Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate for Free

らり

Avatar image of らり

らり

More to See

Comments

character: yukino_mifuyu_(puuzaki_puuna) 1girl, solo female, yukino_mifuyu, blue eyes, silver hair, hair between eyes, hair bun, long hair, sidelocks, ahoge, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, shiny dark blue latex pencil skirt, tight micromini skirt, dark brown leggings, black heels, on all fours, butt out, swollen belly, distended abdomen, crying, tears, wailing, open mouth, trembling, at her limit, enema liquid spraying out, powerful spray, liquid everywhere, wet floor, liquid on glass, empty oversized glass enema syringe on floor, (Faceless, muscular, dark-skinned man:1.0), dark skin, faceless male, gold chain, grey sweatpants, naughty eyes, seductive smile, grinning face, multiple boys, m_crowd, male crowd surrounding her, looking down at her, all around her, from front, top-down, bottom-up, high angle, low angle, dutch angle, floor-to-ceiling glass curtain wall, under construction, concrete floor, high-rise, night view, city lights below, dark room, harsh ceiling worklights, blue night glow, sweat, heavy_breathing, blush, motion_lines, crying_with_eyes_open, tense, humiliating, cramped Seen from the front and slightly above, the silver-haired woman is down on all fours on a bare concrete construction floor, her spine low, her hips hoisted high into the butt-out pose the shot demands, her weight carried on both forearms and her shaking knees so the swell of her abdomen hangs clear of the floor. The glossy dark blue latex micromini pencil skirt stays fully on her hips, stretched tight over the raised rear and concealing the buttocks completely, its wet sheen catching the lamp; below it dark brown leggings run down to black heels braced wide for balance, heels clicking and slipping on the wet concrete. The white sleeveless turtleneck clings over her huge breasts and the taut, distended belly ballooning out like a woman days from giving birth, and the light blue cardigan has fallen off both shoulders to hang loose behind her upper arms. Her silver hair, long between her eyes and bunched in its bun with loose sidelocks and a bent ahoge, swings forward over her lowered face; blue eyes wide and streaming, mouth torn open in a loud sob, cheeks wet, jaw clenched at the absolute limit of endurance. Behind her, a violent torrent of pale enema liquid blasts out from under the hem of the skirt like water from a car-wash hose — a thick, fast, foaming jet that strikes the floor and sprays across it in a spreading pool, splashing up the glass in long dripping streaks and running down the panes. Around her, a ring of muscular dark-skinned men — every one of them faceless, features blanked into shadow, shown only as broad bare-chested bulk, thick arms and shoulders crowding the frame — lean inward over her from all sides, grey sweatpants slung low on their hips, heavy gold chains swinging at their collarbones as they bend. They are grinning down at her, teeth bared, gleaming eyes hooded and naughty, and their gaze pins her from every edge of the picture; the low bottom-up angle puts the nearest one looming from below the frame edge so his gold chain catches the light against the black glass, while the top-down note flattens the floor around her into a wide circle of wet concrete ribbed by fluid. The room is a bare high-floor construction space inside a floor-to-ceiling glass curtain wall: unclad concrete slabs, grey metal columns, cable reels and a coiled hose at the far edge, stacked panels leaning against the mullions. Night presses against the glass and far below the city glitters in a cold grid of white and amber windows, its light rising faintly to rim the glass. The only real light is the harsh white worklights clamped overhead, throwing hard-edged shadows of the men across the wet floor and raising a long white specular streak along the flushed latex. Where the jet hits, the impact throws out a fan of droplets in an arc away from the hose line, and the wet concrete catches each droplet as a small dark pinprick before it spreads. Palette: cold silver-white, clinical worklight white, the deep glossy blue of the latex, dark brown and black of the leggings and heels, the men's dark skin and grey sweatpants, gold and the distant amber city — nothing else admitted. Cramped, humiliating, breathless
Show Parameters
Original Prompt
Yukino Mifuyu, blue eyes, silver hair, hair between eyes, hair bun, huge breasts, light blue cardigan off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings,black heels、 BBC_TP, BBC, dark skin, dark skinned male, gold chain, grey sweatpants, m_crowd, multiple boys, faceless male, naughty eyes, seductive smile, (Faceless, muscular, dark-skinned man:1.0), grinning face, inside the curtain wall construction room, high floor, night view, 大勢のBbcが女の周りを囲んでニヤニヤニヤしている。 top-down, bottom-up, , ,butt out, アングルは前から、中身が空の特大極太のガラス浣腸器が床に置いてある。 浣腸液を女に全部注入完了。我慢の限界、ついに浣腸液が女の尻から排出される。スカートは脱がない。お尻は見えない。 女は四つん這い。。浣腸液でパンパンになったお腹。出産真近の妊婦のよう。 号泣しながら浣腸液を洗車ホースの様に物凄い勢いよく出して床やガラスに浣腸液がついている。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.09k

