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AI art "初音ミク・ガラスの向こうのきみ" featuring #Hatsune Miku and #Vocaloid
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初音ミク・ガラスの向こうのきみ

『Vocaloid』の初音ミクを描きました。ひび割れたガラス越しにこちらを見つめる姿がとても幻想的で、思わず見入ってしまいます。好きだと思ったら、ぜひいいねとフォローをお願いします!次回作もお楽しみに、コメントで感想を聞かせてくださいね〜

#Hatsune Miku#Vocaloid
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character: hatsune_miku 1girl, hatsune miku, solo, twintails, very long aqua hair, aqua eyes, hair between eyes, black hair ornament, detached sleeves, sleeveless shirt, aqua necktie, pleated black skirt, bare shoulders, hand on glass, outstretched arm, palm pressed flat against glass, cracked glass, shattered glass, radiating cracks, glass between viewer and subject, view through glass, pov from the other side of the glass, looking at viewer, leaning forward, from below, close-up, dark background, near-total darkness, faint rim light, cool aqua highlights, desaturated palette, high contrast, shallow depth of field, melancholic The camera sits on the far side of a thick pane of glass, low and tilted slightly upward, so the figure behind it is seen from below through the glass and the frame is bounded by the pane's own edges. She leans in close, her right arm stretched forward, the open palm of her right hand pressed flat against the inner face of the glass, fingers slightly splayed, fingertips bent back a little by the pressure, the heel of her palm flattened against the surface and the pad of each finger showing a pale compressed oval where it meets the pane. Her left hand hangs low and out of frame behind her, unseen. A radial spiderweb of cracks blooms out from the point level with her shoulder: glass shards still seated in their sockets, fracture lines silvered where they catch the light, one long split running diagonally past her cheek without breaking the silhouette of her face. The glass itself is the carrier of the whole image -- faint greasy smears and a soft bloom of condensation around her palm, the tip of her nose and one cheekbone almost touching the pane, breath fogging a small wet circle that she has wiped half away. Through the glass she is lit only by a cold aqua glow from somewhere behind and above her own head: it rims the twin tails that hang down past her waist, catches the scalloped edge of her black hair ornaments, and leaves her face half in shadow, one aqua eye bright and one lost in darkness. The background beyond her is an almost absolute black room, no furniture, no floor line, only a faint grey suggestion of depth; everything outside the reach of that single cold source is black. The glass reflects the room back at the camera in a ghost double of her own raised arm and a dim smear of aqua hair, the reflection darker and softer than the girl herself. Her expression is quiet and fixed, lips slightly parted, brow drawn, gaze locked straight into the lens from the other side of the barrier, searching rather than pleading. Colour is held to aqua, black and the cold grey-white of fractured glass, nothing else admitted. The pane is slightly grubby and imperfect, refracting her lower body a few millimetres out of register where the glass thickens. Melancholic, quietly desperate.
Show Parameters
Original Prompt
初音ミク、手を伸ばしてガラスに手をつけている、ガラスの向こうから見た視点、ガラスにヒビが入っている、暗い世界、
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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character: hatsune_miku 1girl, hatsune_miku, twintails, very long aqua hair, aqua eyes, hair ornament, black hairband, detached sleeves, sleeveless shirt, pleated skirt, necktie, bare shoulders, hand pressed against glass, reaching out, outstretched arm, palm flat on glass, cracked glass, glass shards, spiderweb cracks, seen through glass, pov from other side of glass, looking at viewer through glass, from below, close-up, dark world, darkness, gloom, dim lighting, cold blue light, expressionless, half-closed eyes, holding breath, vignette, 1girl, solo POV from beyond the glass: the camera sits in near-total blackness on the outside, so a single pane of thick glass fills the frame between the viewer and her, and everything in the room behind it is seen through that pane. Her flat palm is pressed on the far face of the glass, fingers spread, the heel of her hand and each fingertip flattened pale and bloodless against it; her arm stretches up and back toward her shoulder, foreshortened by the angle. A radiating impact crack webs from a point just below and to the left of the viewer’s line of sight, one long jagged split running across the pane and crossing the back of her hand, so the hand is read through the fracture with its lines split and slightly displaced. Her face floats behind the upper third of the glass, close to the surface, tilted down towards the hand; her aqua eyes look along her own arm to the point where skin meets glass, half-lidded, lips slightly parted as if she is listening for a sound through the pane. Her hair hangs long and heavy around her shoulders, and both twintails trail away behind her into the darkness, one edge catching a thin cold light. She is seen from below, so her chin is lifted slightly and the underside of her jaw and her bare shoulders catch the only light there is: a weak, cold blue source inside the room, low and off to the right, which strikes her cheek and shoulder, grazes the arm, and leaves everything past her elbows and the whole surrounding world to rise only a step above pure black. The glass itself carries the light—faint, cold smears of reflection along the upper edge and a dim blurred ghost of the lens surface where no crack runs. The palette is restricted to three things: black, the cold blue-white of her hair and skin, and the faint silver-green of the glass and its fracture lines. Deep, soft shadow; no other light source beyond the pool the cold blue makes just inside the glass; a single point of condensation at her fingertips where her skin meets the removed surface. Quiet, uneasy.
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