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AI art "フェリシア" featuring #Kemonomimi, #Cat ears, #Felicia, #Darkstalkers and #Cat girl

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フェリシア

菲莉西亞フェリシア Felicia

#Kemonomimi #Cat ears #Felicia #Darkstalkers #Cat girl

Published on Oct 26, 2026

吳明士

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character: felicia_(darkstalkers), copyright: darkstalkers 1girl, solo, felicia \(darkstalkers\), cat girl, animal ears, cat ears, blue hair, very long hair, big hair, voluminous hair, blue eyes, slit pupils, fangs, smile, happy, seductive expression, looking at viewer, facing viewer, large breasts, thick thighs, thighs, toned, navel, white fur, animal hands, paws, claws, cat tail, tail, sexy pose, ((retro artstyle)), ((1980s \(style\))), cowboy shot, dutch angle, oiled skin, dynamic motion, ((moonlight, full moon, forest, graveyard, night sky, moon, bigger moon, tombstone, dead trees, starry night sky, fog, candles)), seductive smile, half-closed eyes, parted lips, blush, dutch angle, A Dutch-tilted cowboy shot, canted hard to the left so the horizon of the night sky slants across the frame and every tombstone leans with it, frames one cat-eared woman alone in a flooded graveyard. She faces the lens squarely, chin tipped down a fraction so she looks up at the viewer from under a heavy brow, blue slit pupils catching two small moonshine glints, a wide happy smile parted to show her fangs. Her big voluminous blue hair, very long, spills in heavy masses past her waist, one thick clump lifted and dragged sideways by the same wind that turns the fog — the strands lag behind her head, marking the motion. She stands in a slinking contrapposto, weight loaded onto her right leg, left hip pushed out and left knee turned in, right hand resting flat on the tilted slab of a cracked tombstone beside her with the white-furred paw spread and the claw tips curled just over the stone's edge, left hand raised at her cheek, palm half-open with claws lightly splayed — a beckoning, teasing gesture. Her white fur runs in soft tufts at the ears, at the wrists and along the tail, which lifts behind her right hip and curls at the tip, silhouetted against the moon. Bare midriff with the navel a small shadowed hollow, oiled skin along her shoulders, chest, abdomen and thighs so the moonlight breaks into a hard specular streak down her left side and a cooler sheen over the right; the sheen pools brightest where the body turns, and the fur stays matte and soft, swallowing the light her skin throws back. The moon is enormous, low and slightly right of centre, half-veiled by a torn band of fog that reddens its limb, and it is the only real light: it rims her ears, shoulders and the outer curve of her tail in cold silver, casts a long hard shadow of her legs and the tombstone away to the lower left, and leaves the far treeline of dead branchless trunks as flat black cut-outs against the star-packed sky. Candles burn in a loose cluster at the bases of two leaning tombstones in the midground, their small warm orange pools bending the fog a few centimetres above the flames and throwing a faint amber kiss onto the underside of her left arm. Fog lies ankle-deep, thicker between the stones, and where the wind combs through it the candles' light shows the drift direction. Palette is held to moonlit silver-blue, black, the cold white of her fur, her saturated blue hair as the single warm-cool anchor, and the small ember orange of the candles. Late-20th-century hand-drawn cel animation: crisp ink linework with visible weight variation, flat cel fills with one hard shadow tone and one highlight tone, muted vintage colour palette, soft analog grain across the whole frame — confident, moonlit and teasing.

フェリシア

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