Similar Images

Show more
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, 1boy, multiple boys, faceless male, dark skin, dark-skinned male, muscular, ((faceless, muscular, dark-skinned man:1.0)), gold chain, grey sweatpants, naughty eyes, seductive smile, grinning, grin, faceless, silver hair, blue eyes, hair between eyes, hair bun, long hair, sidelocks, ahoge, purple bow, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex skirt, tight skirt, shiny, dark blue skirt, micromini pencil skirt, dark brown leggings, black heels, kneeling, both knees on floor, seiza, butt out, hands on own stomach, distended stomach, swollen belly, belly bulge, crying, tears, trembling, holding it in, desperate, clenched teeth, furrowed brow, blush, sweat, half-closed eyes, from above, from below, from front, dutch angle, full body, curtain wall, unfinished construction interior, steel frame, concrete floor, floor-to-ceiling windows, night view, city lights, large glass syringe on floor, empty syringe, backlight, high contrast, Shot from a low front angle that tilts up and looks down at once on a steep diagonal, the camera braced near the concrete floor of an unfinished high-rise floor and angled so the near window mullions converge overhead. In the centre of the frame a young woman kneels on both knees, seiza, her shins flat on the dusty concrete, hips pressed forward and buttocks pushed out behind her so her lower back arches and the hem of her micromini pencil skirt rides tight across her thighs. Her hair is silver, long, with heavy sidelocks falling past her jaw, a small bun pinned at the back of her head, short strands between her eyes, a purple bow at the bun and a single ahoge springing from the crown; it hangs lank and shaken. Her eyes are blue, wide and brimming, lashes clumped wet, tears running unchecked down both cheeks, brows drawn up in the middle, mouth open and gritted in a desperate effort to hold on. She clutches her lower abdomen with both hands, fingers splayed and pressing, palms flat against a belly so massively swollen with enema fluid that it pushes the white turtleneck out into a hard taut dome, like a woman in imminent labor, the fabric stretched thin and glistening; her light blue cardigan has slipped off both shoulders and bunches at her upper arms, and her arms are bare. The shiny dark blue latex micromini skirt is stretched tight and glossy, dark brown leggings darkening her lower legs into the black heels, and her whole body trembles with fine shudders that shiver the loose cardigan and set her hair swaying. Around her a ring of four or five muscular dark-skinned men crowd in close, faceless — no facial features, only smooth blank heads turned down toward her — their thick bare torsos and shoulders filling the gaps between her and the windows, one gold chain hanging at the nearest man's collarbone, grey sweatpants slung low at their hips. The nearest two lean over her shoulders with the lofted, tilted bearing of men grinning down at what she is enduring; their heads aim at her swollen belly and hands, their postures loose and looming. She looks down at her own hands and nothing else. On the bare concrete floor a short step in front of her knee lies an extra-large, extra-thick glass enema syringe, completely empty, its heavy glass barrel lying on its side, light running along the curve of the glass and pooling bright in a thin bead at the nozzle. The floor is fresh grey concrete with steel studs and cable trays overhead; the whole far wall is curtain-wall glazing, and beyond it a night city drops away from the high floor — grids of lit windows, sodium-orange streets, cold blue glass — the only light source, so the men and the woman are rimmed with cold windowlight and their fronts fall into deep shadow, and their long shadows stream across the concrete toward the camera. Overall cast is cold blue-grey against the warm silver of her hair and the glossy blue of the skirt; clear glass, dark skin, and pale fabric separate cleanly. Bitter, gleaming tension.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, 1boy, multiple boys, faceless male, dark skin, dark-skinned male, muscular, ((faceless, muscular, dark-skinned man:1.0)), gold chain, grey sweatpants, naughty eyes, seductive smile, grinning, grin, faceless, silver hair, blue eyes, hair between eyes, hair bun, long hair, sidelocks, ahoge, purple bow, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex skirt, tight skirt, shiny, dark blue skirt, micromini pencil skirt, dark brown leggings, black heels, kneeling, both knees on floor, seiza, butt out, hands on own stomach, distended stomach, swollen belly, belly bulge, crying, tears, trembling, holding it in, desperate, clenched teeth, furrowed brow, blush, sweat, half-closed eyes, from above, from below, from front, dutch angle, full body, curtain wall, unfinished construction interior, steel frame, concrete floor, floor-to-ceiling windows, night view, city lights, large glass syringe on floor, empty syringe, backlight, high contrast, Shot from a low front angle that tilts up and looks down at once on a steep diagonal, the camera braced near the concrete floor of an unfinished high-rise floor and angled so the near window mullions converge overhead. In the centre of the frame a young woman kneels on both knees, seiza, her shins flat on the dusty concrete, hips pressed forward and