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AI artwork featuring #Fate series and #Fate/Grand Order
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Fate series, Fate/Grand Order

#Fate series#Fate/Grand Order
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A digital anime illustration of the ancient, rune-carved stone slab from image1, now viewed straight on from the front. The dark, textured rock surface is densely covered in horizontal rows of etched, mysterious symbols and hieroglyphs. A burning wooden torch is positioned on the right side of the image, its bright, flickering orange flames casting a warm, dramatic glow across the carvings and illuminating the shadowy cave environment. The style is changed to a detailed digital anime illustration with vibrant lighting and cel-shaded elements.
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Original Prompt
@image1 횃불 오른쪽, 정면으로, 그림체 바꾸기
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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(masterpiece best quality 1.2) ultra-detailed mysterious deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1entity solo The Wandering Obelisk a god that is a pillar that learned to walk the body is not humanoid the body is a MONOLITH — a towering black stone pillar sixty feet tall and four feet wide the surface is absolute black — black granite polished to mirror-smooth the black is so deep that the surface drinks light and returns nothing but the faintest ghost of the world reflected in its face the obelisk has no front or back the obelisk has no face the obelisk does not need a face because the obelisk does not communicate the obelisk does not persuade the obelisk does not negotiate the obelisk WALKS the walking is the communication and the communication is the walking the obelisk moves by tilting — leaning forward imperceptibly and letting gravity pull the impossible weight and catching itself with the next step the steps are earthquakes each footfall of the obelisk shatters the ground for fifty feet in every direction the obelisk walks and the walking destroys the ground and the destruction is the obelisk's only verb the surface of the obelisk is covered in WHITE INSCRIPTIONS — carved glyphs running in vertical columns from base to apex the inscriptions are not language the inscriptions are not writing the inscriptions are TEXTURE the inscriptions are the surface pattern of divinity carved into stone the white glyphs glow faintly — the only light the obelisk produces a dim white luminescence from the carved text that traces the obelisk's body like veins of milk in obsidian the inscriptions change — the glyphs rearrange when the obelisk moves the text is not static the text is ALIVE the text crawls and shifts and recombines in patterns that do not repeat the text is the obelisk's thoughts and the thoughts are inscrutable because the obelisk does not think in any language that has ever been spoken the text is the god's internal monologue rendered as surface decoration and the monologue is incomprehensible and the incomprehensibility is the mystery the top of the obelisk is crowned with a single RED GEMSTONE — a ruby the size of a human skull embedded at the apex the ruby is the only color the obelisk permits and the red is the obelisk's EYE the ruby sees the ruby watches the ruby has been watching since before the stone was carved the ruby is older than the obelisk the ruby was there first and the stone grew around it the red glow of the ruby casts a faint crimson halo at the pinnacle of the black column the red light does not illuminate the red light OBSERVES the red is the color of being watched the red is the color of attention and attention is the obelisk's only gift the obelisk walks and watches and the watching is the red and the walking is the black and the inscription is the white and the three together are the god and the god walks environment shown as a cracked wasteland — the ground behind the obelisk is a trail of shattered earth the obelisk has walked a thousand miles and every mile is a scar in the ground the path of the obelisk is visible stretching to the horizon behind it a line of destruction a mile wide the obelisk has been walking since before the ground existed the obelisk walked the ground into existence by breaking it rim light along absolute-black monolith surface catching mirror-smooth stone drinking light rim light catching white inscription-glyphs glowing faintly in vertical columns rim light catching red ruby crown-stone at apex with crimson observation-halo rim light catching shattered earthquake trail behind the obelisk stretching to horizon shadow obelisk shadow with cracked wasteland trail of destruction chiaroscuro mysterious divine lighting with white-glyph inscription-glow ambient and red ruby observation-halo at apex against absolute-black monolith surface highly detailed 8K cinematic composition detailed Wandering Obelisk walking monolith deity texture
grim
#All About Twintails
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(masterpiece:1.2), (high-end anime:1.3), (clean lineart:1.3), (cel-shading:1.2), (soft shading:1.1), (smooth skin:1.2), (natural highlights:1.1), (subsurface scattering:1.2), (rim lighting:1.2), (balanced lighting:1.1), (vibrant colors), (high contrast), (bloom:1.1), Masterpiece, best quality, highly detailed anime illustration of a dark medieval dungeon interior. Rough ancient stone walls covered in cracks and moss, tall stone pillars, uneven stone floor with scattered debris and dust. In the center of the dungeon a large magical portal is opening. The portal is a swirling circular vortex of intense purple and cyan energy, crackling with arcs of magical lightning, glowing runes floating around its edges, the space inside the portal shows distorted otherworldly light. Strong volumetric lighting coming from the portal illuminating the surrounding stone, dramatic atmosphere, particles of energy floating in the air, depth of field, sharp focus on the portal, no characters, only the dungeon and the opening portal.
Vegeta Il principe

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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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음안
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4#Attack on Titan#Mikasa Ackerman
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