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AI art "都市 送電線" featuring #Utility pole and #zetaCollab
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都市 送電線

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Utility pole
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榊原久就

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2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
Show Parameters
Original Prompt
虎とタヌキが名古屋でコサックダンス
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.48k

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AI artwork
Avatar image of 榊原久就
2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
榊原久就
#zetaCollab
AI artwork
Avatar image of 榊原久就
2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
榊原久就
#zetaCollab
AI artwork
Avatar image of 榊原久就
2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
榊原久就
#zetaCollab
AI artwork
イ
retro movie poster, kaiju, tokusatsu, 1960s (style), painted illustration, 2monsters, giant, tanuki, raccoon, low angle, from below, fighting, sumo, grappling, claws, holding weapon, sake bottle, tokyo, cityscape, skyline, dusk, searchlight, military helicopter, dust, sparks, rim lighting, vibrant colors, vertical text, japanese text Viewed from a dramatic low angle looking up from miniature street level, this retro 1960s tokusatsu kaiju movie poster is executed as a bold, saturated painted illustration. Two colossal beast monsters stand upright in massive bipedal stances, locked in a fierce sumo-wrestling grapple high above the Tokyo skyline at dusk. On the left, a giant tanuki monster with dense brown fur and a thick, bushy ring-banded tail braces its heavy feet atop crumbling concrete rooftops, its jaws opened wide in a ferocious roar; in its raised left paw, it wields a colossal brown ceramic sake bottle like a massive club poised to strike. On the right, a giant raccoon monster with grizzled grey-brown fur and distinctive pitch-black mask fur framing its glowing eyes drives its bulk forward, its right arm slashing violently downward with massive, curved white claws aimed at the tanuki's chest. Where their heavy torsos collide, friction creates a burst of bright orange sparks and billowing pulverized dust that drifts through the air. Below their shins, miniature Tokyo office towers, glowing neon signage, and tiny street grids look microscopic, establishing their immense scale. Ground-based searchlights throw brilliant intersecting white beams upward across the scene, casting stark rim lighting along the monsters' fur and snouts, while swarms of tiny military attack helicopters buzz between the titans, caught in turbulent air currents. The dusk sky transitions from warm blazing orange along the horizon to deep indigo above. At the top of the poster layout, large vertical Japanese title text is emblazoned in bold, textured black-and-vermilion brush strokes reading "狸vsアライグマ 大野獣東京大決戦". Gouache paper tooth, painterly edge definition, saturated vintage palette. Thunderous spectacle.
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