buttocks pushed out behind her so her lower back arches and the hem of her micromini pencil skirt rides tight across her thighs. Her hair is silver, long, with heavy sidelocks falling past her jaw, a small bun pinned at the back of her head, short strands between her eyes, a purple bow at the bun and a single ahoge springing from the crown; it hangs lank and shaken. Her eyes are blue, wide and brimming, lashes clumped wet, tears running unchecked down both cheeks, brows drawn up in the middle, mouth open and gritted in a desperate effort to hold on. She clutches her lower abdomen with both hands, fingers splayed and pressing, palms flat against a belly so massively swollen with enema fluid that it pushes the white turtleneck out into a hard taut dome, like a woman in imminent labor, the fabric stretched thin and glistening; her light blue cardigan has slipped off both shoulders and bunches at her upper arms, and her arms are bare. The shiny dark blue latex micromini skirt is stretched tight and glossy, dark brown leggings darkening her lower legs into the black heels, and her whole body trembles with fine shudders that shiver the loose cardigan and set her hair swaying. Around her a ring of four or five muscular dark-skinned men crowd in close, faceless — no facial features, only smooth blank heads turned down toward her — their thick bare torsos and shoulders filling the gaps between her and the windows, one gold chain hanging at the nearest man's collarbone, grey sweatpants slung low at their hips. The nearest two lean over her shoulders with the lofted, tilted bearing of men grinning down at what she is enduring; their heads aim at her swollen belly and hands, their postures loose and looming. She looks down at her own hands and nothing else. On the bare concrete floor a short step in front of her knee lies an extra-large, extra-thick glass enema syringe, completely empty, its heavy glass barrel lying on its side, light running along the curve of the glass and pooling bright in a thin bead at the nozzle. The floor is fresh grey concrete with steel studs and cable trays overhead; the whole far wall is curtain-wall glazing, and beyond it a night city drops away from the high floor — grids of lit windows, sodium-orange streets, cold blue glass — the only light source, so the men and the woman are rimmed with cold windowlight and their fronts fall into deep shadow, and their long shadows stream across the concrete toward the camera. Overall cast is cold blue-grey against the warm silver of her hair and the glossy blue of the skirt; clear glass, dark skin, and pale fabric separate cleanly. Bitter, gleaming tension.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, 1boy, multiple boys, faceless male, dark skin, dark-skinned male, muscular, ((faceless, muscular, dark-skinned man:1.0)), gold chain, grey sweatpants, naughty eyes, seductive smile, grinning, grin, faceless, silver hair, blue eyes, hair between eyes, hair bun, long hair, sidelocks, ahoge, purple bow, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex skirt, tight skirt, shiny, dark blue skirt, micromini pencil skirt, dark brown leggings, black heels, kneeling, both knees on floor, seiza, butt out, hands on own stomach, distended stomach, swollen belly, belly bulge, crying, tears, trembling, holding it in, desperate, clenched teeth, furrowed brow, blush, sweat, half-closed eyes, from above, from below, from front, dutch angle, full body, curtain wall, unfinished construction interior, steel frame, concrete floor, floor-to-ceiling windows, night view, city lights, large glass syringe on floor, empty syringe, backlight, high contrast, Shot from a low front angle that tilts up and looks down at once on a steep diagonal, the camera braced near the concrete floor of an unfinished high-rise floor and angled so the near window mullions converge overhead. In the centre of the frame a young woman kneels on both knees, seiza, her shins flat on the dusty concrete, hips pressed forward and buttocks pushed out behind her so her lower back arches and the hem of her micromini pencil skirt rides tight across her thighs. Her hair is silver, long, with heavy sidelocks falling past her jaw, a small bun pinned at the back of her head, short strands between her eyes, a purple bow at the bun and a single ahoge springing from the crown; it hangs lank and shaken. Her eyes are blue, wide and brimming, lashes clumped wet, tears running unchecked down both cheeks, brows drawn up in the middle, mouth open and gritted in a desperate effort to hold on. She clutches her lower abdomen with both hands, fingers splayed and pressing, palms flat against a belly so massively swollen with enema fluid that it pushes the white turtleneck out into a hard taut dome, like a woman in imminent labor, the fabric stretched thin and glistening; her light blue cardigan has slipped off both shoulders and bunches at her upper arms, and her arms are bare. The shiny dark blue latex micromini skirt is stretched tight and glossy, dark brown leggings darkening her lower legs into the black heels, and her whole body trembles with fine shudders that shiver the loose cardigan and set her hair swaying. Around her a ring of four or five muscular dark-skinned men crowd in close, faceless — no facial features, only smooth blank heads turned down toward her — their thick bare torsos and shoulders filling