Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #Pokémon, #Jessie, #Pokémon (Anime), #Serena, #Pokémon the Series: XY, #Pokémon (Original Series) and #Team Rocket Grunt
Generate for Free

Jessie, Serena

#Pokémon#Jessie#Pokémon (Anime)#Serena#Pokémon the Series: XY#Pokémon (Original Series)#Team Rocket Grunt
t

Thnhdox

More to See

Comments

character: jessie_(pokemon), serena_(pokemon) 2girls, serena_(pokemon), jessie_(pokemon), long hair, brown hair, blonde hair, very long hair, low-tied long hair, blue eyes, eyelashes, team rocket uniform, black skirt uniform, red R on chest, flat cap, black thighhighs, black gloves, sleeveless, sitting, sitting on chair, serious, thoughtful, furrowed brow, jitome, looking down, looking at map, map on table, mission plan, paper map, table, desk, jessie, red hair, hair slicked back, very long hair, blue eyes, eyelashes, earrings, standing behind, from behind, leaning forward, tiptoes, sneak, sneaking, holding cloth, white cloth, anesthetic soaked cloth, glowing eyes, excited, wide-eyed, open mouth, grin, looking down at another, unaware, close-up, cowboy shot, over-shoulder composition, indoor, dim room, team rocket headquarters, dark green concrete walls, monitors, single overhead lamp, dutch angle, from above A close, dutch-tilted over-shoulder shot taken from above and slightly behind Serena's right shoulder, so that we look down past the back of her head across the table toward the map and Jessie looms in the upper left of the frame. Serena sits squarely in a black swivel chair, hips deep in the seat, both forearms resting on the edge of the steel table, her weight forward on her elbows, one hand flat on the paper map and the other holding a pen still between two fingers. Her long blonde-brown hair is tied low at the nape and falls over the back of the chair, her bangs part around a face set hard in thought: brow drawn down, eyes narrowed and fixed on the map beneath her hand, lips pressed into a thin flat line, a faint crease between her brows. She wears the Team Rocket skirt uniform -- black sleeveless top with the red R emblem on the chest, a short black skirt, black thighhighs, a flat cap pushed back on her head -- and she does not look up, does not flinch, her whole attention on the marked route on the paper. On the map itself, an operation layout: a wide printed diagram with numbered waypoints, a red-circled objective and a pencilled route line that runs from the center to the upper edge, corners curling where the paper overhangs the table edge. Behind her, Jessie is caught mid-creep: torso leaned far over Serena's shoulder, knees bent, one boot lifted and just touching down on the floor tile, both hands drawn in close, and in her right hand a folded white cloth soaked through with anesthetic, visibly damp, its corner pinched between two black-gloved fingers and held hovering inches from Serena's collar. Jessie's red hair is slicked back and hangs in a long heavy fall down her back; her earrings catch the light; her eyes are wide and lit with a hot glow, pupils bright, an open-mouthed excited grin splitting her face, tongue tip visible, one brow cocked up. Her gaze is locked dead on the nape of Serena's neck, and Serena gives no sign of knowing anyone is behind her. The light comes from a single overhead lamp with a green metal shade, hanging low over the table: it pools hard white-yellow on the map, on Serena's forearms and the crown of her cap, and on the damp sheen of the cloth in Jessie's hand; Jessie's face is lit from below by that same pool so its glow reads strongest in her eyes, while the concrete room around them drops into absolute darkness beyond the chair and the table -- the lamp is the only light source. The room's fixtures stay legible at the pool's rim: a bank of dark monitors and a rack of gray filing cabinets against the far wall, their surfaces catching only a thin edge of lamplight. Palette is governed by the black of two Rocket uniforms and the green-gray concrete, punctured by the red of the R emblems, of Jessie's hair and of the circled objective on the map, and by the white of the cloth. One physical detail carries the scene: the wet cloth is darker where it is soaked and a single drop has fallen to the tabletop, sitting in a small ring beside Serena's elbow. Close, cramped, quietly sinister.
Show Parameters
Original Prompt
serena (pokemon), cô đang mặc bộ đồ váy của team rocket Cô đang ở trong trụ sở của team rocket và đang ngồi trên ghế xem 1 bản đồ hoạt động cho nhiệm vụ tiếp theo ở trên bàn Biểu cảm cô đang suy nghĩ, mặt nghiêm túc Đứng đằng sau lưng cô là jessie đang lén lút, cô ấy cầm 1 chiếc khăn tẩm thuốc mê trên tay với ánh mắt phát sáng, biểu cảm phấn khích Serena không nhận ra sự hiện diện của jessie Góc quay tầm gần thấy rõ các chủ thể
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.44k

