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AI artwork featuring #Bleach
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Bleach

#Bleach
e1

eitaeita.1007@icloud.com

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1girl, solo, female shinigami, tall female, 176cm, long black hair, straight black hair, black eyes, beautiful woman, mature female, slender, long legs, great figure, wide hips, narrow waist, black robe, hooded black robe, long black hooded robe, heavy matte black fabric, floor-length robe, wide sleeves, bare hands, holding scythe, large scythe, long wooden shaft, curved polished steel blade, both hands on shaft, from below, low angle, dutch angle, close-up on upper body, looking down at viewer, cruel expression, cold eyes, half-closed eyes, thin cruel smile, smirk, raised eyebrow, head tilted down, wind-blown hair, empty dark background, painterly anime illustration, soft oil texture, luminous watercolor light, airy brushstrokes, natural color bleeding, The camera sits low, tilted a few degrees off level, looking up at her from roughly waist height, so the hooded figure towers over the lens and the scythe's blade cuts diagonally across the upper frame. She is the only figure in the shot, upper body and thighs filling a vertical frame that crops just below the hip line; above and behind her is nothing but a deep black field. Her chin is tipped down and her eyes are half-lidded beneath lowered brows, pupils aimed straight into the lens, and the corner of her mouth pulls up on one side only — a thin, patient, merciless curl. Long straight black hair falls past her shoulders and past her chest, its left mass slipping out from under the hood to hang in front of the robe while the rest is pushed back inside; the low angle throws the crown of the hood into shadow. She grips the scythe with both hands on the wooden shaft, right hand higher near her collarbone with the fingers wrapped and the thumb locked over the wood, left hand lower across her body, and the shaft runs diagonally in front of her chest so the polished steel blade arcs over her head and out of the top of the frame. The heavy matte black fabric of the robe hangs in deep vertical folds from her shoulders, cinched, then flaring, and the wide sleeve of her raised arm slides back to bare her forearm. A single low light source burns from below and in front, climbing the underside of her jaw, the bridge of her nose, the rims of her hands and the long edge of the blade; everything behind and above her stays absolute black, with a faint cold highlight riding the steel and the wet shine on her lower lip. Palette is disciplined to black fabric, blue-black hair, skin, and one cold silver line for the scythe, nothing else admitted. The sharpest detail goes to her eyes, the tendons of her gripping hands and the contact where the shaft crosses her palm; the robe stays broad-brushed and painterly, oil softness in the cloth and watercolour glow bleeding along the lit edge of the blade. Cruel, statuesque.
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Original Prompt
美しい女性の死神 黒いローブを纏い大鎌を持っている 黒髪の長髪でスタイル抜群 176cm 表情は冷酷
Mode
pro
Style
Water-Infused Oil
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Water-Infused Oil
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
e1
1girl, solo, beautiful woman, tall female, 176cm, slender, long legs, great figure, black hair, long hair, straight black hair, expressionless, blank stare, deadpan, black robe, hooded robe, heavy black fabric, holding scythe, large scythe, both hands on shaft, scythe blade overhead, from below, low angle, dutch angle, full body, standing, weight on one leg, windblown hair, looking at viewer, night, cold blue light, dark background, painterly, visible brush textures, layered color blocks, cool teal-blue atmosphere, warm golden rim light, loose sketch-like linework, quiet dread The camera sits low and tilted, looking up the full height of the single figure so that her 176cm reads as towering: the tilted horizon cuts diagonally behind her hips and the scythe's long dark shaft rises past her shoulder to the frame's top edge, its curved blade crossing the upper corner behind her head. She stands with her weight sunk into her left leg, right knee eased forward and the right hip dropped, shoulders squared but spine leaning a few degrees back, chin level and tipped down just enough that she looks straight into the lens. Her face is a beautiful mask held entirely still: eyes half-lidded and flat, brows unraised, lips together and level, no smile, no tension at the jaw — the blankness is deliberate, not sleepy. Her long black hair falls past her waist in heavy straight sheets, strands lifting and streaming sideways in the wind, a few crossing her cheek and throat. The black robe is heavy cloth, not gauze: a deep hood pushed back to a thick collar behind her neck, broad sleeves whose cuffs hang low, the fabric gathered at a wide belt at the waist and falling in long vertical folds that flare at the hem, and the wind presses the robe flat against her right thigh and chest while the hem bellies out to her left in one big curved fold. Both hands grip the scythe shaft in front of her body, right hand above left, knuckles pale around the dark wood, forearms braced, and the shaft continues down past her feet out of frame. The scythe's blade is a long crescent of dark steel with a bright polished edge and a single dark smith's mark near the socket, angled so its edge catches the light. The setting is night, open and featureless behind her; a cold blue-teal ambient sits over everything, and one warm golden rim light rakes in from high behind her left shoulder, striking the crest of her hair, the outer edge of the hood collar, the top edge of the forearm and the scythe blade, while the front of her body and the center of the robe fall into deep matte black shadow; the light is the only light, and beyond its reach the darkness is absolute. Where the blade bites the ambient, a thin sliver of the teal sky shows through the negative space inside the crescent; the polished bevel throws a smeared, dimmer reflection of that sky rather than a mirror shine, and the gold rim light does not touch the flat of the blade at all. Palette held to black, cold teal-blue and that one warm gold, with her pale skin the only light neutral note at the center of the frame. Rendering is soft and painterly, built from visible brush textures and layered color blocks with loose, sketch-like linework, the large shapes of robe and blade kept simple and the detail spent on the face, the hands and the light's edge. Quiet dread.
