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Joshua Froat

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Joshua Froat

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1girl, solo, full body, very pale skin, short woman, 4 feet tall, enormous breasts, wide hips, thick thighs, black hair, short hair, hair bun, bangs covering face, heavy-lidded eyes, blue eyes, plump lips, black lips, blue eyeshadow, white button-up shirt, straining buttons, buttons almost breaking, blue blazer, blue pencil skirt, blue high heels, walking, annoyed, frown, furrowed brow, from below, dutch angle, looking to the side, office interior, glass partition walls, cubicle desks, fluorescent lighting, cool blue palette, low angle three-quarter view tracking her as she strides left to right through a modern open-plan office, four-foot frame dwarfed by chest-high cubicle partitions and the long row of glass partitions receding behind her, body pitched forward mid-step with her right heel striking the carpet and her left heel lifted, weight carried on the right hip, one hand clamped on the blazer lapel holding it shut while the other swings back, the white shirt's front buttons strained apart in a taut gap across the fullest part of her chest, the blue blazer pulled open at the centre, the pencil skirt tight from hip to knee with a short walking vent splitting at the back hem, bangs hanging into her eyes, heavy lids lowered, black lips pressed flat and down at one corner, a tight vertical crease between her brows, her sideways glance cutting toward a colleague's empty chair out of frame, fluorescent panels overhead striking the crown of her bun and the hard sheen of her blazer shoulders, cool shadows gathered under the desks and behind the glass partitions, every surface reading cool blue and grey, one detail fixed in place: the carpet compressed in a shallow oval under the planted right heel while the lifted left shoe casts its own small shadow, tired and irritated
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Original Prompt
a very pale short (4 foot tall) woman, with enormous massive breasts,Wide hips, thick thighs,black hair cut in a bun with bangs in her face, heavy lided Blue eyes, plump black lips,blue eye shadow, wearing A button up shirt that the buttons are almost breaking, a blue blazer, a blue pencil skirt,blue high heels, walking through an office looking annoyed
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of Joshua Froat
1girl, solo, very pale skin, short woman, 4 feet tall, enormous breasts, massive breasts, wide hips, thick thighs, black hair, hair bun, bangs in face, heavy-lidded eyes, blue eyes, plump lips, black lips, blue eyeshadow, white button-up shirt, straining shirt, buttons about to break, blue blazer, blue pencil skirt, blue high heels, walking, from side, profile, annoyed, angry, furrowed brow, frown, office interior, closed office interior, full body, dutch angle, looking to the side, past the camera, A full-body three-quarter view from slightly below and off to her left, the camera tilted a few degrees into a dutch angle so the office floor runs diagonally under her. She is seen from the side, striding left to right across the corridor, caught mid-step: her right heel planted and bearing her weight, left knee driving forward with the blue high heel lifted off the carpet, hips swinging forward as she goes. Her back is straight and her chin is up, and her head is turned only slightly toward the camera, her heavy-lidded blue eyes sliding sideways under lowered lids in a flat, fed-up stare aimed past the lens; dark brows drawn together, her plump black lips pressed into a muted scowl with one corner pulling down. Her enormous chest rides high and forward, the white button-up shirt stretched drum-tight across it, the placket pulling into diagonal creases and the buttons straining so hard that the fabric gapes around each one and the seam spreads; the blue blazer is worn open and pushed back off her shoulders so it hangs behind her, sleeves shoved to the wrists, hanging looser the further it gets from her body. The blue pencil skirt is tight across wide hips and thick thighs, the fabric pulled taut and creasing at the crotch with each stride, and the short skirt hem is lifted by her stepping leg. Her black hair is pulled back into a tight bun at the crown, bangs cut blunt and messy and hanging down over her brow and partly into her face, and short strands stuck to her forehead and neck on the side she is walking away from. The office around her is a mid-sized, open interior: a grey carpeted floor, pale taupe partition walls on the left, a row of glass-walled offices receding on the right, a low desk edge and a tilted monitor blurred in the near foreground on the right, and a few blurred figures in the deep background hunched at their desks. The light is cold overhead fluorescent, the source a ceiling bank above and slightly behind her, so hard highlights run along her crown, her collarbones and the stretched shirt front while her jaw, the undersides of her breasts and the backs of her thighs fall into soft shadow, and her shadow is thrown forward and to the left on the carpet, elongated and skewed by the dutch tilt. Her stack of papers and a lanyard are gone, her hands are empty; her left hand is half-clenched at her side, her right is mid-swing back behind her hip. Palette: cool grey, pale taupe, white, and blue on blue on blue, with black hair and black lips as the only dark accents. Late office afternoon, cold interior, irritated and stylish.
Joshua Froat
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Avatar image of Joshua Froat
1girl, solo, very pale skin, short stature, 4 feet tall, enormous breasts, massive breasts, wide hips, thick thighs, black hair, hair bun, bangs in face, heavy-lidded eyes, blue eyes, blue eyeshadow, plump lips, black lips, white button-up shirt, straining buttons, buttons almost breaking, blue blazer, blue pencil skirt, blue high heels, walking, annoyed expression, frown, furrowed brow, from side, profile, mid-stride, full body, looking to the side, office interior, glass partition wall A short 4-foot-tall woman is caught in profile, mid-stride, moving left to right across a modern office corridor. Her weight is on her front foot, the blue high heel planted flat on the pale grey carpet tile, while her back leg trails with the knee still bent and the heel lifted clear of the floor; the blue pencil skirt is pulled taut across her wide hips and thick thighs by the stride, the back vent splitting just enough to free the trailing leg. Her shirt is a white button-up strained past its limit — the button placket bowed outward over her enormous chest, the fabric webbing between each button and the seams whitening with tension, the top button sitting visibly open at the collarbone — and the blue blazer is pushed back on her shoulders, unfastened, its lapels hanging open and away from the shirt in two clean vertical edges. Her black hair is gathered into a tight bun at the back of her skull, and her bangs fall straight down over her brow in a blunt curtain that clips the top of her eyes. Her heavy-lidded blue eyes are half-lowered under the bangs, lids slack with fatigue, irises turned away to the left toward a row of desks rather than toward the viewer, and her plump black lips are pressed into a flat downward line with the lower lip pushed out slightly; a small crease sits between her brows. Her left hand grips a slim document folder against her hip, thumb pressed on the top edge; her right hand hangs at her side with the fingers loosely curled, swinging back with the stride. Behind and around her, pale grey carpet tiles with a faint grid seam run to a glass partition wall on the right, which carries the softened, darker reflections of her shoulders, her bun and the trailing blazer hem — reflections duller and cooler than the woman herself. A bank of white desk edges and monitor backs sits in the middle distance on the left, out of focus, and the ceiling's recessed strip lights run in a receding row toward a vanishing point that pulls the corridor narrow behind her. The lighting is flat, cool white overhead office light from above and slightly in front, catching the shine of her black lips and the blue eyeshadow, laying a soft shadow under her jaw and under the strained shirt shelf, and dropping shadow behind her heels onto the carpet. The palette is held to cool whites, pale greys, the black of hair and lips, and one blue that repeats in shadow, blazer, skirt and heels. A midday-office sterility; quietly irritable.
Joshua Froat

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