Similar Images

Show more
AI artwork
t
character: jessie_(pokemon), serena_(pokemon) 2girls, serena_(pokemon), jessie_(pokemon), long hair, brown hair, blonde hair, very long hair, low-tied long hair, blue eyes, eyelashes, team rocket uniform, black skirt uniform, red R on chest, flat cap, black thighhighs, black gloves, sleeveless, sitting, sitting on chair, serious, thoughtful, furrowed brow, jitome, looking down, looking at map, map on table, mission plan, paper map, table, desk, jessie, red hair, hair slicked back, very long hair, blue eyes, eyelashes, earrings, standing behind, from behind, leaning forward, tiptoes, sneak, sneaking, holding cloth, white cloth, anesthetic soaked cloth, glowing eyes, excited, wide-eyed, open mouth, grin, looking down at another, unaware, close-up, cowboy shot, over-shoulder composition, indoor, dim room, team rocket headquarters, dark green concrete walls, monitors, single overhead lamp, dutch angle, from above A close, dutch-tilted over-shoulder shot taken from above and slightly behind Serena's right shoulder, so that we look down past the back of her head across the table toward the map and Jessie looms in the upper left of the frame. Serena sits squarely in a black swivel chair, hips deep in the seat, both forearms resting on the edge of the steel table, her weight forward on her elbows, one hand flat on the paper map and the other holding a pen still between two fingers. Her long blonde-brown hair is tied low at the nape and falls over the back of the chair, her bangs part around a face set hard in thought: brow drawn down, eyes narrowed and fixed on the map beneath her hand, lips pressed into a thin flat line, a faint crease between her brows. She wears the Team Rocket skirt uniform -- black sleeveless top with the red R emblem on the chest, a short black skirt, black thighhighs, a flat cap pushed back on her head -- and she does not look up, does not flinch, her whole attention on the marked route on the paper. On the map itself, an operation layout: a wide printed diagram with numbered waypoints, a red-circled objective and a pencilled route line that runs from the center to the upper edge, corners curling where the paper overhangs the table edge. Behind her, Jessie is caught mid-creep: torso leaned far over Serena's shoulder, knees bent, one boot lifted and just touching down on the floor tile, both hands drawn in close, and in her right hand a folded white cloth soaked through with anesthetic, visibly damp, its corner pinched between two black-gloved fingers and held hovering inches from Serena's collar. Jessie's red hair is slicked back and hangs in a long heavy fall down her back; her earrings catch the light; her eyes are wide and lit with a hot glow, pupils bright, an open-mouthed excited grin splitting her face, tongue tip visible, one brow cocked up. Her gaze is locked dead on the nape of Serena's neck, and Serena gives no sign of knowing anyone is behind her. The light comes from a single overhead lamp with a green metal shade, hanging low over the table: it pools hard white-yellow on the map, on Serena's forearms and the crown of her cap, and on the damp sheen of the cloth in Jessie's hand; Jessie's face is lit from below by that same pool so its glow reads strongest in her eyes, while the concrete room around them drops into absolute darkness beyond the chair and the table -- the lamp is the only light source. The room's fixtures stay legible at the pool's rim: a bank of dark monitors and a rack of gray filing cabinets against the far wall, their surfaces catching only a thin edge of lamplight. Palette is governed by the black of two Rocket uniforms and the green-gray concrete, punctured by the red of the R emblems, of Jessie's hair and of the circled objective on the map, and by the white of the cloth. One physical detail carries the scene: the wet cloth is darker where it is soaked and a single drop has fallen to the tabletop, sitting in a small ring beside Serena's elbow. Close, cramped, quietly sinister.
Thnhdox
AI artwork
t
character: jessie_(pokemon), serena_(pokemon) 2girls, serena_(pokemon), jessie_(pokemon), long hair, brown hair, blonde hair, very long hair, low-tied long hair, blue eyes, eyelashes, team rocket uniform, black skirt uniform, red R on chest, flat cap, black thighhighs, black gloves, sleeveless, sitting, sitting on chair, serious, thoughtful, furrowed brow, jitome, looking down, looking at map, map on table, mission plan, paper map, table, desk, jessie, red hair, hair slicked back, very long hair, blue eyes, eyelashes, earrings, standing behind, from behind, leaning forward, tiptoes, sneak, sneaking, holding cloth, white cloth, anesthetic soaked cloth, glowing eyes, excited, wide-eyed, open mouth, grin, looking down at another, unaware, close-up, cowboy shot, over-shoulder composition, indoor, dim room, team rocket headquarters, dark green concrete walls, monitors, single overhead lamp, dutch angle, from above A close, dutch-tilted over-shoulder shot taken from above and slightly behind Serena's right shoulder, so that we look down past the back of her head across the table toward the map and Jessie looms in the upper left of the frame. Serena sits