the gaps between her and the windows, one gold chain hanging at the nearest man's collarbone, grey sweatpants slung low at their hips. The nearest two lean over her shoulders with the lofted, tilted bearing of men grinning down at what she is enduring; their heads aim at her swollen belly and hands, their postures loose and looming. She looks down at her own hands and nothing else. On the bare concrete floor a short step in front of her knee lies an extra-large, extra-thick glass enema syringe, completely empty, its heavy glass barrel lying on its side, light running along the curve of the glass and pooling bright in a thin bead at the nozzle. The floor is fresh grey concrete with steel studs and cable trays overhead; the whole far wall is curtain-wall glazing, and beyond it a night city drops away from the high floor — grids of lit windows, sodium-orange streets, cold blue glass — the only light source, so the men and the woman are rimmed with cold windowlight and their fronts fall into deep shadow, and their long shadows stream across the concrete toward the camera. Overall cast is cold blue-grey against the warm silver of her hair and the glossy blue of the skirt; clear glass, dark skin, and pale fabric separate cleanly. Bitter, gleaming tension.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, 1boy, multiple boys, faceless male, dark skin, dark-skinned male, muscular, ((faceless, muscular, dark-skinned man:1.0)), gold chain, grey sweatpants, naughty eyes, seductive smile, grinning, grin, faceless, silver hair, blue eyes, hair between eyes, hair bun, long hair, sidelocks, ahoge, purple bow, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex skirt, tight skirt, shiny, dark blue skirt, micromini pencil skirt, dark brown leggings, black heels, kneeling, both knees on floor, seiza, butt out, hands on own stomach, distended stomach, swollen belly, belly bulge, crying, tears, trembling, holding it in, desperate, clenched teeth, furrowed brow, blush, sweat, half-closed eyes, from above, from below, from front, dutch angle, full body, curtain wall, unfinished construction interior, steel frame, concrete floor, floor-to-ceiling windows, night view, city lights, large glass syringe on floor, empty syringe, backlight, high contrast, Shot from a low front angle that tilts up and looks down at once on a steep diagonal, the camera braced near the concrete floor of an unfinished high-rise floor and angled so the near window mullions converge overhead. In the centre of the frame a young woman kneels on both knees, seiza, her shins flat on the dusty concrete, hips pressed forward and buttocks pushed out behind her so her lower back arches and the hem of her micromini pencil skirt rides tight across her thighs. Her hair is silver, long, with heavy sidelocks falling past her jaw, a small bun pinned at the back of her head, short strands between her eyes, a purple bow at the bun and a single ahoge springing from the crown; it hangs lank and shaken. Her eyes are blue, wide and brimming, lashes clumped wet, tears running unchecked down both cheeks, brows drawn up in the middle, mouth open and gritted in a desperate effort to hold on. She clutches her lower abdomen with both hands, fingers splayed and pressing, palms flat against a belly so massively swollen with enema fluid that it pushes the white turtleneck out into a hard taut dome, like a woman in imminent labor, the fabric stretched thin and glistening; her light blue cardigan has slipped off both shoulders and bunches at her upper arms, and her arms are bare. The shiny dark blue latex micromini skirt is stretched tight and glossy, dark brown leggings darkening her lower legs into the black heels, and her whole body trembles with fine shudders that shiver the loose cardigan and set her hair swaying. Around her a ring of four or five muscular dark-skinned men crowd in close, faceless — no facial features, only smooth blank heads turned down toward her — their thick bare torsos and shoulders filling the gaps between her and the windows, one gold chain hanging at the nearest man's collarbone, grey sweatpants slung low at their hips. The nearest two lean over her shoulders with the lofted, tilted bearing of men grinning down at what she is enduring; their heads aim at her swollen belly and hands, their postures loose and looming. She looks down at her own hands and nothing else. On the bare concrete floor a short step in front of her knee lies an extra-large, extra-thick glass enema syringe, completely empty, its heavy glass barrel lying on its side, light running along the curve of the glass and pooling bright in a thin bead at the nozzle. The floor is fresh grey concrete with steel studs and cable trays overhead; the whole far wall is curtain-wall glazing, and beyond it a night city drops away from the high floor — grids of lit windows, sodium-orange streets, cold blue glass — the only light source, so the men and the woman are rimmed with cold windowlight and their fronts fall into deep shadow, and their long shadows stream across the concrete toward the camera. Overall cast is cold blue-grey against the warm silver of her hair and the glossy blue of the skirt; clear glass, dark skin, and pale fabric separate cleanly. Bitter, gleaming tension.
らり

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
9#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile