of a dark garment as she twists her torso; her blue eyes are half-lidded, lips parted on a held breath, one heel lifted off the concrete for balance. Five men surround them: nearest the lens at lower left, a dark-skinned man with a heavy gold chain over his bare chest and grey sweatpants, his forearm barred across the blue-haired woman's thighs and his other palm flat on her hip; behind him a second man's hand closes around her forearm and pulls it back; at the top of the frame a third man's fingers are spread over the crown of the silver-haired woman's head, her bun pressed against his palm; a fourth man's arm comes over her shoulder to grip the blue-haired woman's neck, thumb along the jaw; a fifth man is behind them both, chest against the silver-haired woman's spine, one hand splayed flat on her back, the fabric of her top creased under his fingers. Every contact point compresses something — the turtleneck's knit bunches at the collar, the skirt wrinkles where the hip is gripped, the leggings pull taut over the thigh under the barred forearm, a heel skids a centimetre on the concrete dust. Light comes from two places only: the cold blue spill of the city through the curtain wall, which rims every shoulder and the two women's hair in a thin bright edge and lays long faint window-mullion stripes across the concrete floor, and a single caged work lamp on the floor at frame right throwing warm amber up into the underside of the men's jaws and the two women's faces. Where the lamp does not reach, the corner of the room is genuinely dark. Palette is restricted to cold blue night, warm amber lamp, white knit, deep navy skirt, brown leggings and the gold link of the chain catching the lamp as the only saturated note; the glass reads as a mirror-black surface with the faint ghost of the room reflected in it, dimmer than the real thing. Tense, airless.
らり
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character: yukino_mifuyu_(puuzaki_puuna), yukino_(blue_archive) 1girl, solo focus, 5boys, multiple boys, m_crowd, crowd of boys around one girl, group of five men pressed tightly against her, grabbing her head, grabbing her neck, grabbing her arms, grabbing her back, grabbing her legs, clinging to her, tight press, two blue-haired women, long blue hair, bangs, hair between eyes, ponytail, blue eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, silver hair, hair bun, huge breasts, dark-skinned male, dark skin, gold chain, grey sweatpants, floor-to-ceiling curtain wall windows, high floor, night city view, night, from side, cowboy shot, dutch angle, low-key lighting, blue night ambient light, warm interior lamp, cramped composition, bodies filling frame, hands on head, hands on neck, hands on arm, hands on back, hands on thigh, half-closed eyes, parted lips, overwhelmed, breath on skin, intimate menace, The shot is a slightly tilted cowboy shot from the side, inside a bare high-floor construction room whose whole far wall is a grid of floor-to-ceiling curtain wall glass, the night city spread beyond it as a dense field of tiny lit windows far below and a low horizon of aircraft warning lights, the room itself unfinished — exposed concrete floor, aluminium mullion frames, a coil of cable and a stack of panel crates pushed to the left edge. In the centre of the frame two women stand back to back, hemmed in by five men who press in so close their shoulders overlap and their bodies blot out most of the glass behind them; the two women are the only figures in sharp focus, the men rendered as a tight continuous mass of shoulders, arms and chests crowding the foreground and the edges of the frame. The woman facing camera-left stands in a white turtleneck whose collar sits high on her throat, a tight dark blue short skirt, dark brown leggings and black heels; her long blue hair is gathered in a ponytail with bangs and strands falling between her eyes, and her blue eyes are wide and fixed on nothing in the room, chin lifted as a man's hand cups the back of her head and tilts it. The woman facing camera-right is the taller, fuller figure, silver hair pinned up in a bun with loose strands between her eyes, huge breasts straining the front of a dark garment as she twists her torso; her blue eyes are half-lidded, lips parted on a held breath, one heel lifted off the concrete for balance. Five men surround them: nearest the lens at lower left, a dark-skinned man with a heavy gold chain over his bare chest and grey sweatpants, his forearm barred across the blue-haired woman's thighs and his other palm flat on her hip; behind him a second man's hand closes around her forearm and pulls it back; at the top of the frame a third man's fingers are spread over the crown of the silver-haired woman's head, her bun pressed against his palm; a fourth man's arm comes over her shoulder to grip the blue-haired woman's neck, thumb along the jaw; a fifth man is behind them both, chest against the silver-haired woman's spine, one hand splayed flat on her back, the fabric of her top creased under his fingers. Every contact point compresses something — the turtleneck's knit bunches at the collar, the skirt wrinkles where the hip is gripped, the leggings pull taut over the thigh under the barred forearm, a heel skids a centimetre on the concrete dust. Light comes from two places only: the cold blue spill of the city through the curtain wall, which rims every shoulder and the two women's hair in a thin bright edge and lays long faint window-mullion stripes across the concrete floor, and a single caged work lamp on the floor at frame right throwing warm amber up into the underside of the men's jaws and the two women's faces. Where the lamp does not reach, the corner of the room is genuinely dark. Palette is restricted to cold blue night, warm amber lamp, white knit, deep navy skirt, brown leggings and the gold link of the chain catching the lamp as the only saturated note; the glass reads as a mirror-black surface with the faint ghost of the room reflected in it, dimmer than the real thing. Tense, airless.
らり

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