squarely in a black swivel chair, hips deep in the seat, both forearms resting on the edge of the steel table, her weight forward on her elbows, one hand flat on the paper map and the other holding a pen still between two fingers. Her long blonde-brown hair is tied low at the nape and falls over the back of the chair, her bangs part around a face set hard in thought: brow drawn down, eyes narrowed and fixed on the map beneath her hand, lips pressed into a thin flat line, a faint crease between her brows. She wears the Team Rocket skirt uniform -- black sleeveless top with the red R emblem on the chest, a short black skirt, black thighhighs, a flat cap pushed back on her head -- and she does not look up, does not flinch, her whole attention on the marked route on the paper. On the map itself, an operation layout: a wide printed diagram with numbered waypoints, a red-circled objective and a pencilled route line that runs from the center to the upper edge, corners curling where the paper overhangs the table edge. Behind her, Jessie is caught mid-creep: torso leaned far over Serena's shoulder, knees bent, one boot lifted and just touching down on the floor tile, both hands drawn in close, and in her right hand a folded white cloth soaked through with anesthetic, visibly damp, its corner pinched between two black-gloved fingers and held hovering inches from Serena's collar. Jessie's red hair is slicked back and hangs in a long heavy fall down her back; her earrings catch the light; her eyes are wide and lit with a hot glow, pupils bright, an open-mouthed excited grin splitting her face, tongue tip visible, one brow cocked up. Her gaze is locked dead on the nape of Serena's neck, and Serena gives no sign of knowing anyone is behind her. The light comes from a single overhead lamp with a green metal shade, hanging low over the table: it pools hard white-yellow on the map, on Serena's forearms and the crown of her cap, and on the damp sheen of the cloth in Jessie's hand; Jessie's face is lit from below by that same pool so its glow reads strongest in her eyes, while the concrete room around them drops into absolute darkness beyond the chair and the table -- the lamp is the only light source. The room's fixtures stay legible at the pool's rim: a bank of dark monitors and a rack of gray filing cabinets against the far wall, their surfaces catching only a thin edge of lamplight. Palette is governed by the black of two Rocket uniforms and the green-gray concrete, punctured by the red of the R emblems, of Jessie's hair and of the circled objective on the map, and by the white of the cloth. One physical detail carries the scene: the wet cloth is darker where it is soaked and a single drop has fallen to the tabletop, sitting in a small ring beside Serena's elbow. Close, cramped, quietly sinister.
Thnhdox
#Pokémon#Jessie#Pokémon (Anime)
AI artwork
t
character: jessie_(pokemon), serena_(pokemon) 2girls, serena_(pokemon), jessie_(pokemon), long hair, brown hair, blonde hair, very long hair, low-tied long hair, blue eyes, eyelashes, team rocket uniform, black skirt uniform, red R on chest, flat cap, black thighhighs, black gloves, sleeveless, sitting, sitting on chair, serious, thoughtful, furrowed brow, jitome, looking down, looking at map, map on table, mission plan, paper map, table, desk, jessie, red hair, hair slicked back, very long hair, blue eyes, eyelashes, earrings, standing behind, from behind, leaning forward, tiptoes, sneak, sneaking, holding cloth, white cloth, anesthetic soaked cloth, glowing eyes, excited, wide-eyed, open mouth, grin, looking down at another, unaware, close-up, cowboy shot, over-shoulder composition, indoor, dim room, team rocket headquarters, dark green concrete walls, monitors, single overhead lamp, dutch angle, from above A close, dutch-tilted over-shoulder shot taken from above and slightly behind Serena's right shoulder, so that we look down past the back of her head across the table toward the map and Jessie looms in the upper left of the frame. Serena sits squarely in a black swivel chair, hips deep in the seat, both forearms resting on the edge of the steel table, her weight forward on her elbows, one hand flat on the paper map and the other holding a pen still between two fingers. Her long blonde-brown hair is tied low at the nape and falls over the back of the chair, her bangs part around a face set hard in thought: brow drawn down, eyes narrowed and fixed on the map beneath her hand, lips pressed into a thin flat line, a faint crease between her brows. She wears the Team Rocket skirt uniform -- black sleeveless top with the red R emblem on the chest, a short black skirt, black thighhighs, a flat cap pushed back on her head -- and she does not look up, does not flinch, her whole attention on the marked route on the paper. On the map itself, an operation layout: a wide printed diagram with numbered waypoints, a red-circled objective and a pencilled route line that runs from the center to the upper edge, corners curling where the paper overhangs the table edge. Behind her, Jessie is caught mid-creep: torso leaned far over Serena's shoulder, knees bent, one boot lifted and just touching down on the floor tile, both