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AI art "NaLu family" featuring #Fairy Tail, #Lucy Heartfilia and #Natsu Dragneel
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NaLu family

#Fairy Tail#Lucy Heartfilia#Natsu Dragneel
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character: lucy_heartfilia, natsu_dragneel 3 people, family group of three, adult man, 30 years old, guild master, adult woman, 30 years old, wife, young girl, daughter, pink short spiked hair, black eyes, yellow eyes, sharp canines, white scarf, sleeveless dark coat, bare arms, muscular build, pink scaled scarf wrapped at the throat, blonde long hair, side ponytail, hair between eyes, blue ribbon at the ponytail base, brown eyes, sleeveless blue shirt, brown skirt, small pink-haired girl, child, single short ponytail, wide brown eyes, small blue dress, hugging from behind, lifted off the ground, arms around her waist, laughing, open mouth, closed eyes, ^ ^, looking at another, looking back, from below, low angle, foreshortening, outdoor, cobblestone guild courtyard, stone guildhall facade, banner overhead, bright midday, warm sunlight, strong shadows, looking at viewer, one eye closed, grin, waving, standing on one leg, dutch angle The camera sits low and close, tilted a few degrees off level, looking up: the three of them fill the frame as a single connected group against a stone guildhall facade that rises behind them, three tall arched windows and a hanging banner overhead cropped at the top edge of the shot. On the left of the group stands the man in his thirties, tall and broad-shouldered, pink spiked hair swept back by the wind, dark sleeveless coat open over a bare muscular chest and arms, the pink scaled scarf wound once at his throat with its tail end lifting away from his shoulder. He is caught mid-motion: weight on his right foot, left leg bent and lifted, right arm flung out to the side with the hand open, left hand reaching down and back to steady the small girl clinging to his hip. His jaw is dropped in a full open-mouthed laugh, the sharp canines showing, eyes squeezed shut into crescent lines, head tipped back so the low sun catches the underside of his chin. His scarf and coat hem both snap to the left in the same gust. In the centre-right of the group stands the woman in her thirties, blonde hair long and loose with a blue ribbon cinching a side ponytail high on one side, strands falling between her eyes, sleeveless blue shirt and brown skirt, her hip cocked against her husband's side and her right shoulder pressed into his arm. She has turned her upper body back toward her daughter, chin over her shoulder, one brown eye open and one closed in a wink, mouth pulled into a wide closed-lipped grin, and her left hand is raised at head height in a wave with the fingers spread, aimed straight at the viewer. The small girl, pink hair in one short ponytail with a few flyaway strands, is slung at the front of the man's hip, bare legs dangling, both arms clamped around his waist and her cheek mashed against his ribs; she is looking up at her mother's face rather than at the lens, mouth open in a delighted shout, one small hand fisted in the fabric of his coat. Her dangling feet kick slightly backward, both shoes off the flagstones. The wavy distortion of the low wide lens pushes her small figure slightly larger than life, foreshortened toward the viewer. The three bodies overlap in strict front-to-back order: the girl's arm crosses in front of the man's coat, his lifted forearm crosses in front of the woman's skirt, her hair falls across his shoulder. All four adult hands are accounted for, all contact points are pressed and compressed where skin meets cloth. Bright midday sun comes from the upper right, hard-edged shadow pooling under every chin, under the lifted foot, and under the child's dangling shoes, the flagstones' seams running away in converging lines toward the arch of the guild entrance. The palette is kept tight: warm grey stone, brick red and weathered brass in the banner, the blue of the two women's garments and the ribbon, and pink hair as the single bright note on both father and daughter. Wide-angle comic framing, crisp cel linework with flat shadow shapes, cheerful and boisterous.
Show Parameters
Original Prompt
30 years old guild Master Natsu Dragnel with their wife 30 years Lucy Heartfilia and their daughter Nashi Dragnel
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
Avatar image of Ramses Muñiz
character: natsu_dragneel, juvia_lockser 1boy, 1girl, 1male child, family, three people, walking together, family stroll, holding hands, outdoors, daytime, from behind, over-shoulder composition, looking back, full body, wide shot, path, Natsu Dragneel, short spiked salmon-pink hair, yellow eyes, white scarf floating behind, sleeveless dark coat with scaled pattern, open collar, bare arms, dark pants, tail curled behind his leg, Juvia Lockser, long blue hair, side ponytail, blue eyes, blue dress, bare shoulders, detached sleeves, hair completely unadorned, no hair ornament, no hat, young boy, short spiky salmon-pink hair, white linen button-down shirt with rolled sleeves, navy blue cotton shorts, small sandals, bare earlobes, no jewelry, sunlight from upper right, long low shadows, cobblestone lane, dappled shade, warm afternoon palette Seen from behind and slightly above in a wide over-shoulder framing, the three of them walk away down a cobblestone lane, and the two parents have turned their heads back toward the lens together while the boy keeps facing forward. Natsu takes the left of the lane, his weight rocked onto his forward right leg mid-stride, left heel lifted off the stones so his sandal sole shows; his right hand hangs loose and swings slightly forward, his left forearm crooked so the boy's small hand is folded inside it, thumb over the child's knuckles. The white scarf lifts away from his right shoulder in the breeze and trails back between him and Juvia, its fringe flicking upward. His chin is turned over his shoulder, one eyebrow cocked, a lopsided grin pulling one corner of his mouth, yellow eyes aimed straight at the viewer. His spiked hair stands up in the warm backlight, the edges gilded. Juvia walks on the right, half a step behind him, her weight on her back foot, the blue dress and its loose detached sleeves stirred back against her legs, a print of small birds and leaves moving across the fabric. Her long blue hair and the side ponytail stream toward the camera; her hair is completely unadorned, no flower, no clip, nothing at the throat. The boy's right hand is swallowed in her left, her fingers wrapped around his and her little finger lifted clear. She has looked back over her far shoulder too, blue eyes soft, a faint closed-lip smile, the wind blowing a single lock across her cheek. Bare shoulders catch the light along their top edge. Between them the boy is the smallest and lowest in frame, walking with his chin forward, both arms stretched up to the two hands that hold him, sandals scuffing a small cloud of pale dust off the stones. His rolled linen sleeves show his thin forearms; his spiky hair tips bounce with each step. His eyes are fixed ahead on something down the lane, not on the camera, so his parents' backward faces and his forward one pull the composition into a shallow V. The lane narrows into the distance between low ochre walls, and the low afternoon sun from the upper right throws three long shadows forward along the stones, the child's shadow running between and slightly shorter than the two adults' -- the only place the family's shape reads unbroken. Where the boy's feet lift, a faint puff of dust hangs in the backlight; the shrubs over the wall throw dappled patches that slide across their shoulders and the backs of their heads. Facades beyond are simplified to blocks of warm ochre and faded green, a distant clothesline strung between two windows, incidental signage illegible. Palette holds to sky blue, salmon-pink, white linen, navy and the warm stone ochre, nothing else admitted. Quiet, tender.
Ramses Muñiz

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