eitaeita.1007@icloud.com
AI artwork
e1
1girl, solo, beautiful woman, tall, 176cm, statuesque, curvy figure, long legs, blonde hair, long hair, straight hair, black robe, hooded robe, floor-length robe, heavy matte fabric, wide sleeves, holding scythe, large scythe, long wooden shaft, curved steel blade, both hands on shaft, gentle smile, closed mouth, light smile, looking at viewer, half-closed eyes, from below, low angle, cowboy shot, dutch angle, dark background, cold light, volumetric fog, painterly, visible brushstrokes, loose sketch-like linework, teal and gold palette The camera sits low and tilts a few degrees off level, so the viewer looks up at her from around hip height and she reads as genuinely tall — the scythe's curved steel blade sweeps down into the upper-left of the frame while the butt of the wooden shaft touches the ground at the lower right, planted like a staff. She stands with her weight sunk onto her right leg, left knee slightly bent and left hip pushed out, shoulders relaxed back, torso turned a quarter away from the lens while her head comes back toward it. Both hands close around the scythe shaft at chest and waist height — right hand higher and gripping in front of her ribs, left hand lower and steadier below it, knuckles flexed, the wooden grain printed on her palms. The heavy black robe hangs floor-length from her shoulders in dense matte folds that swallow the light; the hood lies back off her head as a thick rolled collar around her neck, and the fabric gathers and pulls into vertical creases where the shaft leans against it, the wide sleeve falling away from the lifted right forearm to bare the wrist. Her long blonde hair spills from under the hood, one heavy strand sliding forward over her right collarbone and the rest falling behind her shoulder, its tips sinking into the robe's dark. Her face is lit from the upper left by one cold low-key source: a pale highlight runs down the left side of her jaw, temple and nose bridge, the eye sockets stand in soft shadow, and the right cheek and throat fall away into darkness; her lashes are lowered so the pupils catch only two small glints. Her lips close in a genuine gentle smile — corners lifted evenly, the lower lip catching a faint sheen, cheekbones barely rounded — and she looks straight down the lens with a quiet, unhurried welcome. The blade above her throws a soft rim of reflected light along the crown of her hair. Beyond her the background is absolute dark teal, filled with drifts of cold volumetric haze that brighten only where they cross the light beam, and the contact of the shaft butt with the ground splits into fine radiating cracks in a shallow puddle whose reflection of her robe is darker and softer than the robe itself. The palette holds to three registers: black and charcoal in the robe, cold teal in the fog and shadows, warm gold reserved for the hair and the lit edge of her skin. The whole surface is painted with visible brush texture and loose sketch-like linework, calm and quietly commanding.
eitaeita.1007@icloud.com
AI artwork
e1
1girl, solo, red hair, long hair, high ponytail, black robe, hooded robe, long robe, holding scythe, large scythe, both hands on shaft, maniacal grin, crazed smile, wide-eyed, teeth bared, open mouth, head tilted, looking at viewer, from below, low angle, dutch angle, cowboy shot, foreshortening, tall female, dramatic lighting, dark background, painterly, brush texture Low-angle dutch-angle cowboy shot of a single tall woman, seen from just below her hip so she towers over the camera; her 176cm frame is carried on a long vertical line, weight sunk into her right hip with her right leg planted and the left knee slightly bent forward. Her head tips down toward the lens, chin dipped, while the low camera forces her face to look down sidelong at the viewer: eyes wide and fixed on the lens, upper lids lifted, one brow arched higher than the other, mouth stretched in a broad crazed grin with the upper teeth bared and the corners pulled back into her cheeks. Both hands grip the scythe's dark shaft — right hand high near the collar of her robe, left hand lower and further down the haft, knuckles pale around the wood — and the long curved blade sweeps diagonally across the upper right of the frame, its point cropped by the top edge so its full length is implied rather than shown. The shaft crosses her body from lower left to upper right, passing in front of her shoulder, its butt end planted near the ground plane at her feet. Her thick matte black robe falls floor-length from her shoulders, a deep hood pushed back behind her neck and bunched at her collar, its heavy fabric folding in long vertical creases that swing slightly to her left with the turn of her torso; the high red ponytail is gathered tight at the crown, its tail thrown back and to one side, and a few loose strands are blown across her cheek. The blade's polished inner edge catches the key light as a thin white arc while its flat face stays dark, and the light is a single cool teal-blue source low and to her right, so her face is lit from beneath on the right side, the left side of her jaw and neck sink into shadow, and a long stretched cast shadow of the scythe falls across the ground to the left. Palette holds to black, deep teal-blue shadow and the red of her hair as its only saturated note, with warm gold only where the low light rims her cheekbone and the shaft of the scythe; visible brush textures and loose sketch-like linework, layered color blocks. Quiet dread.
eitaeita.1007@icloud.com

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