hands drawn in close, and in her right hand a folded white cloth soaked through with anesthetic, visibly damp, its corner pinched between two black-gloved fingers and held hovering inches from Serena's collar. Jessie's red hair is slicked back and hangs in a long heavy fall down her back; her earrings catch the light; her eyes are wide and lit with a hot glow, pupils bright, an open-mouthed excited grin splitting her face, tongue tip visible, one brow cocked up. Her gaze is locked dead on the nape of Serena's neck, and Serena gives no sign of knowing anyone is behind her. The light comes from a single overhead lamp with a green metal shade, hanging low over the table: it pools hard white-yellow on the map, on Serena's forearms and the crown of her cap, and on the damp sheen of the cloth in Jessie's hand; Jessie's face is lit from below by that same pool so its glow reads strongest in her eyes, while the concrete room around them drops into absolute darkness beyond the chair and the table -- the lamp is the only light source. The room's fixtures stay legible at the pool's rim: a bank of dark monitors and a rack of gray filing cabinets against the far wall, their surfaces catching only a thin edge of lamplight. Palette is governed by the black of two Rocket uniforms and the green-gray concrete, punctured by the red of the R emblems, of Jessie's hair and of the circled objective on the map, and by the white of the cloth. One physical detail carries the scene: the wet cloth is darker where it is soaked and a single drop has fallen to the tabletop, sitting in a small ring beside Serena's elbow. Close, cramped, quietly sinister.
Thnhdox
AI artwork
d2
character: jessie_(pokemon), serena_(pokemon) 2girls, serena_(pokemon), jessie_(pokemon), long hair, brown hair, very long hair, low-tied long hair, blue eyes, eyelashes, black team rocket grunt dress, short black dress with large red R on the chest, black flat cap, black gloves, black thighhighs, serious expression, jitome, half-closed eyes, sideways glance, looking at another, stepping out the door, walking, cowboy shot, close-up, from side, dutch angle, jessie_(pokemon), red hair, very long hair, hair slicked back, blue eyes, terrified, comical fear, sweatdrop, wide-eyed, gritted teeth, back pressed against the door, leaning back, arms splayed flat on the door, looking at serena, team rocket secret base, dark room, metal hallway, concrete walls, gloomy atmosphere, cinematic lighting, screentone shading, heavy shadows The camera sits low and off-axis in a Dutch tilt, close on both women and cropped tight at Serena's thigh and Jessie's waist. In the left foreground Serena fills the near half of the frame from the side, caught mid-stride through an open steel doorway: her right foot is planted on the threshold, her left leg swung forward past it into the corridor, her shoulders and hips already rotated toward the hall so that the short black dress swings with the step. Her chin is turned over her right shoulder and her eyes slide back along that line in a slit-eyed sideways glance, half her face lit and half in shadow, brows level and mouth set flat and unamused. Her gloved left hand rests flat against the doorjamb and pushes it open; her right arm hangs at her side, fingers loose. The black flat cap sits squarely on her low-tied brown hair, the twisted tail of it lifting off her shoulders from the motion of the walk. The large red R on the chest faces the corridor and is half swallowed by shadow. Beyond the door on the right, Jessie is pressed flat against the outside face of the same door, her back and shoulder blades flat to the cold metal, both gloved palms splayed wide against it, knees slightly bent, hips sunk low as if she is trying to make herself thinner. Her red hair is slicked back and one long strand has come loose to hang across her sweating cheek; her eyes are wide and round, pupils shrunk to pinpoints, teeth bared and gritted in a strained grimace, one brow shot high, a fat sweatdrop sliding down her temple, her whole face a study in ridiculous, exaggerated panic. Her gaze is locked on Serena, the only thing she is looking at, and Serena's glance answers it side-on without a turn of the head. The corridor runs away behind Jessie as a narrow tube of riveted steel panels and bare pipework with a grimy red R stencilled on a far wall, the ceiling lamps receding into dark. Light comes exclusively from one caged bulb above and behind Jessie; it rims the top of her hair and the ridges of the door, throws her long shadow up the opposite wall, and leaves Serena's advancing half of the frame in deep, cool shadow, her face picked out only by the falling edge of that same light. Palette is restricted to gunmetal grey-green, near-black shadow, the flat crimson of the R and Jessie's hair, and the pale skin tones, with screentone hatching deepening every corner of the room and hallway. A single steel bolt on the doorframe catches the bulb as a hard pinpoint of light while the rest of the metal swallows it. Heavy, tense, darkly comic.
Dicavec2
#Pokémon#Jessie#Team Rocket Grunt

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
10#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile